Longing for the Bomb traces the unusual story of the first atomic city and the emergence of American nuclear culture. Tucked into the folds of Appalachia and kept off all commercial maps, Oak Ridge, Tennessee, was created for the Manhattan Project by the U.S. government in the 1940s. Its workers labored at a breakneck pace, most aware only that their jobs were helping "the war effort." The city has experienced the entire lifespan of the Atomic Age, from the fevered wartime enrichment of the uranium that fueled Little Boy, through a brief period of atomic utopianism after World War II when it began to brand itself as "The Atomic City," to the anxieties of the Cold War, to the contradictory contemporary period of nuclear unease and atomic nostalgia. Oak Ridge's story deepens our understanding of the complex relationship between America and its bombs. Blending historiography and ethnography, Lindsey Freeman shows how a once-secret city is visibly caught in an uncertain present, no longer what it was historically yet still clinging to the hope of a nuclear future. It is a place where history, memory, and myth compete and conspire to tell the story of America's atomic past and to explain the nuclear present.

This Atom Bomb in Me traces what it felt like to grow up suffused with American nuclear culture in and around the atomic city of Oak Ridge, Tennessee. As a secret city during the Manhattan Project, Oak Ridge enriched the uranium that powered Little Boy, the bomb that destroyed Hiroshima. The city was a major nuclear production site throughout the Cold War, adding something to each and every bomb in the United States arsenal. Even today, Oak Ridge contains the world's largest supply of fissionable uranium. The granddaughter of an atomic courier, Lindsey A. Freeman turns a critical yet nostalgic eye to the place where her family was sent as part of a covert government plan. Theirs was a city devoted to nuclear science within a larger America obsessed with its nuclear prowess. Through memories, mysterious photographs, and uncanny childhood toys, she shows how Reagan-era politics and nuclear culture irradiated the late twentieth century. Alternately tender and alarming, her book takes a Geiger counter to recent history, reading the half-life of the atomic past as it resonates in our tense nuclear present.

Founded during World War II, Oak Ridge, Tennessee, was a vital link in the U.S. military's atomic bomb assembly line-the site where scientists worked at a breakneck pace to turn tons of uranium into a few grams of the artificial element plutonium. At Work in the Atomic City explores the world of those workers and their efforts to form unions, create a community, and gain political rights over their city.

The linked stories in Cara Blue Adams’s precise and observant collection offer elegantly constructed glimpses of the life of Kate, a young woman from rural New England, moving between her childhood in the countryside of Vermont and her twenties and thirties in the northeast, southwest, and South in pursuit of a vocation, first as a research scientist and later as a writer. Place is a palpable presence: Boston in winter, Maine in summer, Virginia’s lush hillsides, the open New Mexico sky. Along the way, we meet Kate’s difficult bohemian mother and younger sister, her privileged college roommate, and the various men Kate dates as she struggles to define what she wants from the world on her own terms. Wryly funny and shot through with surprising flashes of anger, these smart, dreamy, searching stories show us a young woman grappling with social class, gender, ambition, violence, and the distance between longing and having.

The award-winning novel of a young American girl in France—hailed as “an impressive debut” that is “written with quiet, lyric forcefulness” (Elle). A New York Times Notable Book Young, inexperienced, and fleeing a terrible personal loss, Rosie—the new au pair to the Tivot family estate in France—finds herself ill at ease when trying to connect with Nicole, the cool, distant, and beautifully polished mother of the three children she cares for. There is something about the woman that both fascinates and unnerves Rosie. The same is true of the rest of the Tivot clan. Nicole’s dissatisfied husband, Marc, and their children all seem to be caught in an unending struggle against each other for love and acceptance. Only when Rosie is sent to care for Nicole’s now-elderly guardian—the storyteller of the family’s secrets—does she finally discover the truth. There, Rosie will learn of a past darkened by war, duplicity, and a tragedy that still resonates in the Tivot’s lives . . . With this novel of family, betrayal, and the naïveté of youth, Lily King has spun a story that is “powerful . . . splendid . . . [and all] so assured that it’s hard to believe the book itself is her debut” (The New York Times Book Review). “Expertly constructed, full of surprises, superbly paced and sweetly sad, King’s book hardly reads like a first novel.” —Publishers Weekly

