When Ginger Carlson's aunt finds herself in financial trouble, Ginger's entire family and her best friend head to Hollywood to help find the missing money.

Ginger is on a mission to find her family’s missing fortune in glamorous Hollywood in this M!X novel from the author of Lost in London, Lost in Paris, Lost in Rome, and Lost in Ireland (formerly titled Lucky Me). Thirteen-year-old Ginger Carlson feels like she is the only normal one in her family. Her father is an inventor who sells his gadgets online, Mom is obsessed with classic movies, and her brother Grant thinks he is from outer space. Luckily, Ginger has a totally normal BFF, Payton, and they have big plans for the future—they plan to become doctors and open a practice together in a big city. But first, they’re partnering on the state Science Olympics where they’re sure to take home the gold for their eighth grade class with their model of the brain. The Olympics training is interrupted when the Carlson family gets an urgent call that their eccentric Aunt Betty, a former actress who lives in Hollywood, is in serious trouble. The bank is going to take her house unless she can give them the money she owes. The Carlsons head to LA to sort things out for Aunt Betty, along with Payton, who tags along for the West Coast adventure. In a moment alone with the girls, Aunt Betty tells them what’s really going on. Because she didn’t trust banks, Aunt Betty stashed her money in a secret hiding place. Only problem—it’s so secret, she can’t remember where that hiding place is! That’s what she’s been doing all around town—looking for her fortune. Can Ginger and Payton help find the money—and give Aunt Betty the Hollywood ending that she deserves?

Using 25 lost structures as a launching point to tell the history of the movie business in Hollywood, Wallace covers such vanished landmarks as Marion Davies's Ocean House, called "Xanadu by the Sea", the Hollywood Canteen, the Garden of Allah, the Brown Derby, and the legendary Pickfair. 22 photos.

A profile of the late film star River Phoenix chronicles his high-pressure childhood, personal endeavors for environmental causes, rejection of his heartthrob image, and tragic death due to a drug overdose. Reprint.

The “Hollywood” where Sammy Santos and Juliana Ríos live is not the West Coast one, the one with all the glitz and glitter. This Hollywood is a tough barrio at the edge of a small town in southern New Mexico. Sammy and this friends—members of the 1969 high school graduating class—face a world of racism, dress codes, war in Vietnam and barrio violence. In the summer before his senior year begins, Sammy falls in love with Juliana, a girl whose tough veneer disguises a world of hurt. By summer’s end, Juliana is dead. Sammy grieves, and in his grief, the memory of Juliana becomes his guide through this difficult year. Sammy is a smart kid, but he’s angry. He’s angry about Juliana’s death, he’s angry about the poverty his father and his sister must endure, he’s angry at his high school and its thinly disguised gringo racism, and he’s angry he might not be able to go to college. Benjamin Alire Sáenz, evoking the bittersweet ambience found in such novels as McMurtry’s The Last Picture Show, captures the essence of what it meant to grow up Chicano in small-town America in the late 1960s. Benjamin Alire Sáenz—novelist, poet, essayist and writer of children’s books—is at the forefront of the emerging Latino literatures. He has received both the Wallace Stegner Fellowship and the Lannan Fellowship, and is a recipient of the American Book Award. Born Mexican-American Catholic in the rural community of Picacho, New Mexico, he now teaches at the University of Texas at El Paso, and considers himself a “fronterizo,” a person of the border.

Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have got away with murder. . . . SHARON TATE—She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.

"Gwen Russell is thrilled to hear she will be heading to Paris with her family. Even though the main reason for the trip is to see her three older brothers play lacrosse, Gwen and her Mom have plans to tour the city when they can. As soon as they land, Gwen is swept up in the city she has always wanted to see, and even meets a cute boy named Henri. If that wasn't enough excitement, Gwen finds out that her all-time favorite band is playing a one-night only concert in Paris---and there are tickets available to the sold-out show for three lucky people. The catch? Fans who want a golden ticket have to work for it via a scavenger hunt around the City of Light"--

After breaking a chain letter, can superstitious Megan find a way to turn her luck around? Meghan McGlinchey is the most superstitious girl in her family—and probably in the entire state of Delaware. When she receives a chain letter from a stranger in Ireland, Meghan immediately passes it on, taking only a tiny shortcut in the directions. But after a disastrous day, made complete by losing the election for class president and embarrassing herself in front of the entire school, Meghan realizes that tiny shortcut was a big mistake. Thankfully, her family was already headed to Ireland on spring break, and Meghan makes it her mission to find the original sender and break her extremely unlucky streak. With the help of an eccentric cast of characters—and one very cute Irish boy—can Meghan figure out a way to stop her bad luck? Or is she cursed forever?

In these pages Roger Corman, the most successful independent filmmaker in Hollywood relates his experiences as the director and/or producer of such low-budget classics Attack of the Crab Monsters, The Little Shop of Horrors, The Raven, The Man with the X-ray Eyes, The Wild Angels, The Trip, Night Call Nurses, Bloody Mama, Piranha, and many others. He also discusses his distribution of the Bergman, Fellini, and Truffaut movies that later won Academy Awards in the Best Foreign Film category. Corman alumni—John Sayles, Martin Scorsese, Jack Nicholson, Vincent Price, Francis Ford Coppola, Peter Bogdanovich, Peter Fonda, Joe Dante, and Jonathan Demme, among others—contribute their recollections to give added perspective to Corman's often hilarious, always informative autobiography.

In 1919, Florence Deshon—tall, radical, and charismatic—was well on her way to becoming one of Hollywood's brightest stars. Embroiled in a clandestine affair with Charlie Chaplin, she continued to remain romantically involved with the well-known writer and socialist Max Eastman. By 1922, she was found dead in a New York apartment, rumored to have committed suicide. Love and Loss in Hollywood: Florence Deshon, Max Eastman, and Charlie Chaplin uses previously unpublished letters between Deshon and Eastman to reconstruct their relationship against the backdrop of the "golden age" of Hollywood. Deshon's tragic life and her abuse at the hands of powerful men—including Chaplin, Eastman, and Samuel Goldwyn—resonate with the concerns of today's MeToo movement. Above all, though, this is a book about an extraordinary woman unjustly forgotten: a brilliant writer and campaigner for women's rights, driven both by her ambition to succeed and a boundless desire for life. Rich in tantalizing detail, Love and Loss in Hollywood chronicles crucial years of American film history, overshadowed by the pervasive fear of Bolshevism after World War I, the Red Riots, and the emergence of the big studios in Hollywood. This beautiful edition features dozens of unpublished photographs, among them six mesmerizing full-length portraits of Deshon by Adolph de Meyer, Vogue's first fashion photographer.