Malcolm George Galbraith is a large, somewhat clumsy, Scotsman. He’s being forced to leave the woman he loves behind and needs to explain why. So he leaves her a handwritten note on the kitchen table (well, more a 300-page letter than a note). In it, Malcolm decides to start from the beginning and tell the whole story of his long life, something he’s never dared do before. Because Malcolm isn’t what he seems: he’s had other names and lived in other places. A lot of other places. As it gathers pace, Malcolm’s story combines tragedy, comedy, mystery, a touch of leprosy, several murders, a massacre, a ritual sacrifice, an insane tyrant, two great romances, a landslide, a fire, and a talking fish.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

With House of Sand and Fog, his National Book Award-nominated novel, Andre Dubus III demonstrated his mastery of the complexities of character and desire. In this earlier novel he captures a roiling time in American history and the coming-of-age of a boy who must decide between desire, ambition, and duty. In the summer of 1967, Leo Suther has one more year of high school to finish and a lot more to learn. He's in love with the beautiful Allie Donovan who introduces him to her father, Chick — a construction foreman and avowed Communist. Soon Leo finds himself in the midst of a consuming love affair and an intense testing of his political values. Chick's passionate views challenge Leo's perspective on the escalating Vietnam conflict and on just where he stands in relation to the new people in his life. Throughout his — and the nation's — unforgettable "summer of love," Leo is learning the language of the blues, which seem to speak to the mourning he feels for his dead mother, his occasionally distant father, and the youth which is fast giving way to manhood.

As Brandon Sanderson’s #1 bestselling Skyward series celebrates its third volume, Cytonic, travel back in time to the origin of Cytonics in the novella Defending Elysium. Centuries before Spensa looked skyward from the planet Detritus—back on Old Earth before it was lost—Jason Write faced a crucial question: was humanity ready to join galactic society? When faster-than-light communications were discovered by a small telephone company in 2071, alien species such as the Tenasi and Varvax overheard them and came to visit Earth. Because the Phone Company controls all communications with the aliens, their operatives like Jason operate above the law. Now, on the space platform Evensong, one of the Phone Company’s scientists has gone missing before surfacing in a hospital with amnesia, and Jason is sent to investigate. Right as he arrives, the body of a murdered Varvax ambassador is discovered, sure to cause a galactic incident. Coln Abrams of the United Intelligence Bureau seizes the opportunity to investigate Jason as he deals with the crisis. This could be the UIB’s chance to discover the Phone Company’s secrets—how does FTL communication work, and what is Jason hiding? Winner of Spain’s UPC Award for Science Fiction in 2007.

The Silurian, Book Three: LONGHAND, WHITE-TOOTH, AND THE FOX A GREAT PRINCE ARISES The Fox is taken prisoner by the Dynasty of Cadwallon Longhand, and his cruel and ambitious brother, Owen White-tooth, both of the powerful clan of the Gwynedd Gododdin, who seek to keep Arthur from rising to take absolute rule of Britain as Imperator. The Men of Gwynedd force the Fox into the army of Cadwallon Longhand to fight for the Hound Clan, where he is used in the hope of thwarting any further rise of Arthur's power, for only Bedwyr knows how Arthur fights and wins, only Bedwyr knows the Silurian's heart and way, and for it, Longhand imprisons the Fox in his stronghold of Rhos: here Bedwyr is forced to marry into the Dynasty of Longhand and White-tooth, here he is abused and beaten. Away from Arthur's battles, the Fox's journey is arduous. And it is here, separated from his beloved foster-brother that Bedwyr becomes a powerful prince and warrior in his own right: a man that other warlords fight over to gain for themselves the power of the Fox's sword-arm. But Bedwyr is sworn only to Arthur, and he waits for the inevitable day when Arthur invades Gwynedd with his army to claim back his lost brother.

As he goes through his dead mother's papers Englishman Gregory Lynn, 35, discovers his unflattering school reports, which revive memories of humiliation at the hands of teachers. One called him a donkey, another said he had a girl's name. Lynn decides to even the score with cold-blooded acts of revision. A first novel.