In this informative and beautifully illustrated book, Carol Foreman traces Glasgow's history through buildings which have been demolished, but which once played a central part in the life of the city. Beginning with the medieval age, she goes on to look at a massive selection of buildings right through to the 1930s. The result is a fascinating picture of how the city evolved and how major events over the centuries affected its trade, people and environment. Churches, banks, hospitals, theatres, cinemas as well as domestic buildings all feature in this illuminating journey through Glasgow's rich architectural past.

Glasgow is unique among British cities in that it has the largest rail network outside of London, and there was once a time when the city had four very grand stations - Central, Queen Street, St Enoch's and Buchanan Street. Two of these have gone and with them the heyday of the city's railways. Those times are captured for us in this collection of fifty-two photographs, accompanied by a history of each of the city's lines. The neighbouring region of Dunbartonshire is also covered and was itself unique in that Milngavie was the home of one of the world's first monorail systems. Stations featured in the book - many of them long gone - include Cowlairs, Possilpark, Eglinton Street, Buchanan Street, Dalmuir Riverside, Stobcross, Bellahouston, Summerston, Maryhill Central, St Enoch's, Partick West, Cumberland Street, the Singer Terminal (Clydebank), Rutherglen and Strathbungo.

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

"Being powerless to direct the current, I can only wait to see whither it runs," wrote Jefferson Davis to his wife, Varina, on October 11, 1865, five months after the victorious United States Army took him prisoner. Indeed, in the tumultuous years immediately after the Civil War, Davis found himself more acted upon than active, a dramatic change from his previous twenty years of public service to the United States as a major political figure and then to the Confederacy as its president and commander in chief. Volume 12 of The Papers of Jefferson Davis follows the former president of the Confederacy as he and his family fight to find their place in the world after the Civil War. A federal prisoner, incarcerated in a "living tomb" at Fort Monroe while the government decided whether, where, and by whom he should be tried for treason, Davis was initially allowed to correspond only with his wife and counsel. Released from prison after two hard years, he was not free from legal proceedings until 1869. Stateless, homeless, and without means to support himself and his young family, Davis lived in Canada and then Europe, searching for a new career in a congenial atmosphere. Finally, in November 1869, he settled in Memphis as president of a life insurance company and, for the first time in four years, had the means to build a new life.Throughout this difficult period, Varina Howell Davis demonstrated strength and courage, especially when her husband was in prison. She fought tirelessly for his release and to ensure their children's education and safety. Their letters clearly demonstrate the Davises' love and their dependence on each other. They both worried over the fate of the South and of family members and friends who had suffered during the war. Though disfranchised, Davis remained careful but not totally silent on the subject of politics. Even while in prison, he wrote without regret of his decision to follow Mississippi out of the Union and of his unswerving belief in the constitutionality of state rights and secession. Likewise, he praised all who supported the Confederacy with their blood and who, like himself, had lost everything.

When considering the successful design of cities, the focus tends to be on famous examples such as Paris or Rome, with equally successful but smaller and more remote examples being ignored. In addition, the more diffuse patterns of settlement of the north and western parts of Europe are hardly considered at all in comparison to the tightly formed urban centres of the Mediterranean. However, the diffuse town/region is typical of our time, whatever the location. By analysing the development of a successful small city of ancient foundation which grew from a diffuse long settled and dense landscape, then demonstrated a slow growth as a tight urban form before an early adoption of the designed landscape as "town" lessons can be learned. These lessons may be useful in addressing the nature and growth of any city or city/region. The story of Aberdeen is just such an example. Not only are the materials for its long history present, its relations and concerns with the wider world are also well attested, and many of the ideas which directed or significantly impinged on the design of cities were tested there, or had their origin there. As its form accumulated and developed over such a long time Aberdeen also suggests the idea of an architecture of the city. This book examines the development and design of a city from three inescapable aspects: its location and character of the landscape; its own particular history of development; and its cultural responses to various waves of thought.

In the wake of Glasgow’s transformation in the nineteenth-century into an industrial powerhouse — the "Second City of the Empire" — a substantial part of the old town of Adam Smith degenerated into an overcrowded and disease-ridden slum. The Old Closes and Streets of Glasgow, Thomas Annan’s photographic record of this central section of the city prior to its demolition in accordance with the City of Glasgow Improvements Act of 1866, is widely recognized as a classic of nineteenth-century documentary photography. Annan’s achievement as a photographer of paintings, portraits and landscapes is less widely known. Thomas Annan of Glasgow: Pioneer of the Documentary Photograph offers a handy, comprehensive and copiously illustrated overview of the full range of the photographer’s work. The book opens with a brief account of the immediate context of Annan’s career as a photographer: the astonishing florescence of photography in Victorian Scotland. Successive chapters deal with each of the main fields of his activity, touching along the way on issues such as the nineteenth-century debate over the status of photography — a mechanical practice or an artistic one? — and the still ongoing controversies surrounding the documentary photograph in particular. While the text itself is intended for the general reader, extensive endnotes amplify particular themes and offer guidance to readers interested in pursuing them further.