Lizzy had a lion with a big, bad roar. And she kept him in the bedroom by the closet-cupboard door. The lion had a secret name.

In her first-ever picture book, New York Times-bestselling Christian author Bevere helps children understand that sometimes the bravest thing they can do is ask for help. Full color. 9 x 11.

This book is an exhilarating revelation. No other poet in Canada has the depth and range of Dennis Lee. Jazzman, jester, and metaphysician, hardball political thinker and passionate lover, he has been publishing poems for fifty years, working across the spectrum from nursery rhymes and skipping songs to uncompromising moral introspection to full-tilt love songs, plangent psalms, and ecstatic, solitary prayer. This Omnibus represents them all, and it will make your head spin. There are poets’ poets and people’s poets. And then there are those few who are neither and both: the few who become, over time, part of the warp and weft of their culture. Heart Residence collects for the first time work from all corners of this extraordinary career, from Lee’s searing early breakthroughs to his beloved children's verse to his visions of environmental apocalypse. A must-have collection from one of Canada’s literary icons.

Lion images are everywhere. In literature, in religion, in statues, emblems and heraldry. Symbols of them are found in all larger European cities -- particularly London. Many are also in Vancouver, British Columbia. A lion image is visually stimulating and should become part of our life.

How do you tell the story of a feminist education, when the work of feminism can never be perfected or completed? In A Sentimental Education, Hannah McGregor, the podcaster behind Witch, Please and Secret Feminist Agenda, explores what podcasting has taught her about doing feminist scholarship not as a methodology but as a way of life. Moving between memoir and theory, these essays consider the collective practices of feminist meaning-making in activities as varied as reading, critique, podcasting, and even mourning. In part this book is a memoir of one person’s education as a reader and a thinker, and in part it is an analysis of some of the genres and aesthetic modes that have been sites of feminist meaning-making: the sentimental, the personal, the banal, and the relatable. Above all, it is a meditation on what it means to care deeply and to know that caring is both necessary and utterly insufficient. In the tradition of feminist autotheory, this collection works outward from the specificity of McGregor’s embodied experience – as a white settler, a fat femme, and a motherless daughter. In so doing, it invites readers to reconsider the culture, media, political structures, and lived experiences that inform how we move through the world separately and together.

Lizzie loves school almost more than anything. First she loved Nursery school. She loved Kindergarten even more. When the time comes for Lizzie to start First Grade, she can't wait. Everyone tells her it will be a whole year of school. And Miss Giggliano, the first-grade teacher, tells her class to make this the best year of school ever. Yippee! thinks Lizzie--a whole year of school! And what a year it is. Miss G.'s class wins the Centipede Reading Award. And they even win the Nature Study Award for their bee and butterfly garden. It's a great year! But all great things must come to an end. When the last day of school arrives, Lizzie is dismayed. How can this be? It was supposed to be a whole year! But good news soon arrives and Lizzie, along with Miss G., finds herself in a different classroom and eager to learn!

The Handbook of Research on Teaching Literacy Through the Communicative and Visual Arts, Volume II brings together state-of-the-art research and practice on the evolving view of literacy as encompassing not only reading, writing, speaking, and listening, but also the multiple ways through which learners gain access to knowledge and skills. It forefronts as central to literacy education the visual, communicative, and performative arts, and the extent to which all of the technologies that have vastly expanded the meanings and uses of literacy originate and evolve through the skills and interests of the young. A project of the International Reading Association, published and distributed by Routledge/Taylor & Francis. Visit http://www.reading.org for more information about Internationl Reading Associationbooks, membership, and other services.

Board book edition of the best-selling winner of the Waterstones Childrens Book Prize, Illustrated Book Category.

King, warrior, and lover Brian Boru was stronger, braver, and wiser than all other men-the greatest king Ireland has ever known. Out of the mists of the country's most violent age, he merged to lead his people to the peak of their golden era. His women were as remarkable as his adventures: Fiona, the druidess with mystical powers; Deirdre, beautiful victim of a Norse invader's brutal lust; Gormlaith, six-foot, read-haired goddess of sensuality. Set against the barbaric splendors of the tenth century, Lion of Ireland is a story rich in truth and legend-in which friends become deadly enemies, bedrooms turn into battlefields, and dreams of glory are finally fulfilled. Morgan Llywelyn has written one of the greatest novels of Irish history. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Other Selves: Animals in the Canadian Literary Imagination begins with the premise, first suggested by Margaret Atwood in The Animals in That Country (1968), that animals have occupied a peculiarly central position in the Canadian imagination. Unlike the longer-settled countries of Europe or the more densely-populated United States, in Canada animals have always been the loved and feared co-inhabitants of this harsh, beautiful land. From the realistic animal tales of Charles G. D. Roberts and Ernest Thompson Seton, to the urban animals of Marshall Saunders and Dennis Lee, to the lyrical observations of bird enthusiasts John James Audubon, Thomas McIlwraith, and Don McKay, animals have occupied a key place in Canadian literature, focusing central aspects of our environmental consciousness and cultural symbolism. Other Selves explores how and what the animals in this country have meant through all genres and periods of Canadian writing, focusing sometimes on individual texts and at other times on broader issues. Tackling more than a century of writing, from 19th-century narrative of women travellers, to the "natural" conversion of Grey Owl, to the award-winning novels of Farley Mowat, Marian Engel, Timothy Findley, Barbara Gowdy, and Yann Martel, these essays engage the reader in this widely-acknowledged but inadequately-explored aspect of Canadian literature.