From the accounts of 18th-century travelers to the interpretations of 21st-century historians, Jumonville lists more than 6,800 books, chapters, articles, theses, dissertations, and government documents that describe the rich history of America's 18th state. Here are references to sources on the Louisiana Purchase, the Battle of New Orleans, Carnival, and Cajuns. Less-explored topics such as the rebellion of 1768, the changing roles of women, and civic development are also covered. It is a sweeping guide to the publications that best illuminate the land, the people, and the multifaceted history of the Pelican State. Arranged according to discipline and time period, chapters cover such topics as the environment, the Civil War and Reconstruction, social and cultural history, the people of Louisiana, local, parish, and sectional histories, and New Orleans. It also lists major historical sites and repositories of primary materials. As the only comprehensive bibliography of the secondary sources about the state, ^ILouisiana History^R is an invaluable resource for scholars and researchers.

In the early years of the nineteenth century, the burgeoning cultural pride of white Creoles in New Orleans intersected with America's golden age of print, to explosive effect. Imagining the Creole City reveals the profusion of literary output -- histories and novels, poetry and plays -- that white Creoles used to imagine themselves as a unified community of writers and readers. Rien Fertel argues that Charles Gayarré's English-language histories of Louisiana, which emphasized the state's dual connection to America and to France, provided the foundation of a white Creole print culture predicated on Louisiana's exceptionalism. The writings of authors like Grace King, Adrien Rouquette, and Alfred Mercier consciously fostered an image of Louisiana as a particular social space, and of themselves as the true inheritors of its history and culture. In turn, the forging of this white Creole identity created a close-knit community of cosmopolitan Creole elites, who reviewed each other's books, attended the same salons, crusaded against the popular fiction of George Washington Cable, and worked together to preserve the French language in local and state governmental institutions. Together they reimagined the definition of "Creole" and used it as a marker of status and power. By the end of this group's era of cultural prominence, Creole exceptionalism had become a cornerstone in the myth of Louisiana in general and of New Orleans in particular. In defining themselves, the authors in the white Creole print community also fashioned a literary identity that resonates even today.

This is an altogether engaging collection of ruminations on early New Orleans writers -- George Washington Cable, Grace King, Lafcadio Hearn, and Kate Chopin -- as well as three prolific twentieth-century authors who called the Crescent City "home" at various times: William Faulkner, Tennessee Williams, and Walker Percy. In the book's final essay, Lewis P. Simpson reflects on the history of New Orleans as a literary center, giving special emphasis to Percy's The Moviegoer and John Kennedy Toole's A Confederacy of Dunces.

Kate Chopin was a nationally acclaimed short story artist of the local color school when she in 1899 shocked the American reading public with The Awakening, a novel which much resembles Madame Bovary. Though the critics praised the artistic excellence of the book, it was generally condemned for its objective treatment of the sensuous, independent heroine. Deeply hurt by the censure, Mrs. Chopin wrote little more, and she was soon forgotten. For decades the few critics who remembered her concentrated on the regional aspects of her work. In the Literary History of the United States, where Kate Chopin is highly praised as a local colorist, The Awakening is not even mentioned. In recent years, however, a few critics have given new attention to the novel, emphasizing its courageous realism. In the present book, Mr. Seyersted carries out an extensive re-examination of both the life and work of the author, basing it on her total oeuvre. Much new Kate Chopin material, such as previously unknown stories, letters, and a diary, has recently come to light. We can now see that she was a much more ambitious and purposeful writer than we have hitherto known. From the beginning, her special theme was female self-assertion. As each new success increased her self-confidence, she grew more and more daring in her descriptions of emancipated woman who wants to dictate her own life. Mr. Seyersted traces the author’s growth as an artist and as a penetrating interpreter of the female condition, and shows how her career culminated in The Awakening and the unknown story ‘The Storm.’ With these works, which were decades ahead of their time, Kate Chopin takes her place among the important American realist writers of the 1890’s.

Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)

The monograph looks at the literary representation of race relations in the American South from 1890 to 1940. Literary texts by Southern white and black authors form part of a complex discourse of race that incorporates historical, economical, social, and literary practices. In four historical periods the increasing opposition to the prevalent discourse of race is delineated. Each chapter covers four interlocked areas: 1. The grounding of the literary discourse of race in the economic and political developments. 2. The changes in the representation of the black 'Other' by white writers. 3. The tactics of subversion and resistance through 'black sounds' that established a counterhegemonic discourse. 4. The role of women writers and their attempts at undermining the patriarchal discourse.