The true-crime story of a millionaire beauty queen and the murder of her ex-lover, by the New York Times bestselling author of Because You Loved Me. On a day like any other in Akron, Ohio, in a parking lot like so many across America, a black-clad motorcyclist rode up to an occupied vehicle and fired a gun—and didn't miss. The shock rippling through the community led to former beauty queen Cynthia George, a respected church member and devoted mother. Married to a wealthy businessman, she seemed to lead a charmed life. But did her beauty mask a heart cold enough to kill? M. William Phelps, award-winning master of the non-fiction thriller, updates this gripping saga of illicit love and murder with startling, unforgettable new insights. Praise for If Looks Could Kill “Phelps, one of America's finest true-crime writers, has written a compelling and gripping book about an intriguing Ohio murder mystery.” —Vincent Bugliosi New York Times bestselling author of Helter Skelter “Starts quickly and doesn't slow down. The author's thorough research and interviews give the book a sense of growing complexity, richness of character, and urgency.” —Stephen Singular, author of Unholy Messenger: The Life and Crime of the BTK Killer “Phelps' sharp attention to detail culminates in this meticulous recreation of a tragic crime. This gripping true story reads like a well-plotted crime novel and proves that truth is not only stranger, but more shocking, than fiction. Riveting.” —Allison Brennan, New York Times bestselling author of Tell No Lies Includes sixteen pages of photos

A novel that marks the debut of a sexy and wickedly entertaining new mystery series, If Looks Could Kill introduces a heroine whose blend of wry humor and gutsiness will win over readers everywhere. Bailey's in bed with her commitment-challenged lover K.C. when she gets a frantic call from her high-maintenance boss at Gloss magazine. Grabbing coffee and a cab outside her Greenwich Village apartment-the consolation prize in her divorce settlement-Bailey reluctantly heads uptown. At Cat Jones's Upper East Side town house, she finds something that seriously clashes with the chic decor: the dead body of the family's live-in nanny. As Bailey-unofficially-delves into the murdered girl's past, she finds no shortage of A-list suspects. But when a startling discovery suggests that Cat may have been the intended victim, Bailey is suddenly up to her bed head in a high-profile investigation that's perfect fodder for a tabloid headline: Is someone trying to kill the editors of women's magazines? With the spotlight on New York's glitzy media world, Bailey interviews back-stabbing editors, straying husbands, and one sexy, six-feet-two psychologist who could make her decide to kick K.C. to the curb. Sporting her pair of red slingbacks and armed with the investigative skills she's honed as a true crime reporter, she sets out on a search that takes her from Manhattan's exclusive Carnegie Hill area-the nanny heartland of America-to the ritzy weekend estates of Pennsylvania and Connecticut. Bailey will need all her street smarts and some lightning-fast detective work to catch a killer who could end up deleting her name from the masthead for good.

Drawing together literature from sociology, gender studies and psychology, this text offers a broad discussion of the topic in the context of socio-cultural change, gender politics and self-identity.

Edited by Marketa Uhlirova, Elizabeth Wilson. Text by Caroline Evans, Roger K. Burton, Tom Gunning.

When Thelma and Louise outfought the men who had tormented them, women across America discovered what male fans of action movies have long known—the empowering rush of movie violence. Yet the duo's escapades also provoked censure across a wide range of viewers, from conservatives who felt threatened by the up-ending of women's traditional roles to feminists who saw the pair's use of male-style violence as yet another instance of women's co-option by the patriarchy. In the first book-length study of violent women in movies, Reel Knockouts makes feminist sense of violent women in films from Hollywood to Hong Kong, from top-grossing to direct-to-video, and from cop-action movies to X-rated skin flicks. Contributors from a variety of disciplines analyze violent women's respective places in the history of cinema, in the lives of viewers, and in the feminist response to male violence against women. The essays in part one, "Genre Films," turn to film cycles in which violent women have routinely appeared. The essays in part two, "New Bonds and New Communities," analyze movies singly or in pairs to determine how women's movie brutality fosters solidarity amongst the characters or their audiences. All of the contributions look at films not simply in terms of whether they properly represent women or feminist principles, but also as texts with social contexts and possible uses in the re-construction of masculinity and femininity.

