In Lost Youth, the author describes his experiences during the Second World War emphasizing the wontoness of his wasted youth and the lack of foresightedness in both the behavior of our leadership and the psychological behavior of our troops. It also places emphasis on every day activities of the war which are of no consequence.

Lost Youth Volume 2 London is the follow up to the critically acclaimed bestselling novel, `Lost Youth Volume 1 New Zealand`. Here now continues this incredible true life story of one man's life that took him from a lonely prison cell in New Zealand to England bound at the young age of 20 years old. Once in London without knowing anyone and with only the clothes on his back, he campaigned for the next 5 years of his life for the release of the notorious gangland crime boss Reggie Kray from a 30 year prison sentence. What was to come next in the authors life was unexpected as not only did he step straight into the underbelly surroundings of the British underworld, one of the most powerful gangland families in British history, he too was swept into the world of show-business. Starting out in the music industry thanks to the kind hearts of two people, a lovely Irish lady by the name of Eileen Sweeney and an old school Irish gentleman by the name of Vince Power. The author was given work at The Mean Fiddler in Harlesden, which at time was the most famous live music venue in all of the British Isles. He then went on to making a career for himself, going on to working with such names as Michael Jackson, Jon Bon Jovi, Paul McCartney, Tricky, Elton John, Janet Jackson to name only a few that saw this young man take the correct path in life rather than a life of crime. He chooses rock n roll rather than a life spent behind jailed bars. He turned his life around for the better and went onto great heights that could never have been dreamed of. This book will take you on one hell of an adventure but one you will need to hold on tight as there are many shakes, rattles and rolls along the way. It is an inspiration to anyone who has ever suffered or given up on their hopes and dreams. Its what films are made of, Hollywood will be sure to be knocking soon.

Exploration of the ways in which these groups of young people, marked by economic disadvantage and ethnic and religious diversity, have sought to navigate a new urban terrain and, in so doing, have come to see themselves in new ways."--Jacket

This book displays the uniqueness and creativity of Japan in terms of the interplay between traditional and postmodern perspectives. It deals with the traditional elements in Japanese culture in the light of or in contrast to postmodernism.

In recent decades there has been a vast increase in the use of imprisonment and penal supervision, and to many this development appears to be qualitatively as well as quantitatively different. The causes of this development, its consequences and future course form the main point of departure for the contributors to this volume, who consider the changes that have contributed to these apparently fundamental shifts in the use of punishment. In this major new book contributors from a range of disciplines provide an integrated approach to a range of questions surrounding the use of punishment: In what ways have broader social institutions and processes contributed to penal expansion? This book is the principal outcome of the Guggenheim Punishment Project which aimed for a truly interdisciplinary account of thinking about punishment, and an outcome which was general and reflective rather than specific and policy oriented, and accessible to the generalist as well as those with a specialist interest in the field.

Sounding Indigenous explores the relations between music, people, and places through analysis of Bolivian music performances: by a non-governmental organization involved in musical activities, by a music performing ensemble, and by the people living in two rural areas of Potosi. Based on research conducted between 1993 and 1995, the book frames debates of Bolivian national and indigenous identities in terms of different attitudes people assume towards cultural and artistic authenticity. The book makes unique contributions through an emphasis on music as sensory experience, through its theorization of authenticity in relation to music, through its combined focus on different kinds of Bolivian music (indigenous, popular, avant-garde), through its combined focus on music performance and the Bolivian nation, and through its interpretation of local, national, and transnational fieldwork experiences.