An eye-opening look at Little Women author Louisa May Alcott's time as a Civil War nurse, and the far-reaching implications her service had on her writing and her activism Louisa on the Frontlines is the first narrative nonfiction book focusing on the least-known aspect of Louisa May Alcott's career -- her time spent as a nurse during the Civil War. Though her service was brief, the dramatic experience was one that she considered pivotal in helping her write the beloved classic Little Women. It also deeply affected her tenuous relationship with her father, and inspired her commitment to abolitionism. Through it all, she kept a journal and wrote letters to her family and friends. These letters were published in the newspaper, and her subsequent book, Hospital Sketches spotlighted the dire conditions of the military hospitals and the suffering endured by the wounded soldiers she cared for. To this day, her work is considered a pioneering account of military nursing. Alcott's time as an Army nurse in the Civil War helped her find her authentic voice -- and cemented her foundational belief system. Louisa on the Frontlines reveals the emergence of this prominent feminist and abolitionist -- a woman whose life and work has inspired millions and continues to do so today,

Recounts the author's experiences as a young woman caring for wounded Union soldiers in Washington, D.C. during the Civil War and the impact that these experiences had on her development as an author.

Winner of the Pulitzer Prize for Biography Louisa May Alcott is known universally. Yet during Louisa's youth, the famous Alcott was her father, Bronson—an eminent teacher and a friend of Emerson and Thoreau. He desired perfection, for the world and from his family. Louisa challenged him with her mercurial moods and yearnings for money and fame. The other prize she deeply coveted—her father's understanding—seemed hardest to win. This story of Bronson and Louisa's tense yet loving relationship adds dimensions to Louisa's life, her work, and the relationships of fathers and daughters.

As many as 20,000 women worked in Union and Confederate hospitals during America's bloodiest war. Black and white, and from various social classes, these women served as nurses, administrators, matrons, seamstresses, cooks, laundresses, and custodial workers. Jane E. Schultz provides the first full history of these female relief workers, showing how the domestic and military arenas merged in Civil War America, blurring the line between homefront and battlefront. Schultz uses government records, private manuscripts, and published sources by and about women hospital workers, some of whom are familiar--such as Dorothea Dix, Clara Barton, Louisa May Alcott, and Sojourner Truth--but most of whom are not well-known. Examining the lives and legacies of these women, Schultz considers who they were, how they became involved in wartime hospital work, how they adjusted to it, and how they challenged it. She demonstrates that class, race, and gender roles linked female workers with soldiers, both black and white, but became sites of conflict between the women and doctors and even among themselves. Schultz also explores the women's postwar lives--their professional and domestic choices, their pursuit of pensions, and their memorials to the war in published narratives. Surprisingly few parlayed their war experience into postwar medical work, and their extremely varied postwar experiences, Schultz argues, defy any simple narrative of pre-professionalism, triumphalism, or conciliation.

Presents an account of the World War II invasion of Alaska by the Japanese and is told from the viewpoints of American civilians who were captured on the Aleutian Islands.

Few know the story of the Japanese invasion of Alaska during World War II--until now. GHOSTS IN THE FOG is the first narrative nonfiction book for young adults to tell the riveting story of how the Japanese invaded and occupied the Aleutian Islands in Alaska during World War II. This fascinating little-known piece of American history is told from the point of view of the American civilians who were captured and taken prisoner, along with the American and Japanese soldiers who fought in one of the bloodiest battles of hand-to-hand combat during the war. Complete with more than 80 photographs throughout and first person accounts of this extraordinary event, GHOSTS IN THE FOG is sure to become a must-read for anyone interested in World War II and a perfect tie-in for the 70th anniversary of the bombing of Pearl Harbor.

