Describes daily life in London from the time of the Roman invasion in A.D. 43, through medieval, Elizabethan, and Victorian times, on to the reign of Elizabeth II.

The world's most famous hymn book has been completely revised and now offers the broadest ever range of traditional hymns and modern compositions, from the Psalms to John Bell, Bernadette Farrell and Stuart Townend. Its 847 items have been specially selected for their singability, theological richness and relevance. Organ edition. 2 volume set.

First published 1999, Howard Irving details Croch’s lecturing career and examines the influences of figures such a Charles Burney and Sir Joshua Reynolds on his approach to the ancient-modern debate. Irving also makes available for the first time in a modern edition Crotch’s 1818 lecture series. These texts help to fill a gap in our knowledge of the development of musical classics, as they span a period of years that were crucial to the history of canon formation.

Vincenzo Galilei, the father of the astronomer Galileo, was a guiding light of the Florentine Camerata. His Dialogue on Ancient and Modern Music, published in 1581 or 1582 and now translated into English for the first time, was among the most influential music treatises of his era. Galilei is best known for his rejection of modern polyphonic music in favor of Greek monophonic song. The treatise sheds new light on his importance, both as a musician who advocated a new philosophy of music history and theory based on an objective search for the truth, and as an experimental scientist who was one of the founders of modern acoustics.

Leaders and followers -- Athenian demagogues -- Democracy, consensus and the national interest -- Socrates and after -- Censorship in classical antiquity.

The early chapters are on the "quarrel of ancients and moderns," focusing on the views of William Temple and Charles Perrault on ancient and modern literature and art. Discusses the explanations of blood circulation by Michael Servetus, William Harvey and others (p. 211-216).

The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.