Lone Sloane returns in an epic odyssey across the galaxy to find the answer to the mysteries of the universe, battling aliens, robots, and dark gods that stand in his way! After a long slumber, Sloane awakes to stop the resurgence of an old enemy and the threat of a looming empire, all the while joining the race to find the mythological Babel, a city of legend that promises riches and wisdom beyond belief. Written by Xavier Cazaux-Zago and illustrated by Dimitri Avramoglu, who expertly add another exciting adventure to Druillet’s iconic tapestry of Lone Sloane stories, guided by the legend himself!

Vuzz is a warrior. A looter who has simple needs in life: to fight, to eat and to make love. Vuzz lives a world where ruined cities are home to zombies, giant rabbits, and salacious wizards. A world where everything is desolation and uncertainties. A world where Vuzz can ultimately only count on himself. Which suits him just fine… Featured in stunning black and white, this story is deliberately offbeat and humorous, utilizing a stripped-down narration and minimalist illustrations. In the other works of Philippe Druillet, Vuzz is a character like no other!

A cosmic game has begun. And Lone Sloane is the pawn they all want to play. Traveling alone in the cosmos, Sloane, a solitary interstellar explorer has become imbued with mystical powers. He finds himself escaping one power-seeking madman only to be captured by another. Follow Sloane through six unpredictable Lovecraftian journeys from space pirates, dragons, to ancient Gods.

This pioneering volume of essays explores the destruction of great libraries since ancient times and examines the intellectual, political and cultural consequences of loss. Fourteen original contributions, introduced by a major re-evaluative history of lost libraries, offer the first ever comparative discussion of the greatest catastrophes in book history from Mesopotamia and Alexandria to the dispersal of monastic and monarchical book collections, the Nazi destruction of Jewish libraries, and the recent horrifying pillage and burning of books in Tibet, Bosnia and Iraq.

"Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET.

From the bestselling author of the acclaimed Chaos and Genius comes a thoughtful and provocative exploration of the big ideas of the modern era: Information, communication, and information theory. Acclaimed science writer James Gleick presents an eye-opening vision of how our relationship to information has transformed the very nature of human consciousness. A fascinating intellectual journey through the history of communication and information, from the language of Africa’s talking drums to the invention of written alphabets; from the electronic transmission of code to the origins of information theory, into the new information age and the current deluge of news, tweets, images, and blogs. Along the way, Gleick profiles key innovators, including Charles Babbage, Ada Lovelace, Samuel Morse, and Claude Shannon, and reveals how our understanding of information is transforming not only how we look at the world, but how we live. A New York Times Notable Book A Los Angeles Times and Cleveland Plain Dealer Best Book of the Year Winner of the PEN/E. O. Wilson Literary Science Writing Award

The big stories -- The skills of the new machines : technology races ahead -- Moore's law and the second half of the chessboard -- The digitization of just about everything -- Innovation : declining or recombining? -- Artificial and human intelligence in the second machine age -- Computing bounty -- Beyond GDP -- The spread -- The biggest winners : stars and superstars -- Implications of the bounty and the spread -- Learning to race with machines : recommendations for individuals -- Policy recommendations -- Long-term recommendations -- Technology and the future (which is very different from "technology is the future").

In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed—and marketed—as children's literature. But in Belgium and France, their respective countries of origin, such strips—known as bandes dessinées—are considered a genuine art form, or, more specifically, "the ninth art." But what accounts for the drastic difference in the way such comics are received? In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture. Illustrated with images from the artists discussed, Masters of the Ninth Art will appeal to students of European popular culture, literature, and graphic art.

From death comes birth. And from the depths of time and space comes: Chaos! Lone Sloane is no more – his nemesis, the evil Shaan, has taken control of the planet Kazhann and intends to dominate the universe. Parading his body around like a trophy, Shaan never suspects that with love comes life. From the breath of the enigmatic Legend, a revolution will stir, and chaos will be brought to its knees, once and for all.