Longarm’s got his eyes on justice, and his hands on the Defense! As a US Deputy Marshal, Custis Long has gone after more than his fare share of trouble. But when trouble runs right into him—wearing a blood-stained night gown no less—he knows he’ll be in for quite a ride. It seems the wealthy silver mine owner Jericho Malone has just been stabbed to death in his own home, and his blood is on the night gown of his young, attractive second wife Estelle. Malone’s daughter always suspected that Estelle would sink to any level to get at their father’s money, and there’s an eye witness who swears he found her lying on the body, clutching the impaled knife in her hands. So when her defense lawyer up and collapses on the court room floor, it looks like then end of the line for Mrs. Malone. But with Longarm’s particular talent for persuading the fairer sex, Mrs. Malone has another lawyer in no time—a real fine darling of defense—and Longarm is there to make sure justice is served.

Longarm’s caught between a rock and a hard place! U.S. Deputy Marshal Custis Long is dispatched to the Pass of the North—the American-Mexican border-city of northern El Paso and southern Del Norte—to extradite a prisoner from Mexico. The Federalés however, are being none too cooperative, leaving Longarm to bide his time on the American side of the city until his charge is released. Unfortunately, he learns he’s made some enemies when some polecats use him for target practice. To find out who wants him dead and why, Longarm’s got to ask questions on both sides of the border—and both sides of the law…

In this fast-paced new installment in bestselling author Ralph Compton's Trail Drive series, a trail drive boss faces many challenges. Luke Ross is determined to drive his herd to the trailhead, but along the way he'll have to cope with rustlers, bandits, and warlike Indians.

American Law and Legal Systems examines the philosophy of law within a political, social, and economic framework with great clarity and insight. Readers are introduced to operative legal concepts, everyday law practices, substantive procedures, and the intricacies of the American legal system. Eliminating confusing legalese, the authors skillfully explain the basics, from how a lawsuit is filed to the final appeal. This new edition provides essential updates to forensic and scientific evidence, contract law, family law, and includes new text boxes and tables to help students understand, remember, and apply central concepts.

Learn to Longarm with Confidence! Go from novice to successful longarm quilter with this complete guide to modern longarm quilting. Author Teresa Silva knows exactly what it's like to stand before a new longarm machine wondering where to begin. After years of longarm quilting for some of the biggest names in the quilt community, she's sharing her expertise and giving you the skills you need to longarm with confidence. Teresa covers every detail from thread selection and loading the quilt to planning a design, sewing textured stitches, and more! In Longarm Quilting Workbook, you'll learn: • Longarm machine basics, including essential features to look for when investing in your first machine • The best tools, materials, and supplies to get the job done • 20+ quilting motifs, from basic swirls and bubbles to more complex paisleys or clamshells • How to visualize, plan, and execute multiple styles of quilts through an inspiring gallery of finished samples You'll also enjoy three pieced projects perfect to practice your longarm skills and stir your creative juices. So go ahead, grab your Longarm Quilting Workbook and work aside Teresa Silva to longarm beautiful quilts in no time!

A native Pennsylvanian, born in Meadville in 1867 and a graduate of Allegheny College, Frederic Howe dedicated his life early on to the cause of improving society and played a major role in many movements for progressive change from the early 1890s to the Second World War&—the period that Richard Hofstadter famously dubbed the &“age of reform.&” Howe was a fighter against corruption and political bosses in Cleveland; a leader in Progressive politics in New York City; a spokesman for reform through numerous books and articles and as director of the Cooper Union&’s People&’s Institute; an ardent campaigner for &“Fighting Bob&” La Follette, Woodrow Wilson, Al Smith, and Franklin D. Roosevelt; a defender of immigrants and civil liberties as commissioner of immigration for the Port of New York during the First World War; and an advocate for consumers as the first consumers counsel in the New Deal. Kenneth Miller&’s biography takes the reader behind the scenes and shows how &“the great game of politics&” was played in the age of reform.

Close readings of ostensibly “blank” works—from unprinted pages to silent music—that point to a new understanding of media. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphée to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33”, Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a “guide to further listening” that surveys more than 100 scores and recordings of “silent” music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.

This book explores the objects, means and ends of international cultural heritage protection. It starts from a broad conception of cultural heritage that encompasses both tangible property, such as museum objects or buildings, and intangible heritage, such as languages and traditions. Cultural heritage thus defined is protected by various legal regimes, including the law of armed conflicts, UNESCO Conventions and international criminal law. With a view to strengthening international protection, the authors analyze existing regimes and elaborate innovative concepts, such as blue helmets of culture and safe havens for endangered cultural heritage. Finally, the ends of international protection come to the fore, and the authors address possible conflicts between protecting cultural diversity and wishes to strengthen cultural identity.