A blizzard is coming to Nowhereland, land of endless winter. Nibs lives in the Snowy Wood like any other Lost Boy. The Pirates live over in the port town under rule of Governor Rackham. The Lost Boys used to be free before the Governor's men started in on them. Swords have been outlawed for the Lost Boys but after being hassled by Pirates and assaulted by Curly, Nibs wants one anyways. To afford a sword, Nibs works for Tootles in selling Pixie dust for the Lost Boy's parties. After the Governor's pistol is stolen from his study by Twin boys flying down his chimney, the oppression of the Snowy Wood is notched up. The Lost Boys aren't going to just take that, they fight back. Based on the universe of J. M. Barrie's Peter Pan.

This book is a literary analysis of J.M. Barrie’s Peter Pan in all its different versions -- key rewritings, dramatisations, prequels, and sequels -- and includes a synthesis of the main critical interpretations of the text over its history. A comprehensive and intelligent study of the Peter Pan phenomenon, this study discusses the book’s complicated textual history, exploring its origins in the Harlequinade theatrical tradition and British pantomime in the nineteenth century. Stirling investigates potential textual and extra-textual sources for Peter Pan, the critical tendency to seek sources in Barrie’s own biography, and the proliferation of prequels and sequels aiming to explain, contextualize, or close off, Barrie’s exploration of the imagination. The sources considered include Dave Barry and Ridley Pearson’s Starcatchers trilogy, Régis Loisel’s six-part Peter Pan graphic novel in French (1990-2004), Andrew Birkin’s The Lost Boys series, the films Hook (1991), Peter Pan (2003) and Finding Neverland (2004), and Geraldine McCaughrean’s "official sequel" Peter Pan in Scarlet (2006), among others.

After a young Jehovah's Witness is abducted following a ritualistic triple-homicide, the church puts cult specialist Stephan Raszer on her trail. Raszer soon unveils an inside-out reality that begins on the Internet and ends in a fabled Middle Eastern fortress, where a powerful figure known only as the Old Man is said to hold the strings.

This is a tale of the quest of young Peter Mcfall, whose life has been upset by the recent move of his family to a new home.His father helps him build a tree house, which he names, The Utopia Den. He finds unexpected adventure there as well as, some unusual friends; a Praying Mantis and a Ladybug. With them he travels magically to NoWhere Land. His quest is to stop a stubborn Draconis, from frightening the Citizens and taking over the Castle of Hamaso, King of this land. As he travels from his world to another, he discovers strange new people, new responsibilities, and an appreciation for his own family. With the use of magic and good thinking he comes face to face with Draconis. He must stop him, but how? His is a delightful journey. Join him!

The first-ever authorized sequel to J. M. Barrie's Peter Pan! In August 2004 the Special Trustees of Great Ormond Street Children's Hospital, who hold the copyright in Peter Pan, launched a worldwide search for a writer to create a sequel to J. M. Barrie's timeless masterpiece. Renowned and multi award-winning English author Geraldine McCaughrean won the honor to write this official sequel, Peter Pan in Scarlet. Illustrated by Scott M. Fischer and set in the 1930s, Peter Pan in Scarlet takes readers flying back to Neverland in an adventure filled with tension, danger, and swashbuckling derring-do!

Myth, Masculinity & Me By: David M. Martin In today’s gender revolution we often hear people identifying as “more or less masculine” or “more or less feminine.” But do we really know what masculinity is? Is it a concrete and definable category or something that is more ambiguous and mutable? In this book, the author takes the reader along with him on his personal journey exploring his relationship with and growing understanding of masculinity. Along the way the reader will hear about both healthy and unhealthy, or “toxic,” masculinity. The way is perilous and strewn with personal landmines and pathogenic beliefs inherited from culture, family and institutions. This book utilizes an archetypal and mytho-poetic framework to analyze, experience and form a new relationship to “masculinity” and the innermost self. Through the story of Peter Pan, the author analyzes archetypal masculinity from infancy through childhood. Next the author takes the reader through The Strange Case of Dr. Jekyll and Mr. Hyde to discuss the major split most men face between their inner reality, exterior persona and the shadow that lurks behind them. Finally, the author takes a bold leap into the story of Beowulf to battle the dragons of cultural stereotypes, falsely imposed limitations and dangerous self beliefs that affect the individual, not just as a man, but as a human. This is one man’s story. It is about learning and taking responsibility for the kind of life we ultimately want to lead, as well as the kind of world we want to leave behind to those who follow.

In this dark re-imagining of Peter Pan, Peter is thrust off of the island violently only to land himself in the world of pirates. In this alternate tale, we will begin to discover the darker side to the Peter Pan story as Peter dives into the world of adults, piracy, kidnapping, and his journey towards becoming the great Captain Hook.

In Eternal Youth and the Myth of Deconstruction, Bret Alderman puts forth a compelling thesis: Deconstruction tells a mythic story. Through an attentive examination of multiple texts and literary works, he elucidates this story in psychological and philosophical terms. Deconstruction, the method of philosophical and literary analysis originated by Jacques Derrida, arises from what Carl Jung called “a kind of readiness to produce over and over again the same or similar mythical ideas.” In the case of deconstruction, such ideas bear a striking resemblance to a figure that Jungian and Post-Jungian writers refer to as the puer aeternus or eternal youth. To make his case, in addition to a careful analysis of numerous Derridean texts, he offers readings of literary works by Milan Kundera, J.M. Barrie, Dante, Apuleius, and others. These texts help illustrate that deconstruction’s preoccupations over questions of presence, deferral, authority, limits, time, and representation are also recurrent issues for the eternal youth as described by Marie-Louise Von Franz and James Hillman. Judith Butler’s deconstruction of sex and gender reflects similar patterns, and she features in this work as a contemporary exemplar of the deconstructive approach. Eternal Youth and the Myth of Deconstruction will be a compelling read for both students and teachers of depth psychology and continental philosophy. The clarity of its style will be appealing to advanced scholars and educated laypersons alike.

Jennifer, a struggling seventeen-year-old girl bombarded with low self-esteem because of her dyslexia, ends her junior year in high school with devastating news. Her school counselor tells her mom she won't be promoted to a senior. Her mom's solution is to send her away, far away, in the middle of nowhere, to her grandparents for the summer. She's expected to study and complete a rigorous load of schoolwork and pass a massive test in order to continue high school as a senior. But she has hardly passed any tests in her entire high school career. She leaves her one and only friend back at home and faces her rival-an old friendship gone sour. But not all is lost. Jennifer learns more than she ever imagined. Based on true personal challenges.

For centuries, the Voynich manuscript has remained a mystery, but the Lost Magical Diary of C.G. Jung holds the key to unlocking its secrets. Dr. Blair Kelly, an archaeologist and Celtic High Priestess, must decode the Voynich manuscript.