In the shallows of the internet Paula is pushed to a moment of profound realisation: she, too, is but a lonely Asian woman looking for fun. Lonely Asian Woman is a wildly sentimental book about a life populated by doubles and transient friends, whirrs of off-kilter bathroom fans and divinatory whiffs of chlorine.

A warm and funny teen coming of age story set in Silicon Valley from Asian American author Yvonne Woon about the questions we all ask when making mistakes in life and in love, perfect for fans of Emergency Contact and When Dimple Met Rishi. What would you ask your future self? First question: What does it feel like to kiss someone? Xia is stuck in a lonely, boring loop. Her only escapes are Wiser, an artificial intelligence app she designed to answer questions as her future self, and a mysterious online crush she knows only as ObjectPermanence. Until one day Xia enrolls at the Foundry, an app incubator for tech prodigies in Silicon Valley, and suddenly anything is possible. Flirting with Mast, a classmate also working on AI, leads to a date. Speaking up generates a vindictive nemesis intent on publicly humiliating her. And running into Mitzy Erst, Foundry alumna and Xia’s idol, could give Xia all the answers. And then Xia receives a shocking message from ObjectPermanence. He is at the Foundry, too. Xia is torn between Mast and ObjectPermanence—just as Mitzy pushes her towards a shiny new future. Xia doesn’t have to ask Wiser to know: The right choice could transform her into the future self of her dreams, but the wrong one could destroy her.

A “provocative and sweeping” (Time) blend of family history and original reportage that explores—and reimagines—Asian American identity in a Black and white world “[Kang’s] exploration of class and identity among Asian Americans will be talked about for years to come.”—Jennifer Szalai, The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, Mother Jones In 1965, a new immigration law lifted a century of restrictions against Asian immigrants to the United States. Nobody, including the lawmakers who passed the bill, expected it to transform the country’s demographics. But over the next four decades, millions arrived, including Jay Caspian Kang’s parents, grandparents, aunts, and uncles. They came with almost no understanding of their new home, much less the history of “Asian America” that was supposed to define them. The Loneliest Americans is the unforgettable story of Kang and his family as they move from a housing project in Cambridge to an idyllic college town in the South and eventually to the West Coast. Their story unfolds against the backdrop of a rapidly expanding Asian America, as millions more immigrants, many of them working-class or undocumented, stream into the country. At the same time, upwardly mobile urban professionals have struggled to reconcile their parents’ assimilationist goals with membership in a multicultural elite—all while trying to carve out a new kind of belonging for their own children, who are neither white nor truly “people of color.” Kang recognizes this existential loneliness in himself and in other Asian Americans who try to locate themselves in the country’s racial binary. There are the businessmen turning Flushing into a center of immigrant wealth; the casualties of the Los Angeles riots; the impoverished parents in New York City who believe that admission to the city’s exam schools is the only way out; the men’s right’s activists on Reddit ranting about intermarriage; and the handful of protesters who show up at Black Lives Matter rallies holding “Yellow Peril Supports Black Power” signs. Kang’s exquisitely crafted book brings these lonely parallel climbers together and calls for a new immigrant solidarity—one rooted not in bubble tea and elite college admissions but in the struggles of refugees and the working class.

Jena Chung plays the violin. She was once a child prodigy and is now addicted to sex. She's struggling a little. Her professional life comprises rehearsals, concerts, auditions and relentless practice; her personal life is spent managing family demands, those of her creative friends, and lots of sex. Jena is selfish, impulsive and often behaves badly, though mostly only to her own detriment. And then she meets Mark - much older and worldly-wise - who bewitches her. Could this be love? When Jena wins an internship with the New York Philharmonic, she thinks the life she has dreamed of is about to begin. But when Trump is elected New York changes irrevocably, and Jena along with it. Is the dream over? With echoes of Frances Ha, Jena's favourite film, truths are gradually revealed to her. Jena comes to learn that there are many different ways to live and love and that no one has the how-to guide for any of it - not even her indomitable mother. A Lonely Girl is a Dangerous Thing unflinchingly explores the confusion of having expectations upturned, and the awkwardness and pain of being human in our increasingly dislocated world - and how, in spite of all this, we still try to become the person we want to be. It is a dazzling, original and astounding debut from a young writer with a fierce, intelligent and fearless new voice.

