Georgian London evokes images of elegant mannered buildings, but it was also a city where prostitution was rife and houses of ill repute widespread in a sex trade that employed thousands. In London's Sinful Secret, Dan Cruickshank explores this erotic Georgian underworld and shows how it affected almost every aspect of life and culture in the city from the smart new streets that sprang up in Marylebone, to the squalid alleys around Charing Cross to the coffee houses, where prostitutes plied their trade, to the work of artists such as William Hogarth and Joshua Reynolds. Cruickshank uses memoirs, newspaper accounts and court records to create a surprisingly bawdy portrait of London at its most-mannered and, for the first time, exposes its secret, sinful underside. "A lively work of social history, full of surprises and memorable characters." - Kirkus Reviews

Victorian London is a place of propriety and promiscuity, virgins and voluptuaries, ladies and libertines. It is a time of backstairs liaisons, taboo passions, sex and secrets. Where every wanton pleasure can be had--for a price. Thea Devine "blends the heated sensuality of the finest Victorian erotic novels with the suspense and chilling aura of an Anne Rice tale. . . ".--"Romantic Times".

Sometimes the consequences for keeping a secret can take your breath away. From the New York Times–bestselling author of His Defiant Desert Queen. Heart racing, Logan Copeland cannot look away from tycoon Rowan Argyros as he declares her life is in danger. All she can think is that Rowan took her virginity, heartlessly rejected her after a night of reckless abandon . . . and is the father of her child. She must reveal the truth before she’s whisked away to Rowan’s castle for safety . . . Isolated together, Logan finds herself at the mercy of Rowan’s unrelenting need to claim her—and their daughter! Logan has known no touch but his, and yearns to feel it again . . . but to do so, she must agree to meet him at the altar. “The romance was delightful . . . I would recommend Her Sinful Secret by Jane Porter, if you enjoy the enemy to lovers trope, second chance romances or books by authors Andie Brock, Dani Collins or Cathy Williams.” —Harlequin Junkie

A hundred years has passed since the bitter rivalry between the St. Claires and the Huntingtons began. But in London, the feud goes on . .. Lady Sophia Huntington isn't what she appears to be. Born into a noble family, the impulsive, wild-hearted beauty has fallen on difficult times. Banished from her home, Sophia dreams of the day she can finally win her father's forgiveness and return to London. Until the sudden appearance of a suitor from the scandalous St. Claire family threatens to reveal her darkest secrets . . . Dominic St. Claire vows to exact revenge upon the Huntingtons, who destroyed his family's fortune generations ago. His perfect target is the lovely but proud Lady Sophia. After using her to discover the Huntingtons' financial secrets, he will cause a great scandal by eloping-and then abandoning his bride. But his plot soon unravels when he finds his own heart ensnared-in a trap not of his own making.

This book analyzes an example of life-writing, an autobiography that was written in the early nineteenth century and will appeal to readers of many disciplines who are interested in understanding the interconnectedness of memory, textual narrative, and ideas of selfhood. Moreover, this book reasserts the importance of the individual in history. It explains how personal narratives reveal the individual as a purposeful social actor pursuing particular objectives, but framed by cultural and social contexts, in this case by eighteenth-century London and Imperial India. The author of this autobiography, William Hickey, projects a sense of self formed by a combination of an interiorized self-consciousness (an awareness of himself as an autonomous individual, although not one prone to deep self-reflection) and a socially-turned self-fashioning. Like so many autobiographers of his time, Hickey’s self is realized through the production of a narrative, his self fixed and defined through the act of writing. As he wrote his memoirs, Hickey was engaged in purposeful textual representation to satisfy his perceived sense of place in that culture (above all, as a gentleman) while tacitly reflecting the constraints of that culture imposed upon the form and content of the text.

Betrothed to one brother, then married to another, Julianne Sutton finds herself a pawn in an unknown game. The enigmatic new Marquess of Longhaven knows all about the art of deception but he's baffled by innocence. His new wife is trusting, lovely, and utterly bewitching. Imagine his surprise when he discovers that she has secrets of her own. As he battles a ruthless enemy, he quickly learns that love has an entirely different set of rules.

Colonial documents and works of literature from early modern Spain are rife with references to public women, whores, and prostitutes. In Profit and Passion, Nicole von Germeten offers a new history of the women who carried and resisted these labels of ill repute. The elusive, ever-changing terminology for prosecuted women voiced by kings, jurists, magistrates, inquisitors, and bishops, as well as disgruntled husbands and neighbors, foreshadows the increasing regulation, criminalization, and polarizing politics of modern global transactional sex. The author’s analysis concentrates on the words women spoke in depositions and court appearances and on how their language changed over time, pointing to a broader transformation in the history of sexuality, gender, and the ways in which courts and law enforcement processes affected women.

What Pornography Knows offers a new history of pornography based on forgotten bawdy fiction of the eighteenth century, its nineteenth-century republication, and its appearance in 1960s paperbacks. Through close textual study, Lubey shows how these texts were edited across time to become what we think pornography is—a genre focused primarily on sex. Originally, they were far more variable, joining speculative philosophy and feminist theory to sexual description. Lubey's readings show that pornography always had a social consciousness—that it knew, long before anti-pornography feminists said it, that women and nonbinary people are disadvantaged by a society that grants sexual privilege to men. Rather than glorify this inequity, Lubey argues, the genre's central task has historically been to expose its artifice and envision social reform. Centering women's bodies, pornography refuses to divert its focus from genital action, forcing readers to connect sex with its social outcomes. Lubey offers a surprising take on a deeply misunderstood cultural form: pornography transforms sexual description into feminist commentary, revealing the genre's deep knowledge of how social inequities are perpetuated as well as its plans for how to rectify them.

The question of consumption emerged as a major focus of research and scholarship in the 1990s but the breadth and diversity of consumer culture has not been fully enough explored. The meanings of consumption, particularly in relation to lifestyle and identity, are of great importance to academic areas including business studies, sociology, cultural and media studies, psychology, geography and politics. The SAGE Handbook of Consumer Culture is a one-stop resource for scholars and students of consumption, where the key dimensions of consumer culture are critically discussed and articulated. The editors have organised contributions from a global and interdisciplinary team of scholars into six key sections: Part 1: Sociology of Consumption Part 2: Geographies of Consumer Culture Part 3: Consumer Culture Studies in Marketing Part 4: Consumer Culture in Media and Cultural Studies Part 5: Material Cultures of Consumption Part 6: The Politics of Consumer Culture