Sad stories from a surreal world. A fascist mustache. A desert inside a dead cat. The ghost of Franz Kafka. Primordial entities mourn the death of their child. The desperate serve tea to mysterious creatures. A hopeless romantic falls in love with a pterodactyl. From a post-apocalyptic Los Angeles where robotic gargoyles are law, to a blighted suburbia where the elephant god Ganesh seeks revenge on a man and his android wife, Cat Brain Land is a place of domestic despair and nightmare foreboding. Where sirloin steaks enroll in daycare and ex-lovers return as tiny dolls. This is a land of camel people and the Lord of Meat. The farther into Cat Brain Land you get, the more difficult it will be to get out.

What do our pets do when they're not with us? Caroline Paul and Wendy MacNaughton used GPS, cat cameras, psychics, and the web to track the adventures of their beloved cat Tibia.

Billy Gillespie wakes up one morning to discover his junk is gone. In its place is his wife's junk. Billy is now Tina, and Tina is dead. That's because Billy's dead. His lifeless body is still in bed and empty beer bottles and a container of antifreeze litter the kitchen counter. Over the next 24 hours, Billy and an odd assortment of neighbors, all experiencing their own bouts of body switcheroo, try to figure out what happened and why. Can they do it before the Feds find Billy's body? Was it aliens that caused this, or God, or the government? And did Edgar Winter really sleep with his sheep? Pro football Hall of Famer Terry Bradshaw has those answers in a story that asks, What Would Kirk Cameron Do?

NOUNS OF ASSEMBLAGE collects sixty-three of the strongest voices in small press fiction, from J. A. Tyler to xTx, from Kevin Sampsell to Cameron C. Pierce, with stories ranging from romantic to absurd to over-the-top violent and back again, covering the full gamut of what small press has to offer. Every story in this collection was written from a different collective noun, or "noun of assemblage," such as A MURDER OF CROW (by Tyler Gobble), or A LITTER OF PUPS (by Joseph Riippi), or A PLAGUE OF LOCUSTS (by Frank Hinton), and none of these stories are available anywhere else. This is the first official title from HOUSEFIRE, the innovative and groundbreaking publishing company located in Portland Oregon.

A Lost Lady is a novel by American author Willa Cather, first published in 1923. It centers on Marian Forrester, her husband Captain Daniel Forrester, and their lives in the small western town of Sweet Water, along the Transcontinental Railroad. However, it is mostly told from the perspective of a young man named Niel Herbert, as he observes the decline of both Marian and the West itself, as it shifts from a place of pioneering spirit to one of corporate exploitation. Exploring themes of social class, money, and the march of progress, A Lost Lady was praised for its vivid use of symbolism and setting, and is considered to be a major influence on the works of F. Scott Fitzgerald. It has been adapted to film twice, with a film adaptation being released in 1924, followed by a looser adaptation in 1934, starring Barbara Stanwyck. A Lost Lady begins in the small railroad town of Sweet Water, on the undeveloped Western plains. The most prominent family in the town is the Forresters, and Marian Forrester is known for her hospitality and kindness. The railroad executives frequently stop by her house and enjoy the food and comfort she offers while there on business. A young boy, Niel Herbert, frequently plays on the Forrester estate with his friend. One day, an older boy named Ivy Peters arrives, and shoots a woodpecker out of a tree. He then blinds the bird and laughs as it flies around helplessly. Niel pities the bird and tries to climb the tree to put it out of its misery, but while climbing he slips, and breaks his arm in the fall, as well as knocking himself unconscious. Ivy takes him to the Forrester house where Marian looks after him. When Niel wakes up, he's amazed by the nice house and how sweet Marian smells. He doesn't't see her much after that, but several years later he and his uncle, Judge Pommeroy, are invited to the Forrester house for dinner. There he meets Ellinger, who he will later learn is Mrs. Forrester's lover, and Constance, a young girl his age.

