In Look, a Negro!, political theorist Robert Gooding-Williams imaginatively and impressively unpacks fundamental questions around race and racism. Inspired by Frantz Fanon's famous description of the profound effect of being singled out by a white child with the words Look, a Negro!, his book is an insightful, rich and unusually wide-ranging work of social criticism. These essays engage themes that have dominated debates on race and racial identity in recent years: the workings of racial ideology (including the interplay of gender and sexuality in the articulation of racial ideology), the viability of social constructionist theories of race, the significance of Afrocentrism and multiculturalism for democracy, the place of black identity in the imagination and articulation of America's inheritance of philosophy, and the conceptualization of African-American politics in post-segregation America. Look, a Negro! will be of interest to philosophers, political theorists, critical race theorists, students of cultural studies and film, and readers concerned with the continuing importance of race-consciousness to democratic culture in the United States.

Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.

In Look, a Negro!, political theorist Robert Gooding-Williams imaginatively and impressively unpacks fundamental questions around race and racism. Inspired by Frantz Fanon's famous description of the profound effect of being singled out by a white child with the words Look, a Negro!, his book is an insightful, rich and unusually wide-ranging work of social criticism. These essays engage themes that have dominated debates on race and racial identity in recent years: the workings of racial ideology (including the interplay of gender and sexuality in the articulation of racial ideology), the viability of social constructionist theories of race, the significance of Afrocentrism and multiculturalism for democracy, the place of black identity in the imagination and articulation of America's inheritance of philosophy, and the conceptualization of African-American politics in post-segregation America. Look, a Negro! will be of interest to philosophers, political theorists, critical race theorists, students of cultural studies and film, and readers concerned with the continuing importance of race-consciousness to democratic culture in the United States.

The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.

In an age where racial and ethnic identity intersect, intertwine, and interact in increasingly complex ways, Black Ethnics: Race, Immigration, and the Pursuit of the American Dream offers a superb and rigorous analysis of black politics and coalitions in the post-Civil Rights era. Using an original survey of a New York City labor population and multiple national data sources, author Christina M. Greer explores the political significance of ethnicity for new immigrant and native-born blacks. Black Ethnics concludes that racial and ethnic identities affect the ways in which black ethnic groups conceptualize their possibilities for advancement and placement within the American polity. The ethnic and racial dual identity for blacks leads to significant distinctions in political behavior, feelings of incorporation, and policy choices in ways not previously theorized. The steady immigration of black populations from Africa and the Caribbean over the past few decades has fundamentally changed the racial, ethnic, and political landscape in the U.S. An important question for social scientists is how these 'new' blacks will behave politically in the US. Should we expect new black immigrants to orient themselves to politics in the same manner as native Blacks? Will the different histories of the new immigrants and native-born blacks lead to different political orientations and behavior, and perhaps to political tensions and conflict among black ethnic groups residing in America? And to what extent will this new population fracture the black coalition inside of the Democratic party? With increases in immigration of black ethnic populations in the U.S., the political, social, and economic integration processes of black immigrants does not completely echo that of native-born American blacks. The emergent complexity of black intra-racial identity and negotiations within the American polity raise new questions about black political incorporation, assimilation, acceptance, and fulfillment of the American Dream. By comparing Afro-Caribbean and African groups to native-born blacks, this book develops a more nuanced and accurate understanding of the 'new black America' in the twenty-first century. Lastly, Black Ethnics explores how foreign-born blacks create new ways of defining and understanding black politics and coalitions in the post-Civil Rights era.

In his debut poem collection Caleb "The Negro Artist" Rainey explores racial tensions in America from the perspective of a young Black male.

First published in 1952, Frantz Fanon's 'Black Skin, White Masks' is one of the most important anti-colonial works of the post-war period. It is both a profound critique of the conscious and unconcious ways in which colonialism brutalises the colonised and a passionate cry from deep within a black body alienated by the colonial system and in search of liberation from it. This volume is the first collection of essays specifically devoted to Fanon's text. It offers a wide range of interpretations of the text by leading scholars in a number of disciplines. Chapters deal with Fanon's Martinican heritage, Fanon and Creolism, ideas of race and racism and new humanism, Fanon and Sartre, representations of Blacks and Jews, and the psychoanalysis of race, gender and violence. Contributors offer new ways of reading the text and the volume as a whole constitutes an important contribution to the growing field of Fanon studies.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert." As students, scholars, activists, intellectuals, and any other readers who have engaged with the book since its original release in 1992 can attest, that's exactly what these pieces do.

Investigates the appropriation of black popular culture as a symbol of rebellion in postwar Germany