Stud Cantrell senses a last chance for love and glory."--BOOK JACKET.

“Long Gone is a tremendous novel, and Alafair Burke is one of the finest young crime writers working today.” --Dennis Lehane, author of Moonlight Mile Echoing the intensity of Harlan Coben’s Tell No One and the psychological depth of Laura Lippman’s What the Dead Know, Alafair Burke’s first stand-alone novel catapults her into the top ranks of modern suspense. In New York City’s cut-throat world of art, appearances can be deceiving—especially when art world newcomer Alice Humphrey becomes a suspect in a gruesome murder at a Chelsea gallery, and is thrown into a treacherous labyrinth of intrigue, crime, and conspiracy. Now, Alice must discover the truth behind the murder before the unsolved mystery claims her as its next victim.

The first time fourteen-year-old Harlan Q met his grandfather, he was laid up on a porcelain prep table at the local funeral home with a grin on his face—like he was getting the last laugh. His will leaves a chunk of money and a Cadillac convertible. The catch? His body must be buried in Las Vegas. With little money, Harlan Q convinces his Bible-thumping father to load the corpse in the back of their station wagon and take the road-trip to honor his grandfather's wishes. Along the way they pick up Warrior, a Hollywood-bound, Zen-minded actor-in-training. He surprisingly helps Harlan begin to understand his thoughts and life—separate from the thinking of his father—during a covert stop at his late grandfather's bar, Long Gone Daddy's.

"Taut with tension.… [E]nding with a hint of hope."—Rob Merrill, Associated Press Cathartic, affirming, and steeped in the empathy and precise observations of character for which Dubus is celebrated, Gone So Long explores how the wounds of the past afflict the people we become. Gone So Long is a riveting family drama about an ex-con who did time for murder, the estranged daughter he hasn’t seen in forty years, and the grandmother angry enough to kill him. A profound exploration of the struggle between the selves we wish to be, and the ones—shaped by chance and circumstance, as well as character—that we can’t escape, it confirms Andre Dubus’s reputation as a novelist whose “compassion is unsentimental and unblinking, total and unwavering” (Paul Harding).

A journey through the history of country music.

A major work of American literature from a major American writer that powerfully portrays the anguish of being Black in a society that at times seems poised on the brink of total racial war. "Baldwin is one of the few genuinely indispensable American writers." —Saturday Review At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. Tell Me How Long the Train's Been Gone is overpowering in its vitality and extravagant in the intensity of its feeling.

WINNER OF THE EDGAR AWARD, THE MACAVITY AWARD, THE ANTHONY AWARD, AND THE BARRY AWARD FOR BEST PAPERBACK ORIGINAL NOMINATED FOR THE 2015 LA TIMES BOOK PRIZE With the compelling narrative tension and psychological complexity of the works of Laura Lippman, Dennis Lehane, Kate Atkinson, and Michael Connelly, Edgar Award-nominee Lou Berney’s The Long and Faraway Gone is a smart, fiercely compassionate crime story that explores the mysteries of memory and the impact of violence on survivors—and the lengths they will go to find the painful truth of the events that scarred their lives. In the summer of 1986, two tragedies rocked Oklahoma City. Six movie-theater employees were killed in an armed robbery, while one inexplicably survived. Then, a teenage girl vanished from the annual State Fair. Neither crime was ever solved. Twenty-five years later, the reverberations of those unsolved cases quietly echo through survivors’ lives. A private investigator in Vegas, Wyatt’s latest inquiry takes him back to a past he’s tried to escape—and drags him deeper into the harrowing mystery of the movie house robbery that left six of his friends dead. Like Wyatt, Julianna struggles with the past—with the day her beautiful older sister Genevieve disappeared. When Julianna discovers that one of the original suspects has resurfaced, she’ll stop at nothing to find answers. As Wyatt's case becomes more complicated and dangerous, and Julianna seeks answers from a ghost, their obsessive quests not only stir memories of youth and first love, but also begin to illuminate dark secrets of the past. But will their shared passion and obsession heal them, or push them closer to the edge? Even if they find the truth, will it help them understand what happened, that long and faraway gone summer? Will it set them free—or ultimately destroy them?

“This electrifying novel…[is] a gripping mystery with a timely, unnerving message—you won’t be able to look away.” —People, "Book of the Week" “A book so good you can’t look away.” --O Magazine, “Best Books of Summer” Two-time Edgar Award–winning author Lori Roy entangles readers in a heart-pounding tale of two women battling for survival against a century’s worth of hate. On the day a black truck rattles past her house and a Klan flyer lands in her front yard, ten-year-old Beth disappears from her Simmonsville, Georgia, home. Armed with skills honed while caring for an alcoholic mother, she must battle to survive the days and months ahead. Seven years later, Imogene Coulter is burying her father—a Klan leader she has spent her life distancing herself from—and trying to escape the memories his funeral evokes. But Imogene is forced to confront secrets long held by Simmonsville and her own family when, while clearing out her father's apparent hideout on the day of his funeral, she finds a child. Young and alive, in an abandoned basement, and behind a door that only locks from the outside. As Imogene begins to uncover the truth of what happened to young Beth all those years ago, her father’s heir apparent to the Klan’s leadership threatens her and her family. Driven by a love that extends beyond the ties of blood, Imogene struggles to save a girl she never knew but will now be bound to forever, and to save herself and those dearest to her. Tightly coiled and chilling, Gone Too Long ensnares, twists, and exposes the high price we are willing to pay for the ones we love.