In architecture, as in food, local is an idea whose time has come. Of course, the idea of an architecture that responds to site; draws on local building traditions, materials, and crafts; and strives to create a sense of community is not recent. Yet, the way it has evolved in the past few years in the hands of some of the world's most accomplished architects is indeed defining a new movement. From the rammed-earth houses of Rick Joy and Pacific Northwest timber houses of Tom Kundig, to the community-built structures of Rural Studio and Francis Kéré, designers everywhere are championing an architecture that exists from, in, and for a specific place. The stunning projects, presented here in the first book to examine this global shift, were featured at the thirteenth and final Ghost conference held in 2011, organized by Nova Scotia architect, educator, and local practitioner Brian MacKay-Lyons. The result is the most complete collection of contemporary regionalist architecture available, with essays by early proponents of the movement, including Kenneth Frampton, Juhani Pallasmaa, and Pritzker Prize–winning architect Glenn Murcutt.

The shop/house – the building combining commercial/retail uses and dwellings – appears over many periods of history in most cities in the world. This book combines architectural history, cross-cultural understandings and accounts of contemporary policy and building practice to provide a comprehensive account of this common but overlooked building. The merchant's house in northern European cities, the Asian shophouse, the apartment building on New York avenues, typical apartment buildings in Rome and in Paris – this variety of shop/houses along with the commonality of attributes that form them, mean that the hybrid phenomenon is as much a social and economic one as it is an architectural one. Professionals, city officials and developers are taking a new look at buildings that allow for higher densities and mixed-use. Describing exemplary contemporary projects and issues pertaining to their implementation as well as the background, cultural variety and urban attributes, this book will benefit designers dealing with mixed-use buildings as well as academics and students.

Chosen as one of Style at Home's Top Ten Coffee Table Books.

Knapp (geography, SUNY) continues the work of his previous books by examining the distinctive characteristics of the common house in Zhejing province. Over 300 original photographs illustrate his discussion of construction techniques, the organization of space, settlement patterns, the expression of

It's been our distinct pleasure over the past few years to publish monographs on a select group of young architects and firms whose work represents the best of contemporary design thinking while retaining a distinctive regional sensibility. The Nova-Scotian architect Brian MacKay-Lyons fits neatly into this distinguished list, which includes Marlon Blackwell in the Ozarks, Rick Joy in the Southwest, andMiller/Hull in the Northwest. Those familiar with Nova Scotia understand the austere beauty of this Canadian landscape, with its wide open skies and rugged terrain pushing up against the Atlantic. MacKay-Lyons's work responds to this unique topography and to the vernacular building traditions that define its communities. His houses, commercial buildings, and public projects combine regional forms with local materials, technologies, and building practices to create works that are linked to their environments right down to their DNA.Peaked gables, shed roofs, and sliding doors are inspired by local barn types; corrugated metal cladding comes from the buildings used by the areas fishing industry; structural wooden frames are based on local ship-building traditions. These elements communicate a sense of place that is sophisticated, accessible, and free of sentimentality. Novelist and historian Malcolm Quantrill weaves together an intimate portrait of MacKay-Lyons and his work, elucidating the "peculiar regionality" of his subject's architecture. A New Voices monograph published with The Graham Foundation.

In the last decades Western architecture has largely dominated the discourse and the built environment worldwide. Recently architecture firms from non-Western countries have been establishing local and global recognition for themselves. Practices all over the world face challenges against a backdrop of rapidly growing cities, ecological demands, changing societies and climate, and emerging economies. Local architects often find strikingly different solutions to local requirements, including sustainability, transportation, migration, construction materials, and traditions.In Mexico, architects work closely with indigenous communities to create modular social housing that can be assembled in one week. In Namibia, a lodge in a wildlife conservancy is designed to echo a local birds nest, while in Vietnam, a library and public space have created a micro-ecosystem to house fish and grow food.Beyond the West journeys across Asia, Africa, and the Americas to understand how local architects respond to a changing world, and focuses its wide lens on inspiring and truly global architecture.

"New Vernacular Architecture considers the synthesis of modernity and tradition in contemporary architecture. Focusing on 37 international examples of buildings of different types completed in the last decade, it examines architecture that reinterprets rather than revives traditional forms, materials and construction techniques. The projects covered range from better known works by renowned architects such as Michael Graves, Renzo Piano and David Chipperfield, to less familiar buildings in Hungary, Nepal, Latvia and elsewhere." "The fragmentation of nation states and the greater plurality of political and cultural identities that have occurred over recent years have led to a growing reaction in architecture against "global blanding" - the worldwide homogenization of images and designs. As a result, local context, materials and culture are becoming increasingly important concerns for many architects. Architecture has captured the public imagination as a means of lending form to evolving regional identity and as a way of reflecting difference. Each project features a thoroughly researched and detailed commentary, and is generously illustrated with photographs, sketches and plans."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Triangle Modern Architecture documents the rich history and unique cultural significance of a region that is one of the most important on the national map of modern design. Over the last 75 years, the architecture in this area has grown to creatively combine innovation and technology with the area's history, culture, unique landscape, and built context. While the Triangle has seen a great increase in interest in Modern architecture, the understanding of this design and the reasons and history behind it, have not been shared in a clear and meaningful way. There is an information gap between what is appreciated by architects and by the general public.

Although 3D printing promises a revolution in many industries, primarily industrial manufacturing, nowhere are the possibilities greater than in the field of product design and modular architecture. Ronald Rael and Virginia San Fratello, of the cutting-edge San Francisco–based design firm Emerging Objects, have developed remarkable techniques for "printing" from a wide variety of powders, including sawdust, clay, cement, rubber, concrete, salt, and even coffee grounds, opening an entire realm of material, phenomenological, and ecological possibilities to designers. In addition to case studies and illustrations of their own work, Rael and San Fratello offer guidance for sourcing alternative materials, specific recipes for mixing compounds, and step-by-step instructions for conducting bench tests and setting parameters for material testing, to help readers to understand the process of developing powder-based materials and their unique qualities.

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.