From pre-First World War Warsaw to the New York of the 1930s, Nobel Prize-winner Isaac Bashevis Singer traces the early years of his life in this autobiographical trilogy. In A Little Boy in Search of God, he remembers his bookish boyhood as the son of an Orthodox rabbi, equally absorbed in science, philosophy and cabbala. Later, the pursuit of women came to obsess him almost as much as the pursuit of knowledge, and in A Young Man in Search of Love he chronicles the intricacies of his first love affairs. When he emigrated to the United States from Poland on the eve of the Second World War loneliness and depression overwhelmed him, and he relives those dark years in Lost in America. From beginning to end, Love and Exile sheds new light on Singer's own life and the fictional lives mirrored in it.

A new paperback edition of a haunting novel of love and loss and the impossibility of true exile from the world

With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history. It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

Quasicrystals: The State of the Art has proven to be a useful introduction to quasicrystals for mathematicians, physicists, materials scientists, and students. The original intent was for the book to be a progress report on recent developments in the field. However, the authors took care to adopt a broad, pedagogical approach focusing on points of lasting value. Many subtle and beautiful aspects of quasicrystals are explained in this book (and nowhere else) in a way that is useful for both the expert and the student. In this second edition, some authors have appended short notes updating their essays. Two new chapters have been added. Chapter 16, by Goldman and Thiel, reviews the experimental progress since the first edition (1991) in making quasicrystals, determining their structure, and finding applications. In Chapter 17, Steinhardt discusses the quasi-unit cell picture, a promising, new approach for describing the structure and growth of quasicrystals in terms of a single, repeating, overlapping cluster of atoms.

The bestselling author of Last Train to Istanbul returns with a tale of love defying all boundaries. Sabahat, a beautiful young Muslim woman, is known in her family for her intelligence, drive, and stubbornness. She believes there is more in store for her life than a good marriage and convinces her parents to let her pursue her education, rare for young Turkish women in the 1920s. But no one--least of all Sabahat herself--expects that in the course of her studies she will fall for a handsome Armenian student named Aram. After precious moments alone together, their love begins to blossom. Try as she might to simplify her life and move on, Sabahat has no choice but to follow her heart's desire. But Aram is Christian, and neither family approves. With only hope to guide their way, they defy age-old traditions, cross into dangerous territory, and risk everything to find their way back to each other. One of Turkey's most beloved authors brings us an evocative story of two star-crossed lovers inspired by her own family's history.

eTextbooks are now available through VitalSource.com! Called "a major innovator in his art form" by The New York Times, Baghdad-born poet Abdul Wahab Al-Bayati broke with over fifteen centuries of Arabic poetic tradition to write in free verse and became world famous in the process. Love, Death, and Exile: Poems Translated from Arabic is a rare, bilingual facing-page edition in both the original Arabic text and a highly praised English translation by Bassam K. Frangieh, containing selections from eight of Al-Bayati's books of poetry. Forced to spend much of his life in exile from his native Iraq, Al-Bayati created poetry that is not only revolutionary and political, but also steeped in mysticism and allusion, moving and full of longing. This collection is a superb introduction to Al-Bayati, Arabic language, and Arabic literature and culture as well. On Al-Bayati's death in 1999, The New York Times obituary quoted him as saying once that his many years of absence from his homeland had been a "tormenting experience" that had great impact on his poetry. "I always dream at night that I am in Iraq and hear its heart beating and smell its fragrance carried by the wind, especially after midnight when it's quiet."

The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated. That much is indisputable. So, First-Wave feminists held rallies for women's suffrage. Second-Wave feminists marched for Prohibition, jobs, and abortion. Today, Third-Wave feminists stand firmly for nobody's quite sure what. But modern women--who use psychotherapeutic antidepressants at a rate never before seen in history--need liberating now more than ever. The truth is, feminists don't know what liberation is. They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important. It dismisses the pencil-skirted and stiletto-heeled executives of TV, the outspoken feminists freed from all that hinders them, the brave career women in charge of their own destinies. Once those fictionalized stereotypes are out of the way--whether they're things that make you gag or things you think look pretty fun--Christians can focus on real women. What did God make real women for?

Edith, a struggling young writer from the East Bronx, worked first at the The Daily Worker, and then as one of the first "American railroad girls.".

Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

A "novel based on an unexplored slice of World War II history, following a young Jewish girl whose family flees refined and urbane Vienna for safe harbor in the mountains of Bolivia"--