If Chins Could Kill: Confessions of a B Movie Actor Here we are together in the digital universe. Somehow, you've clicked yourself to this page. If you came here of your own free will and desire, you and I are going to get along just fine. Life is full of choices. Right now, yours is whether or not to download the autobiography of a mid-grade, kind of hammy actor. Am I supposed to know this guy? you think to yourself. No-and that's exactly the point. You can download a terabyte of books about famous actors and their high-falootin' shenanigans. I don't want to be a spoilsport, but we've all been down that road before. Scroll down to that Judy Garland biography. You know plenty about her already-great voice, troubled life. Scroll down a little further to the Charlton Heston book. Same deal. You know his story too-great voice, troubled toupee. The truth is that though you might not have a clue who I am-unless you watch cable very late at night-there are countless working stiffs like me out there, grinding away every day at the wheel of fortune. If Chins Could Kill: Confessions of a B Movie Actor documents my time in blue-collar Hollywood, where movies are cheap, the hours are long, and the filmmaking process can be very personal. To keep up with the times, I've digitized Chins. It was originally published in hardcover/analog fifteen years ago, which is a vast amount of time in the evolution of books and technology, and it was time to get current. The advance of technology is great for a book like this, which is jammed full of pictures. When it came out originally, the photographs all had to be black and white and moderately sized on the page. Now, any photo that was originally taken in color can strut its stuff. Overall, the resolution of the images is off-the-charts better than the first go-around. This is one "sequel" that I'm happy to be a part of, since we could make so many technical improvements. The process was very similar to restoring an old movie. Since I knew that it was going to be reissued, I also had a look at the story being told and decided to condense, move, or clarify some chapters, all or in part. I also tried to add a hint of historical context, since it has been a decade and a half since Chins first came out. I hope you enjoy it. Regards, Bruce Campbell

'Cracking . . . Taut, gripping and beautifully written' Steve Cavanagh 'An ending you definitely won't see coming' JP Delaney 'Drew me in from the first chapter . . . This should be one of the books of the year' James Delargy DCS Frankie Sheehan is experiencing a crisis of confidence - having become wary of the instincts that have led her face-to-face with a twisted killer and brought those she loves into direct jeopardy. She is summoned to the rural Wicklow mountains, where local mother of two, Debbie Nugent, has been reported missing. A bloody crime scene is discovered at Debbie's home, yet no body. Not only is foul play suspected, but Debbie's daughter, Margot, has been living with the scene for three days. Aware her team cannot convict Margot on appearances alone, Sheehan launches a full investigation into Debbie Nugent's life. And, before long, the discrepancies within Debbie's disappearance suggest that some families are built on dangerous deceptions, with ultimately murderous consequences. 'If Looks Could Kill raises the bar once more. Superb plotting, excellent character development and no one does setting better, in my opinion. Clever, stylish, cinematic. And bloody entertaining' Caz Frear 'A superior crime thriller filled with fascinating characters and laced with dark wit. The ending was both shocking and satisfying. Highly recommended' Mark Edwards 'What an absolute winner of a book. Superbly plotted, with characters I immediately want to hang out with more, and an immensely satisfying yet real conclusion. Five stars from me' Gytha Lodge

Based on the film series from New Line Cinema. In the world of supermodels and fashion photographers, an upcoming starlet is horribly disfigured while trying to save her friends. She is given an unexpected second chance--if she helps Death do away with her friends. Original.

Madison Adair didn’t witness her famous mother’s brutal murder. But she saw it. Saw the gloved hand...felt the knife strike...knew her mother’s terror.

Get ready to embark on the ride of your life with this thrill-fuelled thriller, for fans of Karin Slaughter and Karen Rose.