Buzz Aldrin takes readers on a journey through the history of space exploration. As one of a handful of astronauts to have walked on the moon, Buzz Aldrin has a unique perspective of space. And he serves as an amazing guide as he introduces us to the pioneers of space. From Copernicus to the Wright brothers, from the Apollo program to dreams of future travel, he reminds us that mankind has always looked to the stars. Buzz's informative, kid-friendly text is paired with beautifully detailed illustrations by renowned illustrator Wendell Minor, and offers the perfect introduction to everything space related, including the development of the first rockets, America?s space race with Russia, details of all the Apollo missions, and the space station. Aldrin and Minor collaborated on the bestselling Reaching for the Moon and now they reach beyond that book to give young readers a concise look at the whole history of space exploration. Each spread provides a wonderful jumping-off point for young readers, and will no doubt inspire them to look to the stars themselves.

What if the only thing you had left were the stories in your head? Amina’s homeland has been ravaged by war, and her family is devastated . . . The women of the family – Amina, her two sisters and their mother – have no choice but to leave their home town, along with thousands of others, and head for a refugee camp. But there are even more challenges ahead . . .

Looking to the Stars (Leisure Art #5299) contains instructions and patterns for four sparkling quilt designs. Designer Rhoda Bennett shares how English paper piecing, color selection, and fussy cutting shape each quilt. These patterns are sure to inspire the creation of hundreds of heavenly quilts by star-loving quilters everywhere. Quilts include: Starry Starry Night, Spun Out Wall Hanging, Sevillian Star, and Opulent Star.

My illness may define the length of my life, but it won't define how I live it. My disability gave me the ability to understand and help others. And now I finally feel like I am living. 17-year-old Lewis Hine is a global phenomenon. Diagnosed with a life-threatening brain tumour and water on the brain at 17 months, he wasn't expected to survive. But Lewis proved everyone wrong; he's not only surviving but thriving. In one Facebook post on his 16th birthday Lewis invited everyone to see how he faces head on the challenges from his ongoing illness, and he went viral. 30 million views later, Lewis now spearheads a campaign, Friend Finder, to make sure no one ever faces childhood illness alone. In his memoir, Lewis reaches out to anyone who may feel isolated in their lives. After 13 brain surgeries and continual health problems, life for Lewis is a daily challenge. From the sheer physical challenges - he is at high risk of sudden unexpected death in epilepsy (SUDEP) and has a pump in his brain just to keep him alive - to the horrendous bullying he's endured, he shares how he finds the strength to overcome all this and still lead a fun and fulfilling life. With a host of admirers around the world from Elton John to Kid Ink, Lewis is living his dream - even becoming Radio 1's Teen Hero of the Year. His story will make you laugh, cry and above all, feel inspired by life's endless possibilities, looking at the stars.

As early as 1900, when moving-picture and recording technologies began to bolster entertainment-based leisure markets, journalists catapulted entertainers to godlike status, heralding their achievements as paragons of American self-determination. Not surprisingly, mainstream newspapers failed to cover black entertainers, whose “inherent inferiority” precluded them from achieving such high cultural status. Yet those same celebrities came alive in the pages of black press publications written by and for members of urban black communities. In Looking at the Stars Carrie Teresa explores the meaning of celebrity as expressed by black journalists writing against the backdrop of Jim Crow–era segregation. Teresa argues that journalists and editors working for these black-centered publications, rather than simply mimicking the reporting conventions of mainstream journalism, instead framed celebrities as collective representations of the race who were then used to symbolize the cultural value of artistic expression influenced by the black diaspora and to promote political activism through entertainment. The social conscience that many contemporary entertainers of color exhibit today arguably derives from the way black press journalists once conceptualized the symbolic role of “celebrity” as a tool in the fight against segregation. Based on a discourse analysis of the entertainment content of the period’s most widely read black press newspapers, Looking at the Stars takes into account both the institutional perspectives and the discursive strategies used in the selection and framing of black celebrities in the context of Jim Crowism.

