The first volume to explore the vast assortment of church decorations and memorials produced by the Tiffany Studios.

The authors present the first volume to focus exclusively on Tiffany's renowned ecclesiastical windows and the ideas and stories behind them.

A seminal artist of the Gilded Age, Louis Comfort Tiffany is the best known and most widely collected figure in late nineteenth- and early twentieth-century American decorative arts. The splendid objects from the Driehaus Collection, installed as the inaugural exhibition of the Richard H. Driehaus Museum, showcase a wide variety of Tiffany’s work in an architectural setting of the period. Newly commissioned photographs by John Faier highlight the subtle detail and rich coloring of each object, revealing why Tiffany is so revered as a designer. Essays by Richard H. Driehaus and David A. Hanks explore the collector’s vision and Tiffany Studios’s largely unknown legacy in Chicago. Vividly colored, enriched with ornament, and boldly scaled, the book provides an intimate look into the artistry and craftsmanship of Tiffany, and is a unique opportunity for collectors and enthusiasts alike to experience the objects as never before seen.

Louis Comfort Tiffany (1848-1933) was one of America's preeminent masters of the decorative arts. Although he is best known for his prodigious achievements in glass, especially for his vibrantly colored windows and lamps, Tiffany excelled in a wide range of media - mosaics, enamels, metalwork, ceramics, and jewelry - all handsomely represented in this publication by pieces from the Metropolitan Museum's outstanding collection of Tiffany works. Alice Cooney Frelinghuysen, curator of American decorative arts at the Metropolitan Museum, presents Tiffany's works in the context of his career, discusses his artistic themes and his devotion to nature, and sheds new light on his technical virtuosity. She has illustrated her text with many of Tiffany's water-color presentation drawings selected from the more than 400 in the Museum's collections. Many of these drawings, made by Tiffany and his artists over a period of forty years, are reproduced here for the first time.

"The binding's embossed squares allude visually to Tiffany's work in metal, stained glass, jewelry and textiles. ... The book was included in the Cooper-Hewitt 2016 exhibit "Passion for the Exotic: Louis Comfort Tiffany and Lockwood de Forest." --Marilyn Braiterman.

Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics

In this visually rich volume, Mariah Proctor-Tiffany reconstructs the art collection and material culture of the fourteenth-century French queen Clémence de Hongrie, illuminating the way the royal widow gave objects as part of a deliberate strategy to create a lasting legacy for herself and her family in medieval Paris. After the sudden death of her husband, King Louis X, and the loss of her promised income, young Clémence fought for her high social status by harnessing the visual power of possessions, displaying them, and offering her luxurious objects as gifts. Clémence adeptly performed the role of queen, making a powerful argument for her place at court and her income as she adorned her body, the altars of her chapels, and her dining tables with sculptures, paintings, extravagant textiles, manuscripts, and jewelry—the exclusive accoutrements of royalty. Proctor-Tiffany analyzes the queen’s collection, maps the geographic trajectories of her gifts of art, and interprets Clémence’s generosity using anthropological theories of exchange and gift giving. Engaging with the art inventory of a medieval French woman, this lavishly illustrated microhistory sheds light on the material and social culture of the late Middle Ages. Scholars and students of medieval art, women’s studies, digital mapping, and the anthropology of ritual and gift giving especially will welcome Proctor-Tiffany’s meticulous research.

Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft