1937. Jewish refugees flood Shanghai. One of them, a Jewish scientist carrying stolen Nazi secrets, is pursued by the local Gestapo. He, his young daughter, and a brave American woman must escape violence and intrigue and get to America.

When an explosion reverberates through the Swan Hotel in Shanghai, it is not just shards of glass and rubble that come crashing down. Li Jing and Zhou Meiling find their once-happy marriage rocked to its foundations. For Li Jing, his head pierced by a shard of falling glass, awakens from brain surgery only able to utter the faltering phrases of the English he learnt as a child - a language that Meiling and their young song Pang Pang cannot speak. When an American neurologist arrives, tasked with teaching Li Jing to speak fluently again, she is as disorientated as her patient in this bewitching, bewildering city. As doctor and patient grow closer, feelings neither of them anticipated begin to take hold. Feelings that Meiling, who must fight to keep both her husband's business and her family afloat, does not need a translator to understand.

"In vivid detail... examines the little-known history of two extraordinary dynasties."--The Boston Globe "Not just a brilliant, well-researched, and highly readable book about China's past, it also reveals the contingencies and ironic twists of fate in China's modern history."--LA Review of Books An epic, multigenerational story of two rival dynasties who flourished in Shanghai and Hong Kong as twentieth-century China surged into the modern era, from the Pulitzer Prize-winning journalist The Sassoons and the Kadoories stood astride Chinese business and politics for more than one hundred seventy-five years, profiting from the Opium Wars; surviving Japanese occupation; courting Chiang Kai-shek; and nearly losing everything as the Communists swept into power. Jonathan Kaufman tells the remarkable history of how these families ignited an economic boom and opened China to the world, but remained blind to the country's deep inequality and to the political turmoil on their doorsteps. In a story stretching from Baghdad to Hong Kong to Shanghai to London, Kaufman enters the lives and minds of these ambitious men and women to forge a tale of opium smuggling, family rivalry, political intrigue, and survival.

Rebel Talk gives an excellent opportunity to learn new skills — both in business, and in life. Developing fascinating insights into how we can improve conversation and cultivate our powers of persuasion while getting along better. No small feat! Especially as we emerge from COVID and have to relearn social skills. The book is timely and practical — not to mention entertaining. 'I’m absolutely delighted Jane’s now sharing some of her observations and secrets about the craft of conversation, listening and interviewing in this book, Rebel Talk.’ —Sir David Suchet CBE 'If you ever have to conduct a formal interview, if you are ever likely to be interviewed (for a new job, perhaps), or even if you want to have more meaningful conversations with your kids, Jane Hutcheon’s Rebel Talk will be an invaluable guidebook. Engaging, amusing and illuminating, the book draws on Jane’s rich experience in the art of guided conversations and distils the wisdom acquired from her brilliant career in journalism.' —Hugh Mackay AO 'Have you ever tried slicing the top off a soft-boiled egg? The eggshell splinters and separates. It never looks as neat as you intended and the yolk starts to drip over the edge. It’s a bit like that when a conversation goes wrong; it’s unpredictable and messy ...' What does it mean to communicate well, and how do we do it? With a bit of reflection and practice, we can all elevate our conversations to a new realm: solving complex problems, producing inspiring ideas, adding value … and even preventing space-flight disasters. This is what Jane Hutcheon calls, Rebel Talk. In Rebel Talk: the art of powerful conversations, one of Australia’s best-known communicators lifts the lid on what it takes to have powerful conversations. Full of memorable anecdotes and short, sharp, practical advice, this gem of a book will help you find your inner rebel and transform your conversations. About the Author Jane Hutcheon is a journalist, author and former China correspondent who’s reported from some of the most volatile, exotic and fascinating places on Earth. From 2010-2019 she was creator and host of ABCTV’s One Plus One conducting in-depth conversations with more than 500 celebrities, authors, thinkers and everyday heroes. She’s written several books. Her latest book is Rebel Talk: the art of powerful conversations.

"Jess is working on the China desk in the Foreign and Commonwealth Office. It's her job to ensure the State visit of the Chinese Premier runs smoothly. But tensions are running high. Jess uncovers a shocking secret - a British diplomat, Marianne Henderson, went missing in Shanghai in 1984 and has never been seen again. Not only that, all evidence she ever existed vanished with her. When Jess starts asking questions, she is warned off. But she is caught up in a chain of events she has no power to control. As she digs in the past to find out what happened to Marianne, Jess finds herself in grave danger." -- Provided by publisher.

