This book tells the history of Superior, Arizona, from the years 1930 to 1950. Superior is located in the central part of the state just inside the southern boundary of the Tonto National Forest. The town was the home of the Magma mine, which was owned by the Magma Copper Company. The Magma mine was an underground, or “hard rock,” copper mine. It operated continuously from 1910 to 1982, was one of the most productive mines in US history, and also included a smelter, mill, and railroad. The book hermeneutically (interpretively) merges into a single narrative the oral histories of 15 persons who were born between 1923 and 1934 and lived in Superior during all or most of 1930 through 1950. The purpose of combining the contributions into a single story was to yield a thicker, more corroborated history of the town than otherwise would have been possible by presenting them separately. Supplementing the narrative are a (1) historiographical description of the town and mine, (2) sociological analysis of their relationship, the community’s solidarity, and the segregation experienced among Mexican, Caucasian, Native American, and African American residents, (3) description of the personal meaning of underground mining, and (4) review of methods.

John Carter was born in Maine in 1782. In 1805 he married Hannah Knight Libby and they had 11 children. They joined the Church of Jesus Christ of Latter-day Saints and after the death of Joseph Smith, Hannah and many of her descendants came with the Saints to Utah. John remained in Illinois with a few of his family until his death in 1852. Most of his descendants who came to Utah settled in Provo and information on many of these individuals is included in this volume. Descendants live throughout Utah, and the western states. Most are members of the Church of Jesus Christ of Latter-day Saints.

Article abstracts and citations of reviews and dissertations covering the United States and Canada.

American women have followed their "manifest destiny" since the 1800's, moving West to homestead, found businesses, author novels and write poetry, practice medicine and law, preach and perform missionary work, become educators, artists, judges, civil rights activists, and many other important roles spurred on by their strength, spirit, and determination.

The Broadcast Century and Beyond is a popular history of the most influential and innovative industry of the century. The story of broadcasting is told in a direct and informal style, blending personal insight and authoritative scholarship to fully capture the many facets of this dynamic industry. The book vividly depicts the events, people, programs, and companies that made television and radio dominant forms of communication. The latest edition includes coverage of all the technologies that have emerged over the past decade and discusses the profound impact they have had on the broadcasting industry in political, social, and economic spheres. "Broadcasting as a whole has been completely revolutionized with the advent of YouTube, podcasting, iphones, etc, and the authors show how this closing of world-wide broadcasting channels affects the industry.

Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape. The originality of Dimendberg’s approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood’s dark thrillers of the postwar decades were determined by the same forces that shaped the city itself. Exploring classic examples of film noir such as The Asphalt Jungle, Double Indemnity, Kiss Me Deadly, and The Naked City alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, Film Noir and the Spaces of Modernity will provoke debate by cinema scholars, urban historians, and students of modern culture—and will captivate admirers of a vital period in American cinema.

This yearbook contains easy to access summaries of all cases handed down by the US Supreme Court in the term to give readers essential coverage of the Court's decisions, activities and impact on American life. It contains capsule summaries of every opinion written during the recent term.