NEW YORK TIMES BESTSELLER • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • ONE OF TIME’S 100 MOST INFLUENTIAL PEOPLE • A ruthlessly honest, emotionally charged, and utterly original exploration of Asian American consciousness “Brilliant . . . To read this book is to become more human.”—Claudia Rankine, author of Citizen In development as a television series starring and adapted by Greta Lee • One of Time’s 10 Best Nonfiction Books of the Year • Named One of the Best Books of the Year by The New York Times, The Washington Post, NPR, New Statesman, BuzzFeed, Esquire, The New York Public Library, and Book Riot Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative—and its relentless and riveting pursuit of vital questions around family and friendship, art and politics, identity and individuality, will change the way you think about our world. Binding these essays together is Hong’s theory of “minor feelings.” As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these “minor feelings” occur when American optimism contradicts your own reality—when you believe the lies you’re told about your own racial identity. Minor feelings are not small, they’re dissonant—and in their tension Hong finds the key to the questions that haunt her. With sly humor and a poet’s searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche—and of a writer’s search to both uncover and speak the truth. Praise for Minor Feelings “Hong begins her new book of essays with a bang. . . .The essays wander a variegated terrain of memoir, criticism and polemic, oscillating between smooth proclamations of certainty and twitches of self-doubt. . . . Minor Feelings is studded with moments [of] candor and dark humor shot through with glittering self-awareness.”—The New York Times “Hong uses her own experiences as a jumping off point to examine race and emotion in the United States.”—Newsweek “Powerful . . . [Hong] brings together memoiristic personal essay and reflection, historical accounts and modern reporting, and other works of art and writing, in order to amplify a multitude of voices and capture Asian America as a collection of contradictions. She does so with sharp wit and radical transparency.”—Salon

Replete with madwomen, murderers, musicians, and mystics, Lonely Woman dramatically interweaves the lives of five women. It remains Takako Takahashi's most sustained and multifaceted fictional realization of her concept of "loneliness." Her fiction typically features a woman for whom dreams and fantasies, crime, madness, sexual deviance, or occult pursuits serve as a temporary release from her society's definitions of female identity. The combination of surrealist, feminist, and religious themes in Takahashi's work makes it unique among that of modern Japanese women writers. The five individually titled short stories that constitute Lonely Woman are linked by certain characters, themes, and plot elements. In the first story, "Lonely Woman," a series of arson incidents in her neighborhood causes a nihilistic young woman to become fascinated with the psychology of the person who perpetrated the crimes. Her fantasies of the euphoric pleasure of setting a fire heighten her awareness of her own violent tendencies. "The Oracle" portrays a young widow who becomes convinced, through several disturbing dreams, that her late husband was unfaithful to her. She devises a cruel, ritualistic act as a strategy for defusing her sense of helpless rage. In "Foxfire," a store clerk has a series of encounters with sly, seductive youngsters and is revitalized by her discovery of the criminal and sexual impulses that lurk beneath their innocent façades. In "The Suspended Bridge," a bored housewife's passion is rekindled when a man with whom she once had a sadomasochistic relationship reenters her life. "Strange Affinities" recasts crime, madness, and amour fou as catalysts of a process of spiritual enlightenment: an old woman searches for an elusive man who seems to embody the bliss of self-renunciation.

Set against a backdrop of the decades that included the Cultural Revolution and the Tian'anmen Square Incident, A Private Life portrays the effect of that social change and political turbulence on the protagonists inner life as she moves from childhood to early maturity.

The Girl Who Wrote Loneliness is a stark and lyrical work that follows a teen-aged girl who has just arrived in Seoul to work in a factory while struggling to achieve her dream of finishing school and becoming a writer. Shin sets the this complex and nuanced coming of age story against the backdrop of Korea’s industrial sweatshops of the 1970's and takes on the extreme exploitation, oppression, and urbanization that helped catapult Korea’s economy out of the ashes of the war.Millions of teen-aged girls from the countryside descended on Seoul in the late 1970's. These girls formed the bottom of the city's social hierarchy, forgotten and ignored. Richly autobiographical, the novel lays bare the conflict and confusion Shin goes through as she confronts her past and the sweeping social change that has taken place in her homeland over the past half century. The Girl Who Wrote Loneliness has been cited in Korea as one of the most important literary novels of the decade, and cements Shin's legacy as one of the most insightful and exciting young writers of her generation.

" ... about the transformation of Asian Americans ... into a self-identified racial group that is influencing every aspect of American society."--Jacket.

"Originally published in Great Britain in 2014 by Doubleday."