David Livingstone, the ‘missionary-explorer’, has attracted more commentary than nearly any other Victorian hero. Beginning in the years following his death, he soon became the subject of a major biographical tradition. Yet out of this extensive discourse, no unified image of Livingstone emerges. Rather, he has been represented in diverse ways and in a variety of socio-political contexts. Until now, no one has explored Livingstone’s posthumous reputation in full. This book meets the challenge. In approaching Livingstone’s complex legacy, it adopts a metabiographical perspective: in other words, this book is a biography of biographies. Rather than trying to uncover the true nature of the subject, metabiography is concerned with the malleability of biographical representation. It does not aim to uncover Livingstone’s ‘real’ identity, but instead asks: what has he been made to mean? Crossing disciplinary boundaries, Livingstone’s 'lives' will interest scholars of imperial history, postcolonialism, life-writing, travel-writing and Victorian studies.

"In the small Illinois town of Bradbury, change doesn't come often, and it certainly doesn't come easily. So when Pastor Fletcher hires Emily Duke as the new choir director at Zion Lutheran Church, he unknowingly sets in motion a chain of events that turns the life of his congregation upside down. The crusty church secretary, Mrs. Scheinberg, must learn to adjust her curmudgeonly ways. Zion's talented but pompous organist, Evan Ebner, must recognize his shortcomings. Emily must come to terms with her past. Even Pastor Fletcher must face reality when his world is shaken by the baggage Emily brings and by the handsome Zachary Brandt who pursues her."--Amazon.

Reprint of the original, first published in 1875.

Reprint of the original, first published in 1873.

A full generation has passed since black theology burst onto the American religious scene, ignited by the powerful work of James H. Cone. Now an illustrious group of theologians takes the measure of black theology's legacy and explores the radically new context - ecclesial, social, global, and interreligious - that is setting the black theological agenda for tomorrow.

Reprint of the original, first published in 1881.