"Published in conjunction with 'Dada,' an exhibition organized by the National Gallery of Art, Washington, D.C. (from February 19 to May 14, 2006) and the Centre Pompidou, Paris (from October 5 to January 9, 2006), in collaboration with the Museum of Modern Art, New York (from June 18 to September 11, 2006)"--P. [75

Among the Americans were the photographer/painter/constructor Man Ray, the Precisionist painter and Fortune photographer Charles Sheeler, the Futurist Joseph Stella, and the Pennsylvania artists Charles Demuth and Morton Schamberg.

"A little girl explains how families, including hers, come in many shapes and sizes--some with a mom and a dad, some with two dads, some with two moms, and more"--

This book, for the first time, examines in depth the link between modernism and postmodernism and demonstrates the extensive similarities, as well as the few crucial differences between the ideas and art of the Dadaists on the one hand, and those of contemporary postmodern thinkers and artists on the other.

A hilarious book for new dads and their little loved ones to share and enjoy! It's bedtime for Dada's little cave baby. But Baba wants a bedtime story, and not just from any book. Baba wants just the right book—and the right book means the biggest book! Poor Dada! The delaying tactics of his Stone Age darling may not speed up bedtime ... but they just might change the course of human history. • Full of parenting moments that new or expecting dads will love • Sweet, silly, and boldly illustrated—ideal read-aloud book to share with the family • Perfect read for dad and child Fans of Your Baby's First Word Will Be Dada, Because I'm Your Dad, and Dad By My Side will love Cave Dada's positive, loving message. • Great book for dads • Books for kids ages 3–5 • Funny read-aloud Brandon Reese is the illustrator of numerous books for children. His own adventures in fatherhood provided ample inspiration for this book. He lives in Charlotte, North Carolina.

The title of Jerome Rothenberg's newest collection suggests jazz, blues, and above all the Dada movement in European art and poetry in the years immediately following World War I. "In my own world," he explains in his pre-face to That Dada Strain, "the Dada fathers who inhabit the opening poems of this book are necessary figures, & to summon them up along with their legends is no more erudite than to summon up Moses or George Washington or Harpo or Karl Marx, & so on." For Rothenberg, the Dada connection, his looking back to Dada founders Tristan Tzara, Hugo Ball, Kurt Schwitters, and Francis Picabia, is especially apt, emphasizing as it does a "strain" that is echoed and replayed throughout all his work, whether it be oral poetry, ethnopoetics, translation, or the assembling of innovative anthologies. Following the title section is "Imaginal Geographies," a group of poems that draw largely on the poet's private self, his own language and perceptions, in much the same way that the Dada poets recorded associations between images for which no key was readily available. In the third and final section, "Altar Pieces," Rothenberg attempts, as he says, "to return to the world in which human beings still suffer both the loss of bread & words." Jerome Rothenberg's previous books of poetry with New Directions include Poland/1931 (1974), Poems for the Game of Silence (1975), A Seneca Journal (1978), and, most recently, Vienna Blood (1980). Pre-Faces & Other Writings, his first collection of poetics, was awarded the Before Columbus Foundation's American Book Award for 1982.

A stimulating introduction to the many debates surrounding the Dadaist and Surrealist movements, such as the Marquis de Sade's position as a Surrealist deity, attitudes towards the city, the impact of Freud, and attitudes towards women.

One of the most controversial and ironic of twentieth-century modernisms, Dada swept through the arts after the shock of World War I, when poets, painters, filmmakers, and performers joined forces to challenge conventions of society and art. The only collection of its kind, this volume includes writings by leading Dadaists: Hugo Ball, Kurt Schwitters, Richard Huelsenbeck, Roger Vitrac, Tristan Tzara, Emmy Hennings, Francis Picabia, and others.

A series of animal fathers tries to its their young to say "Dada."

"Presents some seventy works-- books, collages, drawings, films, paintings, photographs, photomontages, prints, readymades, reliefs-- in large-scale reproductions and accompanying them with in-depth essays by an interdepartmental group of the Museum's curators."--Front jacket flap.