About the Book A FASCINATING BOOK ON THE MANY VERSIONS OF RAMAYANA AND THEIR ORIGIN The renowned scholar A.K. Ramanujan was of the view that there are thousands of Ramayanas. He maintained that they are not variant texts of the Valmiki Ramayana, but largely independent ‘tellings’. Even in our age, when printing has become wide-spread, Rama’s story lives on in the minds of the people through narration and performance. In Kerala itself, there are many unwritten Ramayanas. It is believed that the crucial events in the epic unfolded in Wayanad. The names of places and community consciousness corroborate this belief: the ashram at Ashramkolly near Pulpally is Valmiki’s ashram; Jadayattakavu is where Sita went down into the earth; locals recognise the scar left by the tail of Hanuman. But there are several Ramayanas in Wayanad, not just one. In their differences are reflected the social relations of each community. The Adiya Ramayana, Chetti Ramayana and Sitayana, collected and edited by Azeez Tharuvana are innovative tellings. In this fascinating book, Tharuvana talks about the many forms of the timeless epic that originated in Wayanad against the backdrop of the other Ramayanas popular in India and abroad. The stories, collected as part of this effort, provide insights into the traditional cultural consciousness and ideological world of communities in Wayanad. Brilliantly researched and simply written, The Wayanad Ramayanas presents a new perspective: this ode to Rama is a social text, not a religious one.

Smart Question Bank (MCQs) for CUETUG for Economics/Business Economics comprises comprehensive sets of questions accompanied by answers, based on the latest syllabus structure set by the National Testing Agency (NTA), and it follows the current NCERTXII syllabus. This book caters to Section- II (Domain speciƒOc subjects) of the CUET-UG examination. While Economics is taken by the Arts group, Business Economics is taken by the Commerce group at their +2 level. The book caters to both the streams.

During the June 2020 territorial dispute over Kalapani, India blamed tensions on a newly assertive Nepal's deepening relations with China. But beyond the accusations and grandstanding, this reflects a new reality: the power equations in South Asia have been redrawn, to make space for China. Nepal did not turn northwards overnight. Its ties with China have deep historical roots built on Buddhism, dating to the early first millennium. While India's unofficial 2015 blockade provided momentum to the rift with Delhi, Nepal has long wanted deeper ties with Beijing, to counteract India's oppressive intimacy. With China's growing South Asian and global ambitions, Nepal now has a new primary bilateral partner-and Nepalis are forging a path towards modernity with its help, both in the remote borderlands and in the cities. All Roads Lead North offers a long view of Nepal's foreign relations, today underpinned by China's world-power status. Sharing never- before-told stories about Tibetan guerrilla fighters, failed coup leaders and trans- Himalayan traders, Nepal analyst Amish Raj Mulmi examines the histories binding mountain communities together across the Sino-Nepali border. Part history, part journalistic account, Mulmi's is a complex, compelling and rigorously researched study of a small country caught between two neighbourhood giants.

One of India’s best-loved film directors, Hrishikesh Mukherjee is perhaps best known today for his perennially popular creations like Anand, Chupke Chupke and Gol Maal. But Hrishi-da’s best work was provocative, wide-ranging and always aware of the complexities of people and their relationships. Often combining breezy narratives with serious ideas, his films created a distinct world with recurring themes. Jai Arjun Singh looks closely at Hrishikesh Mukherjee’s oeuvre, from well-known films like Satyakam, Guddi, Abhimaan and Khubsoorat to lesser known works such as Mem-Didi, Biwi aur Makaan and Anuradha. Combining a fan’s passion with a critic’s rigour, The World of Hrishikesh Mukherjee is a must-read for anyone who takes their filmed entertainment seriously.

"How do you see India? Fuelled by a surge of migration to cities, the country's growth appears to be defined by urbanisation and by its growing, prosperous middle class. It is also defined by progressive and liberal young Indians, who vote beyond the constraints of identity, and paradoxically, by an unchecked population explosion and rising crimes against women. Is it, though? In 2020, the annual population growth was down to under 1 per cent. Only thirty-one of hundred Indians live in a city today and just 5 per cent live outside the city of their birth. As recently as 2016, only 4 per cent of young, married respondents in a survey said their spouse belonged to a different caste group. Over 45 per cent of voters said in a pre-2014 election survey that it was important to them that a candidate of their own caste wins elections in their constituency. A large share of reported sexual assaults across India are actually consensual relationships criminalised by parents. And staggeringly, spending more than Rs 8,500 a month puts you in the top 5 per cent of urban India. Data-journalism pioneer Rukmini S. draws on nearly two decades of on-ground reporting experience to piece together a picture that looks nothing like the one you might expect. There is a mountain of data available on India, but it remains opaque, hard to access and harder yet to read, and it does not inform public conversation. Rukmini marshals this information - some of it never before reported - alongside probing interviews with experts and ordinary citizens, to see what the numbers can tell us about India. As she interrogates how data works, and how the push and pull of social and political forces affect it, she creates a blueprint to understand the changes of the last few years and the ones to come - a toolkit for India."-- dust jacket.

Chandrabati, the first woman poet in Bangla, lived in the sixteenth century in Mymensingh district in present day Bangladesh. She was also the first poet in the Bangla language to present a retelling of the Ram story from the point of view of Sita. Idolised as a model of marital obedience and chastity in Valmiki’s Ramayan, Chandrabati’s lyrical retelling of Sita’s story offers us a fresh perspective. Written in order to be sung before a non-courtly audience, mainly of womenfolk of rural Bengal, Chandrabati’s Ramayan adds new characters and situations to the story to provide new interpretations of already known events drawing richly on elements of existing genres. Its location in the tales of everyday life has ensured that Chandrabati’s Ramayan lives on in the hearts of village women of modern-day India.