Looking Backward: 2000-1887 is a utopian science fiction novel by Edward Bellamy, a lawyer and writer from Chicopee Falls, Massachusetts; it was first published in 1887. According to Erich Fromm, Looking Backward is "one of the most remarkable books ever published in America".

They put him into a hypnotic trance in a sealed room to cure him. Then the house burnt down and he was forgotten. Until he awoke forty years later and could not - dared not - believe what he saw . . .

'No person can be blamed for refusing to read another word of what promises to be a mere imposition upon his credulity.' Julian West, a feckless aristocrat living in fin-de-siècle Boston, plunges into a deep hypnotic sleep in 1887 and wakes up in the year 2000. America has been turned into a rigorously centralized democratic society in which everything is controlled by a humane and efficient state. In little more than a hundred years the horrors of nineteenth-century capitalism have been all but forgotten. The squalid slums of Boston have been replaced by broad streets, and technological inventions have transformed people's everyday lives. Exiled from the past, West excitedly settles into the ideal society of the future, while still fearing that he has dreamt up his experiences as a time traveller. Edward Bellamy's Looking Backward (1888) is a thunderous indictment of industrial capitalism and a resplendent vision of life in a socialist utopia. Matthew Beaumont's lively edition explores the political and psychological peculiarities of this celebrated utopian fiction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

EQUALITY, first published in 1897, is the sequel to the 1888 book, Looking Backward-Bellamy's most popular work about a utopian Boston-and a response to the many criticisms of the first book. In EQUALITY, Bellamy answers those charges. Here, Bellamy addresses more social concerns of his day and delves into the more minor details of the lives of the futuristic Bostonians, including manners of dress and dining. Readers will be entertained by Bellamy's imaginings of the future, including recycled paper clothes and self-heating paper cookware. American author EDWARD BELLAMY (1850-1898) also wrote Dr. Heidenhoff's Process (1880) and The Duke of Stockbridge (1900).

When President McKinley was murdered in Buffalo, New York, on September 6, 1901, Americans were frightened. Rauchway's interpretive study recreates the hastily conducted trial, and then reconstructs the circumstances in which a man rose up to kill his president.

1890 Dystopian Science Fiction Thus far we have the testimony of Professor West as to the most apparent faults of what we now call the old order of society. He left behind him other writings than that from which I have just quoted, and these writings (among them, a diary of the events which he took part in) I shall have occasion to quote from later on. After his death at the battle of Lake Erie, his papers were taken possession of by the Chinese authorities, and upon my appointment to this professorship at Shawmut College, were delivered to me. Your previous studies will have told you what professor West mentions in his book, that the Nationalist idea of government prevailed at the opening of this century, in all of Europe, all of North America and in the greater part of South America, I do not think that he mentions that the Nationalistic notions also prevailed to an extent in India and Russian Asia; nor that the Nationalists of Great Britain had secured a quiet government only after...

The ship was to be seven miles long, a third of a mile in diameter and have a wing-spread of three and a half miles. It would take two and a half centuries to construct. Its announced purpose: to carry humanity away from its ruined world, from the world that had become a perpetual purgatory. To build this vast ship would require the undivided activity of an entire nation and would mean carrying out a ruthless program of war and conquest, of annihilation and reconstruction, and of education and rediscovery. But was this starship really what it was claimed to be? Or was there a greater secret behind its incredible cost - a secret so strange that no man dared reveal it?

A riveting novel of labor strife and apocalyptic violence, now a major motion picture starring James Franco, Bryan Cranston, Selena Gomez, and Zach Braff A Penguin Classic At once a relentlessly fast-paced, admirably observed novel of social unrest and the story of a young man's struggle for identity, In Dubious Battle is set in the California apple country, where a strike by migrant workers against rapacious landowners spirals out of control, as a principled defiance metamorphoses into blind fanaticism. Caught in the upheaval is Jim Nolan, a once aimless man who find himself in the course of the strike, briefly becomes its leader, and is ultimately crushed in its service. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A unique portrait of one of the creative geniuses of the 20th century, by the distinguished critic David Sylvester. Controversial in both life and art, Francis Bacon was one of the most important painters of the 20th century. His monumental, unsettling images have an extraordinary power to disturb, shock and haunt the spectator, 'to unlock the valves of feeling and therefore return the onlooker to life more violently'. Drawing on his personal knowledge of Bacon's inspirations, intentions and working methods, David Sylvester surveys the development of the work from 1933 to the early 1990s, and discusses critically a number of its crucial aspects. He also reproduces previously unpublished extracts from his celebrated conversations with Bacon in which the artist speaks about himself, modern painters and the art of the past. Finally, Sylvester gives a brief account of Bacon's life, correcting certain errors that elsewhere have been presented as facts. Divided into the sections 'Review', 'Reflections', 'Fragments of Talk' and 'Biographical Note', Looking Back at Francis Bacon is a unique portrait of one of the creative geniuses of our age by a writer of comparable distinction.