Recommended by Entertainment Weekly * CNN * Harper's BAZAAR * E! Online * Refinery 29 * Bustle * Shondaland * Vulture * The Millions * Lit Hub * Electric Literature * Parade * MSN * and more! “For when you want a coming-of-age novel with a dark twist. In this provocative novel, the past isn’t always as far away as you think.” —The Skimm “[S]o beautifully written that I marked lines—for their perceptive genius—on nearly every page... This perfectly paced novel examines class structures and sexual identity and betrayals and tragedy in a way that had be both wanting to rip through the pages and wanting to savor each sentence until the extremely satisfying end." —Elin Hilderbrand for Literati Can we ever really escape our pasts? The girls of St John the Divine, an elite English boarding school, were notorious for flipping their hair, harassing teachers, chasing boys, and chain-smoking cigarettes. They were fiercely loyal, sharp-tongued, and cuttingly humorous in the way that only teenage girls can be. For Josephine, now in her thirties, the years at St John were a lifetime ago. She hasn’t spoken to another Divine in fifteen years, not since the day the school shuttered its doors in disgrace. Yet now Josephine inexplicably finds herself returning to her old stomping grounds. The visit provokes blurry recollections of those doomed final weeks that rocked the community. Ruminating on the past, Josephine becomes obsessed with her teenage identity and the forgotten girls of her one-time orbit. With each memory that resurfaces, she circles closer to the violent secret at the heart of the school’s scandal. But the more Josephine recalls, the further her life unravels, derailing not just her marriage and career, but her entire sense of self. Suspenseful, provocative, and compulsively readable, The Divines explores the tension between the lives we lead as adults and the experiences that form us, probing us to consider how our memories as adults compel us to reexamine our pasts.

Few places are more notorious for civil rights–era violence than Philadelphia, Mississippi, the site of the 1964 "Mississippi Burning" murders. Yet in a striking turn of events, Philadelphia has become a beacon in Mississippi's racial reckoning in the decades since. Claire Whitlinger investigates how this community came to acknowledge its past, offering significant insight into the social impacts of commemoration. Examining two commemorations around key anniversaries of the murders held in 1989 and 2004, Whitlinger shows the differences in how those events unfolded. She also charts how the 2004 commemoration offered a springboard for the trial of former Klan leader Edgar Ray Killen for his role in the 1964 murders, the 2006 passage of Mississippi's Civil Rights/Human Rights education bill, and the initiation of the Mississippi Truth Project. In doing so, Whitlinger provides the first comprehensive account of these high profile events and expands our understanding of how commemorations both emerge out of and catalyze associated memory movements. Threading a compelling story with theoretical insights, Whitlinger delivers a study that will help scholars, students, and activists alike better understand the dynamics of commemorating difficult pasts, commemorative practices in general, and the links between memory, race, and social change.

Winner of the 2021 Edgar Award – G.P. Putnam’s Sons Sue Grafton Memorial Award Finalist for the Lambda Literary Awards An NPR Best Book of the Year "Gripping, subtle, magnificently written." —The New York Times Book Review "A delectable page-turner . . . Vera Kelly introduces a fascinating new spy to literature’s mystery canon—one we hope sticks around long beyond this snappy, intimate debut." —Entertainment Weekly New York City, 1962. Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA. Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of a coup, Vera learns the Cold War makes for strange and unexpected bedfellows, and she's forced to take extreme measures to save herself. An exhilarating page-turner and perceptive coming-of-age story, Who Is Vera Kelly? introduces an original, wry, and whip-smart female spy for the twenty-first century.

Tracing uranium's past, and how it intersects with our understanding of other radioactive elements, this book aims to disentangle our attitudes and to unpick the atomic mindset. Chain Reactions looks at the fascinating, often-forgotten, stories that can be found throughout the history of the element. Ranging from glassworks to penny stocks; medicines to weapons; something to be feared to a powerful source of energy, this global history not only explores the development of our scientific understanding of uranium, but also shines a light on its cultural and social impact. By understanding our nuclear past, we can move beyond the ideological opposition to atomic technology and encourage a more nuanced dialogue about whether it is feasible - and desirable - to have a genuinely nuclear-powered future.

“Set in 1970s Bombay, the novel explores art, ambition, gender roles and class with the same shimmering prose of Swamy’s first book, the story collection A House Is a Body.” —San Francisco Chronicle “[A] sublime, boundary-pushing exploration of sexuality, creativity, and love.” —NPR In this transfixing novel, a young woman comes of age in 1960s- and 1970s-era Bombay, a vanished world that is complex and indelibly rendered. Vidya’s childhood is marked by the shattering absence and then the bewildering reappearance of her mother and baby brother at the family home. Restless, observant, and longing for connection with her brilliant and increasingly troubled mother, Vidya navigates the stifling expectations of her life with a vivid imagination until one day she peeks into a classroom where girls are learning kathak, a dazzling, centuries-old dance form that requires the utmost discipline and focus. Her pursuit of artistic transcendence through kathak soon becomes the organizing principle of her life, even as she leaves home for college and falls in complicated love with her best friend. As the uncertain future looms, she must ultimately confront the tensions between romantic love, her art, and the legacy of her own imperfect mother. Lyrical and deeply sensual, with writing as mesmerizing as kathak itself, Shruti Swamy’s The Archer is a bold portrait of a singular woman coming of age as an artist—navigating desire, duty, and the limits of the body. It is also an electrifying and utterly immersive story about the transformative power of art, and the possibilities that love can open when we’re ready.