For Annie Barnes, going home to Middle River means dealing with truths long hidden, some of which she buried there herself. But it is a journey she knows she must take if she is to put to rest, once and for all, her misgivings about her mother's recent death. To an outsider, Middle River is a picture-perfect New Hampshire town. But Annie grew up there, and she knows all its secrets -- as did her idol Grace Metalious, author of the infamous novel Peyton Place, which laid a small town's sexual secrets bare for all the world to see. Though Grace actually lived in a nearby town, the residents of Middle River have always believed she used them as the model for her revolutionary novel, and some even insist Annie's grandmother was the model for one of Grace's most scandalous characters. With these rumors and whispers about Peyton Place haunting her childhood, Annie came to identify so closely with the author that it was Grace and her bold rebellion against 1950s conformity that inspired Annie to get out of Middle River and make a life for herself in Washington, D.C. It's been a good life, too. Annie Barnes is now a bestselling author, reaching that level with only her third novel. Success has given her a confidence she never had as a young girl in Middle River -- and it has given the residents of that town something new to worry about. When they hear Annie is returning for a lengthy visit, everyone, including Annie's two sisters, believes she's coming home to write about them. Though amused by the discomfort she causes in Middle River, Annie has no intention of writing a novel about the town or its people. It is her mother's death -- under circumstances that don't quite add up -- that has brought her back, and soon her probing questions start to make people nervous. When she discovers evidence of dangerous pollutants emanating from the local paper mill -- poisons that she comes to believe contributed to her mother's fatal illness -- Annie finds herself at odds with most of the town's inhabitants, including her sisters, both of whom are seemingly unfazed by the incriminating evidence she uncovers. Because the mill is the town's main employer, everyone is afraid of what might happen if Annie digs deeper, and their fears soon start to turn ugly. For Annie, though, there is no turning back, as passion and rage propel her forward in a determined quest. Coming face-to-face with decades of secrets and lies, she knows she must find the strength to move beyond the legacy of Grace Metalious, defying her past to heal the wounds of the town and her own family.

Allison MacKenzie looks back on life in the New England town where she grew up around the time of Pearl Harbor.

The continuing story of Peyton Place is once again available in paperback

This book analyzes the differences in content, reader expectation, and social/moral/ethical functions of the three types of novels in America of the 1950s. It challenges the notion that highbrow novels (Lolita ) do important cultural work while popular novels contribute to personal and social decay, and examines how time periods influence the moral content of novels. The book separates popular fiction into lowbrow (Peyton Place ) and middlebrow (Man in the Grey Flannel Suit ) and explains that lowbrow (like highbrow) evolves from the folklore tradition and contains messages about how to be a good man or good woman and how to find a satisfying niche in the social order. Middlebrow, on the other hand, evolves from myth tradition and relates lessons on what personal adjustments need to be made to succeed in the economic order. Middlebrow novels most reflect the time and place of their writing because conditions for economic survival change more than conditions for social survival. Arguing that what most distinguishes highbrow from lowbrow is the audience, highbrow writers try to separate from the flock; lowbrow writers to include. This study differs from such well-known studies of popular fiction as John Cawelti's and Janice Radway's in looking beyond the surface features of plot, character, and theme. The book also challenges arguments that novels in which marriage is women's highest triumph and aggressive heroism men's reinforce limiting cultural paradigms.

In this lively account of the writing, publication, and legacy of the 1956 bestselling novel, "Peyton Place," Ardis Cameron tells how the story of a patricide in a small New England village became a cultural phenomenon.

The last novel to be published before her death, Grace Metalious’s No Adam in Eden explores women’s capacity—or incapacity—to love. At the centre of this story about three generations of women is Angelique de Montigny, the beautiful but spoiled daughter of Armand and Monique. Convinced of her matchless beauty and charm, Angelique proves herself incapable of love, to the detriment of her husband and her children. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

This true crime history examines the surprising connection between an infamous small-town murder and the bestselling novel it inspired. Born and raised in Manchester, New Hampshire, Grace Metalious shocked the nation in 1956 with Peyton Place, her sexually charged debut novel about murder in a small town. It spawned a series of novels, two Hollywood movies, and a long-running television series on ABC. It also made Metalious a pariah in her hometown, where she became tabloid fodder until her untimely death at the age of thirty-nine. Unknown to most readers, the fictional story was inspired by a real crime known as “The Sheep Pen Murder,” which took place in Gilmanton, New Hampshire, in the late 1940s. Now historian Renee Mallett skillfully weaves together the lives of Metalious and Barbara Roberts, the confessed killer behind The Sheep Pen Murder. In The “Peyton Place” Murder, Mallett explores what happens when true crime and literature meet.

Perfect for fans of Morgan Matson and Sarah Dessen, this lushly written and heart-wrenching novel follows a teen girl on a one-way trip away from her life and slowly reveals what made her leave it all behind. Sometimes you have to leave your life behind to find your place in the world… ​Peyton King has always wanted to belong. She seizes the opportunity to start over at a new school and finally finds real connections with the friends she’s always dreamed of and even an actual boyfriend! But after flying high in her newfound happiness, Peyton comes crashing down when reality sets in and the ones she cares about let her down. Peyton’s friends can’t fix her and she can’t help them if they won’t let her. If she wants to find real, lasting happiness, Peyton will have to search somewhere else. With nothing but her sketchpad and a backpack, she buys a one-way ticket and gets on a plane. How far will she go to change her story?