The world's most famous hymn book has been completely revised and now offers the broadest ever range of traditional hymns and modern compositions, from the Psalms to John Bell, Bernadette Farrell and Stuart Townend. Its 847 items have been specially selected for their singability, theological richness and relevance. Organ edition. 2 volume set.

Following the pattern for Services of the Word laid down in Common Worship and the Church of Ireland Prayer Book, this resource puts flesh on the bare bones and offers a complete set of services for use throughout the Church's year. Material is provided for 22 services, from General Forms to seasonal occasions, including Advent, Christmas, Mothering Sunday, Easter, Pentecost, Trinity Sunday, Harvest, All Saints, Remembrance, Christ the King, services of reconciliation, and celebrations of new ministry. Texts are given for every part of the service: Preparation, Greeting, Acclamation, Penitence, the Ministry of the Word, Affirmation of Faith, Intercessions, The Lord's Prayer, Blessing and Dismissal.

The official hymn book of the Church of Ireland.

Peter Horton paints a detailed picture of the life and career of this remarkable man whose output includes such favourites as 'Blessed be the God and Father' and 'The wilderness'. Born into one of England's best-known families, Samuel Sebastian Wesley (1810-76) was not only the foremost organist and church musician of his generation, but a vigorous campaigner for higher standards in cathedral music. He was also a troubled, difficult character, and accounts of his abrasive personality or anecdotes about his fishing exploits have tended to obscure his very real achievements as a composer. Peter Horton has drawn on a wide range of source material to produce a detailed account of Wesley's life and career as he moved from cathedral to cathedral in search of an unattainable ideal, his youthful idealism gradually giving way to the cynicism and disillusion familiar to those who encountered him late in life. He also examines his development as a composer and presents a study of his complete output (including the many non-church works) against the background of his restless career and in a wider European context. The book is illustrated by a generous selection of musical examples and plates, and includes the most detailed list of works to appear in print.