Southeast China is a traditional stronghold of Buddhism, but little scholarly attention has been paid to this fact. Brian Nichols’s pioneering book, Lotus Blossoms and Purple Clouds, centers on a large Buddhist monastery in Quanzhou and combines ethnographic detail with stimulating analysis to examine religion in post-Mao China. Nichols conducted more than twenty-six months of field research over a fourteen-year period (2005–2019) to develop a re-description of Chinese monastic Buddhism that reaches beyond canonical sources and master narratives to local texts, material culture, oral history, and living traditions. His work decenters normative accounts and sheds light on how Buddhism is lived and practiced. It introduces readers to Quanzhou Kaiyuan Monastery and its community of clergy striving to revive traditions after the turmoil of the Maoist era; the lay Buddhists worshiping in the monastery’s courtyards and halls; the busloads of tourists marveling at the site’s buildings and artifacts, some dating as far back as the Tang Dynasty (ninth century); and the local officials dedicated to supporting—and restricting—the return of religion. Using gazetteers, epigraphy, and other archival sources, Nichols begins by tracing the history of Quanzhou Kaiyuan Monastery from the Tang Dynasty to the present, noting the continued relevance of preternatural events like the lotus-blooming mulberry trees and auspicious purple clouds associated with the founding of the monastery. The contemporary monastery is then explored through ethnographic participation/observation and interviews. Nichols uncovers a number of unexpected features of Buddhist religious life, making a case for the fundamentally liturgical nature of Buddhist monastic practice—one marked by a program of daily dharaṇi (sacred text) recitation, esoteric traditions, and ancestor veneration. Finally, he presents an innovative spatial analysis of the Quanzhou Kaiyuan Monastery temple that reveals how different groups engage with the site to create a place of religious practice, a tourist attraction, and a community park.

Sheil's free-flowing and persuasive style of writing produces a convincing portrait of Adam Jefferson -- a man who, upon returning alone from an expedition to the North Pole, learns that a world-wide catastrophe has left him the last man on Earth.

A Daughter of the Samurai tells the true story of a samurai and 's daughter, brought up in the strict traditions of feudal Japan, who was sent to America to meet her future husband. An engrossing, haunting tale that gives us insight into an almost forgotten age. Madam Sugimoto was born in Japan, not in the sunny southern part of the country which has given it the name of and quot;The Land of Flowers, and quot; but in the northern province of Echigo which is bleak and cold and so cut off from the rest of the country by mountains that in times past it had been considered fit only for political prisoners or exiles. Her father was a Samurai, with high ideals of what was expected of a Samurai and 's family. His hopes were concentrated in his son until the son refused to marry the girl for whom he was destined and ran off to America. After that all that was meant for him fell to the lot of the little wavy-haired Etsu who writes here so delightfully of the things that happened in their childhood days in far-away Japan.

Etsu Inagaki Sugimoto was born into a samurai family in the years following the Meiji Restoration in 1868. In this autobiography, she recounts her experiences growing up in a culture with very strict expectations. As her family’s influence and power wanes, a marriage is arranged for her and she leaves to join her future husband in America. Etsu’s story is interleaved with explanations of Japanese culture, religion, and history. As she is exposed to more of the world outside of Japan, she must reconcile the differences between the traditions she grew up with and the ideas of her new homeland. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

"Her life was a bridge from the nineteenth century to the twentieth, from the time-hallowed beauty and rigidity of a samurai household to the disorienting, forward-looking freedoms of the West." --Janice P. Nimura, from the foreword. This is the story of one woman's remarkable life successfully navigating two very different cultures--the first memoir of an Asian-American woman. Beautifully told, this immigrant's account of an unforgettable journey is the story of a headstrong and empowered woman--a loyal wife, a widowed mother and a bilingual breadwinner--finding her way and finding her voice in a strange new world. Follow in her footsteps and trace the remarkable trajectory of her life as she: Witnesses her father prepare and perform the ritual seppuku and her mother burn down the family home Bids an emotional farewell and sails across the ocean to marry a wealthy merchant in a new land Returns to Tokyo with her two daughters and mother-in-law, only to find her homeland just as alien as America, forcing her to reinvent herself again in order to provide for her family Returns to America with her children following the death of her mother-in-law An international bestseller when it was first published a century ago, A Daughter of the Samurai emerges as a rare testament to a singular woman's resolve, strength and endurance. This edition features a new foreword by 2022 Pulitzer Prize finalist Janice P. Nimura.

Servant Wu was born with a family name of Wu Jun, his real brother was called Wu Jun, his niece was called Wu Qian'er, his son-in-law was Zhu Zhizhan, he was the famous constitutional emperor of the Ming Dynasty, he had a famous concubine with the family name Wan Zhen'er. Wan Tong, every word loyal, direct descendant, commander of the Imperial Secret Service, blood brother called Wan Fu, Wan Gui, brother-in-law called Zhu Shizhen, blood sister called Wan Zhen'er .... These two people, who were originally parallel to each other, intersected ... The battle in the house ... The official battle ... Gong Dou ...

A modern man traversing space and time had arrived at the prehistoric period. Who would have thought that he would actually become a great villain of the demon master, Kun Peng. In order to become a saint, many schemes were carried out, and finally, the story of becoming a saint was told ...

As a girl growing up in Hong Kong, Eva Wong heard and memorized many tales told to her by Hong Kong's finest professional storytellers, by actors on the radio, and by her grandmother. These popular tales of the Taoist immortals were also often dramatized in Chinese operas. The stories are of famous characters in Chinese history and myth: a hero's battle with the lords of evil, the founder of the Ming dynasty's treacherous betrayal of his friends, a young girl who saves her town by imitating rooster calls. Entertaining and often provocative, these tales usually include a moral. The immortals are role models in Chinese culture, as well as examples of enlightenment. Some of the immortals were healers, some were social activists, some were aristocrats, and some were entrepreneurs. The tales chosen by Eva Wong here are of the best-known immortals among the Chinese. Their names are household words and their stories are told and retold by one generation to the next.

"Popular understanding of Zen Buddhism typically involves a stereotyped image of isolated individuals in meditation, contemplating nothingness. This book presents the "other side of Zen," by examining the movement's explosive growth during the Tokugawa period (1600-1867) in Japan and by shedding light on the broader Japanese religious landscape during the era. Using newly-discovered manuscripts, Duncan Ryuken Williams argues that the success of Soto Zen was due neither to what is most often associated with the sect, Zen meditation, nor to the teachings of its medieval founder, Dogen, but rather to the social benefits it conveyed." "Williams's work is based on careful examination of archival sources including temple logbooks, prayer and funerary manuals, death registries, miracle tales of popular Buddhist deities, secret initiation papers, villagers' diaries, and fundraising donor lists."--Jacket.