Janesse Crawford spends her teenage and young adult years trying to balance her tomboy, girl-loving side with being the picture-perfect daughter her mother wants. It’s difficult, and Janesse is full of self-doubt, but she manages to find a way to make it work. Then Janesse meets sexy, confident Maya Lawson, who is everything she didn’t realize she wanted, and her world is turned upside down. But Janesse makes a choice and doesn’t look back. ​​​​​​​Thirty years later, Janesse is married to a man who loves her, has raised two wonderful children, and has a successful career doing what she loves. But when a chance meeting with Maya brings her past rushing back, the lie Janesse has been living comes crashing in on her. She let Maya get away once, but her second chance at true love could cost her the picture-perfect world she’s spent a lifetime building. It’s not too late for Janesse to blossom into the woman she’s always wished to be. But on her path to self-acceptance, she will risk everything—and possibly everyone—she loves.

The Lotus Flower is a collection of poetry about healing; mother nature; love; relationships; spirituality; religion; depression amongst many other subjects. The Lotus Flower stays close to mother nature throughout. The poems were written in order to heal from mental health illness and gain a new life of spirituality and wisdom. The poetry depicts life in its minute form and brings small things to life. The poetry is written from a feminist point of view covering many areas of femininity and mother nature. Beginning with the poem 'My Brand New Book, ' shows my second chance in life of writing and living, still staying natural to my environment and my experiences. As the poems develop and come out of their shell I write about depresssion and relationships, asking the question: Who am I ? continuously. The title is inspired from the poem 'About Ancestor Voices' and it was after this poem my poetry was growing into another dimension, especially the lines: ' The lakes are laid with the Lotus, As they have fought from the depths of waters', Carrying hope, light and purity in their shield like petals.'The poetry develops into 'My World' and 'A Poetess Grows' showing the development in the poetry reflecting life. As it develops I express the importance of childhood and religion. As identity in finding life back is explored I return to religion and back to nature. After writing 'The Phoenix' the poetry expresses love and resurrection and how much we can learn from mother nature.

Through art, one enters into the mystery of soul. Letting the Lotus Bloom explores flower arranging in relationship to this mystery, finding insights applicable to all creative pursuits. They are the bones of a truly creative, artful life.

This spiritual poetry book explores the hardships we face throughout our life and inspires you to search within to find the tools you need to survive. Come and nurture the cravings of your soul.

Regarded as a cursed omega who has a filthy, special ability to heal people with her body, Beth is sold by her relatives to the strongest and wealthiest pack in the continent - the LeBlanc Clan's leader, Kaius LeBlanc, an alpha who apparently needs Beth's healing power to cure his hidden illness. Beth plans to escape and reach her own goals until she slowly unravels the mysteries behind Kaius' cold and ruthless heart, finding that all she has known since birth may have been a lie after all... Haunted by his dark past, will the cold-hearted Kaius be able to put his nightmares behind him and treat Beth with warmth and kindness? Or will he grab Beth and allow the demons in his head to take control, destroying her like the ferocious beast he imagines himself to be in his nightmares?

The book The breeze of love and life has given birth to the romance of limitless love and love of immeasurable happiness. It may be a challenge for the reader to resist from falling in love after reading itno no... after feeling the breeze of love in this book. So romantic and so lovable the life is while committing to each other says the poem SEED AND SOIL. Born of love or Born out of love, we do not bid farewell, but we fair well to reach other in life is portrayed in the poem FEELINGS. Love remains a Teacher for teaching the compassion of love in infinite measures, declares NUANCES OF LOVE. All challenges in my life have become changes on your arrival says YOUR ARRIVAL. The life of Nature and the Nature of human life is captured vividly in the poem THE EMERALD VALLEY. So beautiful the valley is! I see young leaves adorning the old roots. Sex is a state of yogic bliss, It is a fusion of perspiration and respiration.. a tiring process.. to generate a generation says the poem SEX. Existing is beautiful but existing in style is attraction. A lone grass is beautiful but a grass in group is attraction says the poem GRASS. Despite my love for you all my life, you are contesting me all your life, says the VOICE OF TREE. A class always left to live with the miscarried justice, depicts the condition of the poor in the poem POOR. Left alone on the streets with the taste of tears and with the task of sadness explains the poem PATHOS OF STREET CHILDREN. Unlike the sea farer, only the voyager of great seas knows the depth of the sea and the strength of sea exhibit the poem VOYAGER. So beautiful the voyage of imagination, through the life of love in this book.

The heart of this book is a dramatic love poem, the Rasa Lila, which is the ultimate focal point of one of the most treasured Sanskrit texts of India, the Bhagavata Purana. Judged a literary masterpiece by Indian and Western scholars alike, this work of poetic genius and soaring religious vision is one of the world's greatest sacred love stories and, as Graham Schweig clearly demonstrates, should be regarded as India's Song of Songs. The story presents the supreme deity as the youthful and amorous cowherd, Krishna, who joins his beloved maidens in an enchanting and celebratory "dance of divine love." Schweig introduces this work of exquisite poetry and profound theology to the Western world in the form of a luminous translation and erudite scholarly treatment. His book explores the historical context and literary genre of the work and elucidates the aesthetic and emotional richness of the composition, highlighting poignant details of this drama of divine love. Schweig illuminates the religious dimensions and ethical nuances of the drama, drawing widely from the commentaries and esoteric vision of masters of the Caitanya school of Vaishnavism, a prominent devotional Hindu tradition. Themes such as transcendence of death through love, the yoga of devotion, the contrast between worldly love and passionate love for God, and the dialectical tension between ethical boundaries and boundless love are presented. The final event of the Rasa dance, the author concludes, presents a dynamic symbol of supreme love that provides the basis for a theological vision of genuine religious pluralism.