THE YEAR WAS 2070 A.D. and the past years hung heavy on the planet Earth. The golden age of recycling had literally smashed headlong into the wanton destruction of desert warfare of years before. As it had many times in the past, mankind's demand for his neighbors landLegends become real. And reality becomes more unbelievable that anything you could ever dream! and the wealth it contained both on it and under it had brought carnage. Death this time was greedy, and it had demanded a larger share of the spoils. It had not been content to take just the souls of the fallen soldier's dying in the desert sand; no it wanted the innocent as well. Man found he contribute to his own death by burning oil well sites, killing whole town with poison gases. The land became a toxic wasteland; crude oil spills clogged the ocean and spilled onto beaches hundreds of miles away. In her dying gasp, Mother Nature lost control, Africa was now a total sand dune, and only bones remained of its once large herds of animals. The people could do nothing but die or be blown out into the ocean, which it self was dying South America was now more closely resembling old Africa, a vast expansion of treeless landscape slowly drying up from the heat. All over the world people cried out for water as cycles of drought plagued all countries. In her gasping breath, the once green Earth answered back, by delivering her life's blood back to the land. She melted the ice fields to bring the water back to the land. One man in California had the foresight to see what was coming and had created a means to wall off the land, and in doing so had created an island of life. He was a design engineer, with a gift of imagination few had. His talent is but to the test as he finds an ancient relic from a city that had been a fable in the minds of man for thousands of years. He discovers the artifact to be the key to visiting the living past, but he must look to the stars for the Atlantis of our lost legends, for he has found it to be a spaceship! Here is the story of how one mans changes the course of the history of Earth and countless galaxies millions of light years from him. By picking up a harmless looking crystal he finds contains within an ancient sphere whose origin is anywhere but earth's!

The author shares her experiences with and wisdom about aging, sensuality and sexuality, rage and violence, Oprah Winfrey, Africa, and the home

Looking at the Stars is a tale of two sisters starting new lives in another country and all the richness of the challenge this brings, especially the emotional strain it puts on their relationship. Charlotte joins her younger sister M, in France in the autumn then travels alone to Holland where she begins her own solitary journey fraught with insecurities. Then the following spring M begins to experience a mental breakdown which ultimately descends into a pyschosis. Charlotte finds her new life suddenly spinning towards a downward spiral of sinister events when M mysteriously disappears. Looking at the Stars is based on real life events.

"A fresh, profound, and fun way to look at all things astro while also making spot-on observations about your pop culture faves." —Cosmopolitan A soulful exploration of the twelve astrological signs embodied by our living “stars”—from divas to philosophers, poets to punks—and the ways they can help us better understand ourselves and each other, from the wildly popular astrology columnist for New York magazine’s The Cut. Whether you believe in it or not, astrology’s job has never been to give us a preordained vision of the future, nor to sort us into twelve neat personality types, but to provide the tools and language for delving into our weirdest, best, most thorny contradictions, and for understanding ourselves and each other in our full complexity. The stars and the planets then are more like mirrors that show us who we are, that give us an understanding of how to be and how to move through the world; how certain people do it differently, and what we can learn by studying them. In Madame Clairevoyant’s Guide to the Stars, Claire Comstock-Gay brings the sky down to Earth and points to our popular “stars”—from Aretha Franklin to Mr. Rogers, from poets in Cancer to punk singers in Scorpio—to reveal what the sky has to teach us about being human. In this wise, lyrically written guide, she examines the twelve astrological signs, illuminating the ways each one is more complicated, beautiful, and surprising than you might have been told. Claire suggests that actually it’s okay, and even important, to be a seeker, to hunger for self-knowledge, and if astrology is the vehicle for that inquiry, so be it. Madame Clairevoyant’s Guide to the Stars offers a clear introduction to the basics and an innovative new framework for creatively using astrology to illuminate our lives on earth. It’s a road map to our internal world, yes, but Claire also reminds us that it’s still our job to navigate it. Combining both heavenly insights and the earthly wisdom of writers like Cheryl Strayed and Heather Havrilesky and the poetry of Patricia Lockwood and Mary Oliver, Madame Clairevoyant’s Guide to the Stars offers a fresh, profound, and fun way to look at ourselves and others, and perhaps see each more clearly. And in that way, this book is not just beautiful, but transformative.