A colorful figure of 18th-century America, Israel Putnam (1718-1790) played a key role in both the French and Indian War and the Revolutionary War. In 1758 he barely escaped from being burned alive by Mohawk warriors. He later commanded a force of 500 men who were shipwrecked off the coast of Cuba. It was he who reportedly gave the command "Don't fire until you see the whites of their eyes" at the Battle of Bunker Hill. Detailing Putnam's close relationships with Aaron Burr, Alexander Hamilton, and John and Abigail Adams, this first full-length biography of Putnam in more than a century re-examines the life of a revolutionary whose seniority in the Continental Army was second only to that of George Washington.

A century after the Cuban war for independence was fought, Louis Perez examines the meaning of the war of 1898 as represented in one hundred years of American historical writing. Offering both a critique of the conventional historiography and an alternate history of the war informed by Cuban sources, Perez explores the assumptions that have shaped our understanding of the "Spanish-American War--a construct, he argues, that denies the Cubans' participation in their own struggle for liberation from Spanish rule. Perez examines historical accounts of the destruction of the battleship Maine, the representation of public opinion as a precipitant of war, and the treatment of the military campaign in Cuba. Equally important, he shows how historical narratives have helped sustain notions of America's national purpose and policy, many of which were first articulated in 1898. Cuba insinuated itself into one of the most important chapters of U.S. history, and what happened on the island in the final decade of the nineteenth century--and the way in which what happened was subsequently represented--has had far-reaching implications, many of which continue to resonate today.

A century after the Cuban war for independence was fought, Louis Pérez examines the meaning of the war of 1898 as represented in one hundred years of American historical writing. Offering both a critique of the conventional historiography and an alternate