June's London Harmony is relentlessly searching for an elusive musical genius. The mysterious Minuette. She enlists the help of a young woman named Annette to assist Fran in that pursuit. Annette must navigate the a thin line between deception and aiding the people at London Harmony who quickly become more like family to the awkward and obsessive compulsive girl. Things are complicated when she admits to herself that she has fallen for her flatmate and lifelong friend, Mindy. (London Harmony is a spinoff of the Music of the Soul books.)

Zilrita was at the top of her game, managing the most successful record label in Europe, London Harmony. There was nothing that could derail the squid hugging goth woman, except the smile of the woman she secretly longed for, their receptionist, Jennifer. After an emergency calls her back to Denver after being away for thirteen years, Zilrita is forced to re-examine her life and face some truths she has hidden herself away from. Jennifer has faced difficulties, discrimination and bigotry, trying to be the person she has felt she was her entire life. She feels she was blessed the day that a certain smiling and happy goth stepped into her life. Will the women open their eyes and admit their feelings, or will they let misunderstandings and assumptions pull them apart? (The London Harmony series is a spinoff of the Music of the Soul books.)

Eliza Montrose lives an unorthodox life. backpacking through Europe with a string bass, Audrey, on her back. She plays her doghouse bass in jazz clubs in every port in her wanderings, she doesn't need anyone but herself and her Audrey. On the last leg of her journey, she finds herself in London to try to get a chance to play in the last two venues on her list before going back to the lonesome life she left behind in Seattle all those years ago. She resorts to some creative financing whenever funds get low. She never would have believed how her life would change when she accidentally pickpockets the wrong person... June Harris-West. In her attempt to get back something taken from her by the elusive Scratch, Eliza finds herself falling for the last person she would have believed. A person that was so contrary and frustratingly annoying to her, the person she dubs the gatekeeper, who keeps her away from her goal. (London Harmony is a spinoff of the Music of the Soul books.)

This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in condensed form the principles laid down in his 'Theory of Harmony'; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of 'monotonality, ' showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.

The playfully evil sisters, Zoey and Eve, play matchmaker from their bakery, The Pike, in Pike Place Market in Seattle. Ligaya is a quantum physicist working in a research lab at the University of Washington. She is seduced by the numbers and math with a drive that excludes everything in her life including social interactions. Emotions have always been hard for her to understand or express. When she meets an ex firefighter, Allison, she finds herself fighting to understand all the new feelings rising inside. Allison has a primal drive to help and protect people and Ligaya’s innocence is like a drug to her. With the the non-subtle meddling from the women at the Pike, Ligaya and Allison find themselves pulled inexorably to each other. (The Pike series is set in the same world as Music of the Soul and London Harmony, and can be read as a standalone book.)

Fundamentals of Musical Composition represents the culmination of more than forty years in Schoenberg's life devoted to the teaching of musical principles to students and composers in Europe and America. For his classes he developed a manner of presentation in which 'every technical matter is discussed in a very fundamental way, so that at the same time it is both simple and thorough'. This book can be used for analysis as well as for composition. On the one hand, it has the practical objective of introducing students to the process of composing in a systematic way, from the smallest to the largest forms; on the other hand, the author analyses in thorough detail and with numerous illustrations those particular sections in the works of the masters which relate to the compositional problem under discussion.

A classic examination of superb design through the centuries. Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience. In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place, materials and use, resulting in “a remarkably suitable comeliness.” While we cannot return to a former age, Rasmussen notes, we can still design spaces that are beautiful and useful by seeking to understand architecture as an art form that must be experienced. An understanding of good design comes not only from one's professional experience of architecture as an abstract, individual pursuit, but also from one's shared, everyday experience of architecture in real time—its particular use of light, color, shape, scale, texture, rhythm and sound. Experiencing Architecture reminds us of what good architectural design has accomplished over time, what it can accomplish still, and why it is worth pursuing. Wide-ranging and approachable, it is for anyone who has ever wondered “what instrument the architect plays on.”