Over time, one gets observant as well as curious over the frailties of fellow humans. Being a student of literature, I was learning the more sensitive ways of responding to human vagaries. So when my friend asked me for some light stuff, I put down my ideas, coupled with a touch of humor, and sent off these skits to him. Thus came about these lighthearted musings on fellow humans. Some of the essayists I had to teach in the classroom, like Steele, Goldsmith, and Lamb, furnished me the tone, style, and attitude. Though these pieces deal with a common mans responses to experience, they present the uncommon mans sensibilities. It is this, if any, that makes these skits interesting to me and the likes of me, hopefully.

Loose Sallies is a new collection of essays from an experienced writer who also happens to be a full time practicing lawyer. In this stimulating and provocative volume, Daniel J. Kornstein turns his searching eye and fluent pen to a number of topics of interest to all of us. The first group of essays contains Kornstein's original thoughts on the drafting of the U.S. Constitution, a subject that affects us every day. Next he explores the most treasured part of our Constitution: our precious civil liberties. From there the author describes some interesting personalities and their lives. The final section is a miscellany of essays on subjects as varied as: the similarities between politics and litigation, whether private schools should be abolished, Bill Clinton and the draft, anti semitism in New York and London, and Steve Jobs and Ayn Rand. All in all, Loose Sallies is a virtuoso performance, a tour de force, by one of our finest essayists.

Our culture values striving, purpose, achievement, and accumulation. This book asks us to get sidetracked along the way. It praises aimlessness as a source of creativity and an alternative to the demand for linear, efficient, instrumentalist thinking and productivity. Aimlessness collects ideas and stories from around the world that value indirection, wandering, getting lost, waiting, meandering, lingering, sitting, laying about, daydreaming, and other ways to be open to possibility, chaos, and multiplicity. Tom Lutz considers aimlessness as a fundamental human proclivity and method, one that has been vilified by modern industrial societies but celebrated by many religious traditions, philosophers, writers, and artists. He roams a circular path that snakes and forks down sideroads, traipsing through modernist art, nomadic life, slacker comedies, drugs, travel, nirvana, and oblivion. The book is structured as a recursive, disjunctive spiral of short sections, a collage of narrative, anecdotal, analytic, and lyrical passages—intended to be read aimlessly, to wind up someplace unexpected.

Literary Attention: An fMRI Study of Reading Jane Austen

2023-24 NTA UGC-NET/JRF English Solved Papers

By piecing the lives of selected individuals into a grand mosaic, Pulitzer Prize-winning historian Daniel J. Boorstin explores the development of artistic innovation over 3,000 years. A hugely ambitious chronicle of the arts that Boorstin delivers with the scope that made his Discoverers a national bestseller. Even as he tells the stories of such individual creators as Homer, Joyce, Giotto, Picasso, Handel, Wagner, and Virginia Woolf, Boorstin assembles them into a grand mosaic of aesthetic and intellectual invention. In the process he tells us not only how great art (and great architecture and philosophy) is created, but where it comes from and how it has shaped and mirrored societies from Vedic India to the twentieth-century United States.

The Testimony of Sense attempts to answer a neglected but important question: what became of epistemology in the late eighteenth century, in the period between Hume's scepticism and Romantic idealism? It finds that two factors in particular reshaped the nature of 'empiricism': the socialisation of experience by Scottish Enlightenment thinkers and the impact upon philosophical discourse of the belletrism of periodical culture. The book aims to correct the still widely-held assumption that Hume effectively silenced epistemological inquiry in Britain for over half a century. Instead, it argues that Hume encouraged the abandonment of subject-centred reason in favour of models of rationality based upon the performance of trusting actions within society. Of particular interest here is the way in which, after Hume, fundamental ideas like the self, truth, and meaning are conceived less in terms of introspection, correspondence, and reference, and more in terms of community, coherence, and communication. By tracing the idea of intersubjectivity through the issues of trust, testimony, virtue and language, the study offers new perspectives on the relationships between philosophy and literature, empiricism and transcendentalism, and Enlightenment and Romanticism. As philosophy grew more conversational, the familiar essay became a powerful metaphor for new forms of communication. The book explores what is epistemologically at stake in the familiar essay genre as it develops through the writings of Joseph Addison, David Hume, Samuel Johnson, Charles Lamb, and William Hazlitt. It also offers readings of philosophical texts, such as Hume's Treatise, Thomas Reid's Inquiry, and Adam Smith's Theory of Moral Sentiments, as literary performances.

Pater's lectures on Plato were first published in 1893, and reissued in his collected works of 1900-1.