With On to Petersburg, Gordon C. Rhea completes his much-lauded history of the Overland Campaign, a series of Civil War battles fought between Generals Ulysses S. Grant and Robert E. Lee in southeastern Virginia in the spring of 1864. Having previously covered the campaign in his magisterial volumes on The Battle of the Wilderness, The Battles for Spotsylvania Court House and the Road to Yellow Tavern, To the North Anna River, and Cold Harbor, Rhea ends this series with a comprehensive account of the last twelve days of the campaign, which concluded with the beginning of the siege of Petersburg. On to Petersburg follows the Union army’s movement to the James River, the military response from the Confederates, and the initial assault on Petersburg, which Rhea suggests marked the true end of the Overland Campaign. Beginning his account in the immediate aftermath of Grant’s three-day attack on Confederate troops at Cold Harbor, Rhea argues that the Union general’s primary goal was not—as often supposed—to take Richmond, but rather to destroy Lee’s army by closing off its retreat routes and disrupting its supply chains. While Grant struggled at times to communicate strategic objectives to his subordinates and to adapt his army to a faster-paced, more flexible style of warfare, Rhea suggests that the general successfully shifted the military landscape in the Union’s favor. On the rebel side, Lee and his staff predicted rightly that Grant would attempt to cross the James River and lay siege to the Army of Northern Virginia while simultaneously targeting Confederate supply lines. Rhea examines how Lee, facing a better-provisioned army whose troops outnumbered Lee’s two to one, consistently fought the Union army to an impasse, employing risky, innovative field tactics to counter Grant’s forces. Like the four volumes that preceded it, On to Petersburg represents decades of research and scholarship and will stand as the most authoritative history of the final battles in the campaign.

The story of the intrepid young women who volunteered to help and entertain American servicemen fighting overseas, from World War I through the wars in Afghanistan and Iraq. The emotional toll of war can be as debilitating to soldiers as hunger, disease, and injury. Beginning in World War I, in an effort to boost soldiers’ morale and remind them of the stakes of victory, the American military formalized a recreation program that sent respectable young women and famous entertainers overseas. Kara Dixon Vuic builds her narrative around the young women from across the United States, many of whom had never traveled far from home, who volunteered to serve in one of the nation’s most brutal work environments. From the “Lassies” in France and mini-skirted coeds in Vietnam to Marlene Dietrich and Marilyn Monroe, Vuic provides a fascinating glimpse into wartime gender roles and the tensions that continue to complicate American women’s involvement in the military arena. The recreation-program volunteers heightened the passions of troops but also domesticated everyday life on the bases. Their presence mobilized support for the war back home, while exporting American culture abroad. Carefully recruited and selected as symbols of conventional femininity, these adventurous young women saw in the theater of war a bridge between public service and private ambition. This story of the women who talked and listened, danced and sang, adds an intimate chapter to the history of war and its ties to life in peacetime.

In this first book-length environmental history of the American Civil War, Lisa M. Brady argues that ideas about nature and the environment were central to the development and success of Union military strategy. From the start of the war, both sides had to contend with forces of nature, even as they battled one another. Northern soldiers encountered unfamiliar landscapes in the South that suggested, to them, an uncivilized society's failure to control nature. Under the leadership of Ulysses S. Grant, William Tecumseh Sherman, and Philip Sheridan, the Union army increasingly targeted southern environments as the war dragged on. Whether digging canals, shooting livestock, or dramatically attempting to divert the Mississippi River, the Union aimed to assert mastery over nature by attacking the most potent aspect of southern identity and power--agriculture. Brady focuses on the siege of Vicksburg, the 1864 Shenandoah Valley campaign, marches through Georgia and the Carolinas, and events along the Mississippi River to examine this strategy and its devastating physical and psychological impact. Before the war, many Americans believed in the idea that nature must be conquered and subdued. Brady shows how this perception changed during the war, leading to a wider acceptance of wilderness. Connecting environmental trauma with the onset of American preservation, Brady pays particular attention to how these new ideas of wilderness can be seen in the creation of national battlefield memorial parks as unaltered spaces. Deftly combining environmental and military history with cultural studies, War upon the Land elucidates an intriguing, largely unexplored side of the nation's greatest conflict.