Looks Good From A Distance. It’s about love, a bit unconventional, but love all the same, and Bamboo, and old Vietnamese wooden sailing Junks, and Ha long Bay. and The Royal House of Saud and hired assassins and Los Angeles America, and Hedge Funds and sex, lot’s of it, and a young vulnerable woman and a rich handsome young man and a reasonably well off middle aged woman. Did I mention fishing, fly fishing for trout, and there’s a Maserati and a helicopter --- isn’t there always! Oh! And did I mention LOVE!

In this inspirational and unflinchingly honest memoir, acclaimed author Reyna Grande describes her childhood torn between the United States and Mexico, and shines a light on the experiences, fears, and hopes of those who choose to make the harrowing journey across the border. Reyna Grande vividly brings to life her tumultuous early years in this “compelling...unvarnished, resonant” (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to “El Otro Lado” (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced into the already overburdened household of their stern grandmother. When their mother at last returns, Reyna prepares for her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father. Funny, heartbreaking, and lyrical, The Distance Between Us poignantly captures the confusion and contradictions of childhood, reminding us that the joys and sorrows we experience are imprinted on the heart forever, calling out to us of those places we first called home. Also available in Spanish as La distancia entre nosotros.

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Vols. 19- include the Proceedings of the association's 12-27th annual conventions.

At eighteen years old, with no high school diploma, a growing rap sheet, and a failed relationship with his estranged father, Timothy J. Hillegonds took a one-way flight from Chicago to Colorado in hopes of leaving his mounting rage and frustration behind. His plan was simple: snowboard, hang out, live an uncomplicated life. The Distance Between chronicles how Hillegonds’s plan went awry after he immediately jumped head first into a turbulent relationship with April, a Denny’s coworker and single mother. At once passionate and volatile, their relationship was fueled by vodka, crystal methamphetamine, and poverty—and it sometimes became violent. Mere months after moving to the mountains, when the stakes felt like they couldn’t be higher, Hillegonds learned April was pregnant with his child. More than just a harrowing story of addiction and abuse or a simple mea culpa, The Distance Between is a finely wrought exploration of, and reckoning with, absent fathers, fatherhood, violence, adolescent rage, white male privilege, and Hillegonds’s own toxic masculinity. With nuance and urgency, The Distance Between takes readers through the grit of life on the margins while grappling with the problematic nature of one man’s existence.

In this New Studies in Biblical Theology exploration of Mark's Gospel, Peter G. Bolt looks at why the cross is so prominent in the narrative, asks what contribution Mark's teaching can make to our understanding of the atonement and shows how this teaching can inform, correct and enrich our own preaching of the gospel in the contemporary world.

This is Part Seven of The Love Series Amy is staying busy on the set of her new film, Day One, but she can’t help thinking about Spencer. She agreed they should focus on their work, but she had no idea how hard it would be to be apart for such a long period of time. Dex asks Amy to go on The Latest Show to promote their film. It starts out just fine, but quickly goes south when the host, Vince Brody, brings up something personal and he won’t drop it. Amy’s mom is arrested, again. This time, however, it isn’t as simple as bailing her out. Jarvis Green, her co-star in Day One, starts to shape up and everything is going smoothly on set… until there’s an accident that threatens to delay the whole film.

The formidable Iona, a.k.a. La Belle Dame Sans Merci, determined to instil some culture into her alcohol-appreciating and apparently sex-starved husband, accompanies him on a tour of the architectural and artistic highlights of Italy, like the Grand Tourists of yesteryear. Unlike those tourists though, who often spent as much as two years, if not longer, on the journey, La Belle Dame Sans Merci has only one week in which to transform her husband as they explore the delights of Naples, Pompeii, Assisi, Florence, Siena and Rome. And if that were not challenge enough, he displays an amazing propensity for opening his mouth and putting his foot in it, not to mention getting himself into a number of extremely embarrassing situations...