It's Monty Python meets Nazi exploitation in a surreal nightmare as can only be imagined by Bizarro author Cameron Pierce. In a land where black snow falls in the shape of swastikas, there exists a nightmarish prison camp known as Auschwitz. It is run by a fascist, flatulent race of aliens called the Ass Goblins, who travel in apple-shaped spaceships to abduct children from the neighboring world of Kidland. Prisoners 999 and 1001 are conjoined twin brothers forced to endure the sadistic tortures of these ass-shaped monsters. To survive, they must eat kid skin and work all day constructing bicycles and sex dolls out of dead children. While the Ass Goblins become drunk on cider made from fermented children, the twins plot their escape. But it won't be easy. They must overcome toilet toads, cockrats, ass dolls, and the surgical experiments that are slowly mutating them into goblin-child hybrids. Forget everything you know about Auschwitz...you're about to be Shit Slaughtered.

In this heartfelt and powerfully affecting coming of age story, a neurodivergent 7th grader is determined to find her missing best friend before it's too late. Now in paperback. Things never seem to go as easily for thirteen-year-old Frankie as they do for her sister, Tess. Unlike Tess, Frankie is neurodivergent. In her case, that means she can't stand to be touched, loud noises bother her, she's easily distracted, she hates changes in her routine, and she has to go see a therapist while other kids get to hang out at the beach. It also means Frankie has trouble making friends. She did have one--Colette--but they're not friends anymore. It's complicated. Then, just weeks before the end of seventh grade, Colette unexpectedly shows up at Frankie's door. The next morning, Colette vanishes. Now, after losing Colette yet again, Frankie's convinced that her former best friend left clues behind that only she can decipher, so she persuades her reluctant sister to help her unravel the mystery of Colette's disappearance before it's too late. A powerful story of friendship, sisters, and forgiveness, Tornado Brain is an achingly honest portrait of a young girl trying to find space to be herself. Inspired by her own neurodiverse child, Cat Patrick writes with authenticity and sincerity in her depiction of Frankie in what is ultimately a love letter to neurodiverse children everywhere.

Take a stroll through the City by the Bay with renowned artist Wendy MacNaughton in this collection of illustrated documentaries. With her beloved city as a backdrop, a sketchbook in hand, and a natural sense of curiosity, MacNaughton spent months getting to know people in their own neighborhoods, drawing them and recording their words. Her street-smart graphic journalism is as diverse and beautiful as San Francisco itself, ranging from the vendors at the farmers' market to people combing the shelves at the public library, from MUNI drivers to the bison of Golden Gate Park, and much more. Meanwhile in San Francisco offers both lifelong residents and those just blowing through with the fog an opportunity to see the city with new eyes.

The bitter cold and three months a year without sunlight make Antarctica virtually uninhabitable for humans. Yet a world of extraordinary wildlife persists in these harsh conditions, including leopard seals, giant squid, 50-foot algae, sea spiders, coral, multicolored sea stars, and giant predatory worms. Now, as temperatures rise, this fragile ecosystem is under attack. In this closely observed account, one of the world's foremost experts on Antarctica gives us a highly original and distinctive look at a world that we're losing.

A fascinating journey of discovery for independently minded cat lovers. One summer, Alice Maddicott was adopted by a beautiful tabby called Dylan, and together they shared six years of loving friendship. Alice collected second-hand photos - orphan images - and in her sadness after Dylan's death, she pored over the old photographs of women and their cats. Cats in gardens, cats on laps, cats in alleys and on steps, accompanied by women who were diffident and affectionate, fierce and whimsical, young and old. What did these cats mean to the women who cared for them? Why have cat-owning women always been viewed with suspicion? And where did the Crazy Cat Lady stereotype emerge from, when other cultures revere rather than fear this relationship? Examining these questions and many more, Cat Women is a moving exploration of wild natures and domestic affections. 'This whimsical project is so satisfyingly of a piece with its subject.' Hephzibah Anderson, Observer