From Cahiers d’Art, a monograph on one of the most ambitious collections of 20th-century art, and its complex, charismatic creator, Theodor Ahrenberg. Living with Matisse, Picasso, and Christo explores one of the most ambitious, and yet largely unknown, private collections of twentieth-century Western art, and its charismatic creator Theodor “Teto” Ahrenberg (1912–1989). Containing over 6,000 artworks acquired between the 1940s and late 1980s, Ahrenberg’s collection features key works by artists as distinguished and diverse as Pablo Picasso, Henri Matisse, Marc Chagall, Le Corbusier, Olle Bartling, Sam Francis, Öyvind Fahlström, Tadeusz Kantor, Lucio Fontana, Christo, Jean Tinguely, and Niki de Saint Phalle. Ahrenberg’s ever-evolving collection was shaped by his commitment to the changing notion of contemporary art, his dedication to young and marginalized artists, and a self- declared conviction that he was not merely a collector but one who facilitated exhibitions, collaborations, and commissions, and who employed art as an instrument against conservatism and complacency. Ahrenberg passionately believed in personally meeting those artists whose works he acquired, and he accordingly established rich, long-term friendships that transcended the conventional artist-collector dynamic.

This richly illustrated book draws upon Lawrence Gowing's earlier writings on Matisse, including a study described by Albert Elsen as 'one of the finest, most perceptive and inspired essays' on the subject.

Matisse and Picasso by Robert Capa, Takashi Murakami by Olivia Arthur, Warhol and de Kooning by Thomas Hoepker, Bonnard by Henri Cartier-Bresson, Sonia Delaunay by Herbert List, Kiki Smith by Susan Meiselas, and many more. For the first time, Magnum Artists brings together a collection of over 200 photographs that define the unique relationship between the world's greatest photography collective and the world's greatest artists.

Owning Art offers an informative, authoritative and richly anecdotal route through the minefield of the contemporary art world. This entertaining and easy-to-use handbook is set to become every collector's indispensable companion.

In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.

This comprehensive children's guide to fine art covers important artists, styles, techniques, and various media from around the world. Full color.

Presents brightly illustrated scenes depicting happiness or things that cause joy.

Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.

Enrico Baj's works look playful, colourful and humorous, but simultaneously show his sharp socio-critical, even anarchist, attitude. Baj himself stated that "only fun can validly oppose the system". Baj used play as a form of engagement and creation as a form of protest. His work was a protest against fascism, totalitarian systems, the power of the ruling class and the potential annihilation of the environment (the then new nuclear threat). The exhibition shows how Baj playfully used the strategies of satire and deliberate disrespect as means of protest against a society that seems to be on the constant verge of self-destruction. Exhibition: Cobra Museum of Modern Art, Amstelveen, The Netherlands (04.02.-14.05.2017).