LOS TIRANOS DEL PARAISO is a novel, Literary work, about the social problem in the world Community, that enclose a conflict where Elmar Valenilla is a innocent man that by a misunderstood, was send to jail for a order court violation, there he found a group of prisoners victims of their environment, they keep trap, and could not escape of their psychology condition. The Makrowki professor has been discover a recipe that only was apply to rats and cats, but, the Kingdom boss want that he apply this to a human with the purpose of you the effect against the peace at Island Dorada at the Central Caribbean. Through this emerge intrigue that move Elmar Valenilla intervention to development the prisoners mind to produce a change.

Presents essays dealing with literature written by Hispanic Americans from the sixteenth century through 1960, evaluates individual authors, and examines the contributions of Latino authors in a multicultural, multilingual society.

This book is a collect of extracts from the books of Samael Aun Weor on the creation of the Universe and the human being. It is presented in a bilingual format (English side by side with the original Spanish) and is divided into two parts:The first part is a collection of extracts from the books of Samael Aun Weor which explain the Kabalistic use of mantralization in the creation of the Universe (macrocosm) and how this is applicable to ourselves (microcosm).The second part is a collection of extracts from the Gnostic Classic The Perfect Matrimony by Samael Aun Weor which explain the manifestation of the Verb in the Universe and in Man.These two parts were originally in the Editor's Appendix of 2 previously published books. Therefore the Editors recommend that this book be read as the third part of a series, with "Logos Mantram Magic" by Arnoldo Krumm-Heller as the first and the "The Reconciliation of Science and Religion" by Eliphas Levi as the second.

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The study of pre-modern anthropology requires the close examination of the relationship between nature and human society, which has been both precarious and threatening as well as productive, soothing, inviting, and pleasurable. Much depends on the specific circumstances, as the works by philosophers, theologians, poets, artists, and medical practitioners have regularly demonstrated. It would not be good enough, as previous scholarship has commonly done, to examine simply what the various writers or artists had to say about nature. While modern scientists consider just the hard-core data of the objective world, cultural historians and literary scholars endeavor to comprehend the deeper meaning of the concept of nature presented by countless writers and artists. Only when we have a good grasp of the interactions between people and their natural environment, are we in a position to identify and interpret mental structures, social and economic relationships, medical and scientific concepts of human health, and the messages about all existence as depicted in major art works. In light of the current conditions threatening to bring upon us a global crisis, it matters centrally to take into consideration pre-modern discourses on nature and its enormous powers to understand the topoi and tropes determining the concepts through which we perceive nature. Nature thus proves to be a force far beyond all human comprehensibility, being both material and spiritual depending on our critical approaches.