"The dramatic, real-life stories of four young people caught up in the mass exodus of Shanghai in the wake of China's 1949 Communist Revolution--a precursor to the struggles faced by emigrants today. Shanghai has historically been China's jewel, its richest, most modern and westernized city. The bustling metropolis was home to sophisticated intellectuals, entrepreneurs, and a thriving middle class when Mao's proletarian revolution emerged victorious from the long civil war. Terrified of the horrors the Communists would wreak upon their lives, citizens of Shanghai who could afford to fled in every direction. Seventy years later, the last generation to fully recall this massive exodus have opened the story to Chinese American journalist Helen Zia, who interviewed hundreds of exiles about their journey through one of the most tumultuous events of the twentieth century. From these moving accounts, Zia weaves the story of four young Shanghai residents who wrestled with the decision to abandon everything for an uncertain life as refugees in Hong Kong, Taiwan, and the U.S. Young Benny, who as a teenager became the unwilling heir to his father's dark wartime legacy, must choose between escaping Hong Kong or navigating the intricacies of a newly Communist China. The resolute Annuo, forced to flee her home with her father, a defeated Nationalist official, becomes an unwelcome young exile in Taiwan. The financially strapped Ho fights deportation in order to continue his studies in the U.S. while his family struggles at home. And Bing, given away by her poor parents, faces the prospect of a new life among strangers in America"--

Shanghai's "Literary Comet" When the avant-garde writer Mu Shiying was assassinated in 1940, China lost one of its greatest modernist writers while Shanghai lost its most detailed chronicler of the city's Jazz-Age nightlife. Mu's highly original stream-of-consciousness approach to short story writing deserves to be re-examined and re-read. As Andrew Field argues, Mu advanced modern Chinese writing beyond the vernacular expression of May Fourth giants Lu Xun and Lao She to reveal even more starkly the alienation of a city trapped between the forces of civilization and barbarism in the 1930s. Mu Shiying: China's Lost Modernist includes translations of six short stories, four of which have not appeared before in English. Each story focuses on Mu's key obsessions: the pleasurable yet anxiety-ridden social and sexual relationships in the modern city, and the decadent maelstrom of consumption and leisure epitomized by the dance hall and nightclub. In his introduction, Field situates Mu's work within the transnational and hedonistic environment of inter-war Shanghai, the city's entertainment economy, as well as his place within the wider arena of Jazz-Age literature from Berlin, Paris, Tokyo and New York. His dazzling chronicle of modern Shanghai gave rise to Chinese modernist literature. His meteoric career as a writer, a flâneur, and allegedly a double agent testifies to cosmopolitanism at its most flamboyant, brilliant and enigmatic. Andrew Field's translation is concise and lively, and his account of Mu Shiying's adventure in modern Shanghai is itself a fascinating story. This is a splendid book for anyone interested in the dynamics of Shanghai modern." — David Der-wei Wang, Harvard University "Mu Shiying was one of China's pioneer modernists, and his stories are full of inventive touches, including his own experimental technique of stream-of-consciousness, that evoke the emergent splendour of urban decadence of Shanghai in the 1930s. This English translation of his most important stories edited and translated by an acknowledged historian of Shanghai culture is long overdue." — Leo Ou-fan Lee, author of Shanghai Modern: The Flowering of a New Urban Culture in China: 1930–1945 "During his short, tumultuous life, Mu Shiying produced a small oeuvre of remarkable short stories that stand out in the wider context of modern Chinese literature. He captures the essence of the Shanghai jazz age with his racy, musical, and often fragmented prose, which blends a genuine excitement about the wonders of "the Paris of the East" with an at times sobering undertone of social critique. Unlike some of the more explicitly left-wing writers of his time, Mu never relinquishes the medium for the message. He is first and foremost a writer of experimental, original work that even nowadays has lost nothing of its power. As a teacher of modern Chinese literature, I am delighted that this new translation has become available." —Michel Hockx, Director, SOAS China Institute

本书作者以散文的形式,通过老照片展开想象,能使自己的想象、思路漫步在旧上海的大街小巷之中,看到旧上海的风土人情,知晓一些一代老上海人的文化生活。

A woman who spent more than six years in solitary confinement during Communist China's Cultural Revolution discusses her time in prison. Reissue. A New York Times Best Book of the Year.

In a nuanced exploration of how Western cinema has represented East Asia as a space of radical indecipherability, Homay King traces the long-standing association of the Orient with the enigmatic. The fantasy of an inscrutable East, she argues, is not merely a side note to film history, but rather a kernel of otherness that has shaped Hollywood cinema at its core. Through close readings of The Lady from Shanghai, Chinatown, Blade Runner, Lost in Translation, and other films, she develops a theory of the “Shanghai gesture,” a trope whereby orientalist curios and décor become saturated with mystery. These objects and signs come to bear the burden of explanation for riddles that escape the Western protagonist or cannot be otherwise resolved by the plot. Turning to visual texts from outside Hollywood which actively grapple with the association of the East and the unintelligible—such as Michelangelo Antonioni’s Chung Kuo: Cina, Wim Wenders’s Notebook on Cities and Clothes, and Sophie Calle’s Exquisite Pain—King suggests alternatives to the paranoid logic of the Shanghai gesture. She argues for the development of a process of cultural “de-translation” aimed at both untangling the psychic enigmas prompting the initial desire to separate the familiar from the foreign, and heightening attentiveness to the internal alterities underlying Western subjectivity.