The frustrating stalemate on the western front with its unprecedented casualties provoked a furious debate in London between the civil and military authorities over the best way to defeat Germany. The passions aroused continued to the present day. The mercurial and dynamic David Lloyd George stood at the centre of this controversy throughout the war. His intervention in military questions and determination to redirect strategy put him at odds with the leading soldiers and admirals of his day. Professor Woodward, a student of the Great War for some four decades, explores the at times Byzantine atmosphere at Whitehall by exhaustive archival research in official and private papers. The focus is on Lloyd George and his adversaries such as Lord Kitchener, General Sir William Robertson, and Field Marshall Sir Douglas Haig. The result is a fresh, compelling and detailed account of the interaction between civil and military authorities in total war.

Actor Joseph Gordon-Levitt makes his feature directorial debut with this funny yet earnest psychological comedy-drama about a womanizer named Jon Martello (Gordon-Levitt) who earns the nickname "Don Jon" for his ability to charm beautiful women, but remains unable to forge a meaningful connection with the opposite sex due to his all-consuming Internet porn addiction. Meanwhile, as Jon struggles to free himself from the realm of virtual debauchery, he connects with two disparate women (Scarlett Johansson and Julianne Moore), who separately try to teach him the true value of intimacy. ~ Jason Buchanan, Rovi

Would it have been possible for the First World War to be avoided? Steve Cliffe, author of Churchill, Kitchener and Lloyd George: First World Warlords, believes so, as did David Lloyd George, Britain's wartime prime minister. In a bloody act of annihilation that killed over half a million young British men, Lloyd George was one of three powerful personalities who indelibly stamped their authority and influence on the conduct and final outcome of the war to end all wars'. Of the other two, Winston Churchill became better known for his role in the Second World War, although his role in the earlier conflict was considerable firstly as First Lord of the Admiralty and later outside the government. Lord Kitchener was arguably the greatest instigator of Britain's war effort.

The frustrating stalemate on the western front with its unprecedented casualties provoked a furious debate in London between the civil and military authorities over the best way to defeat Germany. The passions aroused continued to the present day. The mercurial and dynamic David Lloyd George stood at the centre of this controversy throughout the war. His intervention in military questions and determination to redirect strategy put him at odds with the leading soldiers and admirals of his day. Professor Woodward, a student of the Great War for some four decades, explores the at times Byzantine atmosphere at Whitehall by exhaustive archival research in official and private papers. The focus is on Lloyd George and his adversaries such as Lord Kitchener, General Sir William Robertson, and Field Marshall Sir Douglas Haig. The result is a fresh, compelling and detailed account of the interaction between civil and military authorities in total war.

The two most significant British political figures of the twentieth-century, Churchill and Lloyd George were political rivals but personal friends. Between them their ministerial careers spanned seventy years and two world wars. Althought they could not have been more different temperamentally, and often disagreed violently about politics, theirs was 'the longest political friendship in the life of Great Britain' and Churchill was the only person outside his family to call Lloyd George 'David'. Richard Toye's book is a dynamic account of their relationship. Drawing on diaries and letters, some never before published, (there are more than 1,000 pieces of correspondence between the two men), he explores their long-standing friendship and rivalry, the impact they had on each other's careers, and the fate of their respective reputations, arguing that Lloyd George's major achievements have been undeservedly overshadowed, in part as a consequence of Churchill's later mythmaking. It is a major work from a brilliant young historian.

The genre of political memoir has a long history, from its origins in classical times through its popularity in the age of courts and cabinets to its ubiquity in modern mass cultures where retired politicians increasingly attract large and eager readerships for their revelations. Yet there is virtually no scholarly criticism which treats this complex form of literature as a distinct genre, fusing autobiographical, historical and political elements. The essays in this book draw together the collaborative findings of a team of British, European, American and Canadian scholars to present a pioneering historical and critical study of the genre of political memoir, analysing the development of its distinct functions and assessing leading memoirists in European, American, Canadian, Indian and Japanese societies. The editor, George Egerton, introduces the volume and surveys the principal features of the genre over its long history. Otto Pflanze analyses the memoirs of Bismarck; Robert Young, Milton Israel, Joshua Mostow and Robert Bothwell study the memoir literature of France, India, Japan and Canada respectively. Barry Gough and Tim Travers look at naval and military memoirists, while Zara Steiner, B.J.C. McKercher and Valerie Cromwell assess the memoirs of diplomats and their families. Leonidas Hill examines the memoirs of leading Nazis. John Munro, Francis Heller and Robert Ferrell convey inside information on the making of memoirs - notably by the Canadian Prime Ministers Diefenbaker and Pearson and the American President Truman. Stephen Ambrose assays Nixon as memoirist, while Janos Bak portrays the status of memoirists under totalitarian regimes. Wesley Wark and John Naylor analyse theproliferation of intelligence memoirs and government efforts to protect official secrets from the revelations of the candid memoirist. The principal findings reached by the contributors in their study of this problematic but influential genre are set out by the editor in the concluding chapter.