Society of the Sacred Heart, United States - Canada Province 4120 Forest Park Avenue | St. Louis, MO 63108

How do you pray? Could there be a more personal question? Or one more challenging to answer? Yet, 55 Religious of the Sacred Heart-Roman Catholic sisters--took on the question with their characteristic humility, openness, courage and humor. Their answers are as different as they are. Together the essays in this book reveal not just the individuality of these women, but the beauty of their relationships with the "one whom they love." For each of us, prayer is all about a personal, individual relationship with God. Those of us who have not taken religious vows may think Catholic sisters have some secret formula for prayer, or that they have a more direct line of communication to God. What you'll find in these essays is that we all struggle with the same distractions, the same questions, the same desire for intimacy with our God. Prayer, it would seem, is not so much a skill as it is a journey. This book may not teach you how to pray. But in reading these honest, straight-forward accounts from some veteran pray-ers, you might find the encouragement and reassurance to recognize that you, too, are already on the right path. After all, the desire to be in communion with God is itself a perfect prayer.

For more than fifteen years, Melissa Ann Pinney has been making photographs of girls and women, from infancy to old age, to portray how feminine identity is constructed, taught, and communicated. Her work depicts not only the rites of American womanhood—a prom, a wedding, a baby shower, a tea party—but the informal passages of girlhood: combing a doll's hair, doing laundry with a mother, smoking a cigarette at a state fair. With each view, we gain a greater understanding of the connections between mother and daughter, and by extension the larger world of family, friends, and society. Pinney's approach to interpreting girlhood became more complicated and complex when her daughter, Emma, was born eight years ago. Emma's childhood evoked in Pinney her own girlhood and gave her work new meaning and purpose. Ultimately, Regarding Emma shares with all of us the incremental and the ritualistic changes that take place in a woman's life over time. Her photographs are artistic and social documents that reveal the subtle and bold aspects of feminine identity—documents whose reach will extend well beyond the walls of America's leading galleries and museums into the hearts and homes of everyday Americans. "Melissa Ann Pinney is making powerful art. In matters of light, color, and composition she is flawless. But these are not simply constructions of elements. These photographs bear witness to the speed at which the little girl becomes the old woman, to the fleeting, breathless beauty of childhood, to life itself, which leaves us stunned in its wake."—Ann Patchett, from the Foreword "Melissa Ann Pinney provides a compelling portrait of American girls as they make their way from infancy to adulthood. Using her daughter's childhood as a point of departure, she traces the complex terrain of adolescence and budding femininity. The results are photographs marked by empathy and grace."—Sylvia Wolf, Sondra Gilman Curator of Photography, Whitney Museum of American Art, New York City "These photographs by Melissa Ann Pinney impart a sense of the special and sacred everyday rituals we take for granted. She appreciates at once the transient nature of what she finds and its gravity. Her pictures describe so well the wonder, and beauty, and centrality of the things we know best and the people we see often."—Sandra S. Phillips, Curator of Photography, San Francisco Museum of Modern Art "Melissa Ann Pinney's record of life with her daughter, Emma, adds a new and touching chapter to our knowledge of the lives of women and girls."—Adam Gopnik, author of Paris to the Moon and a staff writer for The New Yorker "Melissa Pinney's passionate, painstaking investigation of the stages of women's lives is impressive for its rigor and courage. Her themes aren't imposed on the pictures or on the women, men, and children who people them; instead, they arise from her attentive study of particularities— of the ways human lives are etched on the surfaces of faces and the positions of bodies in real spaces and places, mundane but radiant. When she turns from the lives of others to her own life, the shift is seamless but the volume swells, the emotions grow more pointed and the paradoxes more painful, joyous, and direct. This is remarkable work by an artist at the height of her powers."—Peter Bacon Hales, author of William Henry Jackson and the Transformation of the American Landscape

For nearly thirty years, Melissa Ann Pinney has been photographing girls and women, from infancy to old age, to portray how feminine identity is constructed, taught, and communicated. Pinney’s work depicts not only the rites of American womanhood, but also the informal passages of girlhood and adolescence. With each view—from solitary subjects in pensive moments to complex family and social situations—the audience gains a richer understanding of the connections between a daughter and her parents, grandparents, and the larger world of friends and society. The pictures also reflect the ways in which a girl’s world in 2010 differs from the world Pinney knew growing up in the 1960s, and the ways in which the making of a person can transcend time and place. Girl Ascending is a sequel to Pinney’s widely praised first book, Regarding Emma: Photographs of American Women and Girls. Of that previous book Janina Ciezaldo wrote in Aperture, “Pinney brings compositional integrity, knowledge of color, and a Midwestern richness of light to her inquiries.” This second volume is even more accomplished, mature, and stylistically consistent. As David Travis writes in his introduction, “Pinney has regained that sense of wonder, making her view of girls ascending into young women both believable and enchanting.” Pinney’s photographs are powerful and insightful. As social and artistic documents, they reveal the subtle and bold aspects of feminine identity as it is expressed in American places and spaces, both private and public.

"There are letters concerning the establishing of the Corps of Discovery's first winter camp in December 1803, preparations for setting out into the country west of Fort Mandan in 1805, and Clark's fossil dig at Big Bone Lick, Kentucky, in 1807. There are also letters about Lewis's disturbed final days that shed light on whether he committed suicide or was murdered.

This is the fascinating story of Catholic heroes who, despite discrimination and persecution, saw the promise of America and sought to fight for its independence. Some of these Catholic heroes were Americans, like the three Carroll brothersmof Maryland who included Charles, the longest-lived signer of the Declaration of Independence, John, America's first bishop, and John Barry, one of the founders of the U.S. Navy. Other heroes were foreign-born: Frenchmen like legendary generals the Marquis de Lafayette and the Comte de Rochambeau, as well as Polish soldiers such as Casimir Pulaski, the founder of the U.S. Calvary, and the daring Thaddeus Kosciuszko. All were inspired by their Catholic faith to join the Revolution and its call for human freedom and dignity. For all who are passionate about the Catholic Faith and the American experiment, Dan LeRoy's Liberty's Lions is a book you won't be able to put down.