Take a trip into the fantastical world of the imagination in this lavishly illustrated gift book. Enter the elaborate “found” notebooks of the formerly fact-bound professor Dawn Gable and follow her on nine nightly journeys to extraordinary worlds. From King Arthur’s Round Table at Camelot to the majestic hall of slain heroes in Asgard, visit marvelous lands from myth, legend, and fairy tale. Intricate vistas and diagrams usher readers into a city of intelligent machines, the ancient African city of Kor, the miniature world of Lilliput, the flying island of Laputa, a mountainous home of mythical beasts, the primeval island of Buyan, the island of Atlantis, Captain Nemo’s Nautilus, and more. A mesmerizing gift for anyone who believes in the transformative power of stories, this is a book that readers will pore over again and again.

View more details of this book at www.walkerbooks.com.au

By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Shortlisted for the Man Booker Prize “A novel as accomplished as anything being written.”—Newsweek Number9Dream is the international literary sensation from a writer with astonishing range and imaginative energy—an intoxicating ride through Tokyo’s dark underworlds and the even more mysterious landscapes of our collective dreams. David Mitchell follows his eerily precocious, globe-striding first novel, Ghostwritten, with a work that is in its way even more ambitious. In outward form, Number9Dream is a Dickensian coming-of-age journey: Young dreamer Eiji Miyake, from remote rural Japan, thrust out on his own by his sister’s death and his mother’s breakdown, comes to Tokyo in pursuit of the father who abandoned him. Stumbling around this strange, awesome city, he trips over and crosses—through a hidden destiny or just monstrously bad luck—a number of its secret power centers. Suddenly, the riddle of his father’s identity becomes just one of the increasingly urgent questions Eiji must answer. Why is the line between the world of his experiences and the world of his dreams so blurry? Why do so many horrible things keep happening to him? What is it about the number 9? To answer these questions, and ultimately to come to terms with his inheritance, Eiji must somehow acquire an insight into the workings of history and fate that would be rare in anyone, much less in a boy from out of town with a price on his head and less than the cost of a Beatles disc to his name. Praise for Number9Dream “Delirious—a grand blur of overwhelming sensation.”—Entertainment Weekly “To call Mitchell’s book a simple quest novel . . is like calling Don DeLillo’s Underworld the story of a missing baseball.”—The New York Times Book Review “Number9Dream, with its propulsive energy, its Joycean eruption of language and playfulness, represents further confirmation that David Mitchell should be counted among the top young novelists working today.”—San Francisco Chronicle “Mitchell’s new novel has been described as a cross between Don DeLillo and William Gibson, and although that’s a perfectly serviceable cocktail-party formula, it doesn’t do justice to this odd, fitfully compelling work.”—The New Yorker “Leaping with ease from surrealist fables to a teenage coming-of-age story and then spinning back to Yakuza gangster battles and World War II–era kamikaze diaries, Mitchell is an aerial freestyle ski-jumper of fiction. Somehow, after performing feats of literary gymnastics, he manages to stick the landing.”—The Seattle Post-Intelligencer

"This is the happiest story in the world with the saddest ending," writes Elizabeth McCracken in her powerful, inspiring memoir. A prize-winning, successful novelist in her 30s, McCracken was happy to be an itinerant writer and self-proclaimed spinster. But suddenly she fell in love, got married, and two years ago was living in a remote part of France, working on her novel, and waiting for the birth of her first child. This book is about what happened next. In her ninth month of pregnancy, she learned that her baby boy had died. How do you deal with and recover from this kind of loss? Of course you don't -- but you go on. And if you have ever experienced loss or love someone who has, the company of this remarkable book will help you go on. With humor and warmth and unfailing generosity, McCracken considers the nature of love and grief. She opens her heart and leaves all of ours the richer for it.

No composer was more responsible for changes in the landscape of twentieth-century music than Arnold Schoenberg (1874–1951) and no other composer's music inspired a commensurate quantity and quality of technical description in the second half of the twentieth century. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas and scholars without understanding of the formidable musical technique are ill-equipped to understand the music with any profundity of thought. Schoenberg's Musical Imagination is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer and their impact on his ever-changing compositional style over the course of his remarkable career.

POETRY: A Delightful Journey Through Life is an arrangement of over eighty well-selected classical poems into eight basic life stages in which most people pass through or experience in the course of a lifetime. These eight stages are Childhood, Beyond a Bumbling Society, In Search of Love, On Pain and Irony, Satisfaction with the Simple Things of Life, The Seasons, On Death, and Lines to Lift and Inspire. Each of the eight stages is first introduced within an appropriate setting or frame of mind under which the selected poems follow. The reader is then carefully introduced to each poem, making it more readily understood. Inasmuch as poetry generally uses figurative symbols and imagery, the reader, coming from any number of backgrounds of education and experience, is allowed to put his or her own finishing touches on the poem, and can thus experience personal enjoyment from the poetic images embodied in the poems.

Maps of the universe and technologies of the future absorbed in the minds of creation. The ancient astronauts called magicians trying to rebuild earth with a constant flow of agony Art Maximus being in charge of this focus on a better world. Foe's of madness interfere a mercenary by the name of Quintas turns through the tides of knowledge and builds his army to reshape the earth into his own name. Disasters of the soul Fraser Voltaire now the king of York is being influenced by pressures from his unknown past the ancient world that he has forgotten. After of the murder of his wife Lady Venice a timetable of a scientific war begins. The Seven Wonders of the Ancient World are rebuilt in the 1600's after being destroyed hundreds of years ago. The mysteries of the world are announced through this rebirth this hidden history of the world. The unseen magicians interact with world events changing the course of time setting the world back this earth being distorted brings only more grief when Quintas entertains the idea of being an inventor ignoring the complexities of Leonardo da Vinci.

Myth criticism flourished in the mid-twentieth century under the powerful influence of Canadian thinker Northrop Frye. It asserted the need to identify common, unifying patterns in literature, arts, and religion. Although it was eclipsed by postmodern theories that asserted difference and conflict, those theories proved incapable of inspiring solidarity or guiding social action. The Productions of Time argues for a return to myth criticism in order to refine and extend its vision. With the aim of rehabilitating myth criticism for our time, Michael Dolzani sketches an anatomy of the imagination as demonstrated in the total body of its productions, including literature, mythology, the arts, popular culture, and religious and political texts. Dolzani situates a vast panoply of images, character types, plot structures, themes, and genres to better understand their purposes, their recurrences across broad spans of history, and their interrelations. Illustrating the relationship between mythology and history, The Productions of Time proposes a symbolic language as a way of enabling dialogue across ideological and individual differences. Arguing for the ethical and intellectual necessity of conceiving a unifying pattern that transcends differences, The Productions of Time demonstrates that imagination is part of the human inheritance, common to all, not just to poets and mystics.