Despite some enormous differences in salary among professional athletes, most aspects of their daily lives remain surprisingly constant across sports and income levels. In Living out of Bounds author Steven J. Overman mines a wide array of sports biographies, autobiographies, memoirs, and diaries to construct a representative picture of the athlete's life. In the course of the work a portrait emerges that transcends the individual lives lived. The shared experiences of devoted training, of travel and hotels, and of tension within and beyond the clubhouse or gym, force us to appreciate the often oppressive reality of the sporting life, at the same time that the individual lives lived also provide us with a glimpse of the rewards that make sports so compelling to audiences and athletes across America. .

This volume offers a comprehensive and penetrating account of the male athlete's life, both inside and outside the spotlight-as it so rarely appears to the average reader.

Bright, a research assistant at the environmental educational non- profit organization Worldwatch Institute, describes and evaluates the spread of alien or "exotic" organisms that are destroying ecosystems around the world. Annotation copyrighted by Book News, Inc., Portland, OR

A HARD-HITTING MEMOIR FROM A LIVING LEGEND In this outspoken and fearless autobiography, Jim Brown, arguably the greatest football player who ever lived, shares his story in the same way he played the game: full throttle, pull no punches, and don't spare a drop. His nine bone-jarring Hall of Fame years in the National Football League, and the multitude of records he set, are football legend. His second life as a film star who became the first black man to do a love scene with a white woman on an American screen is part of Hollywood lore. Incapable of anything less than total candor, Brown's uncensored words in these pages, like his electric breakaway runs on the gridiron, wield the power to astonish and amaze. Here, Brown names names, tells the truth behind the headlines, and reveals who the toughest, grittiest football warriors really were. His reflections on sex, fame, and his highly publicized encounters with the law are both frank and hilarious. His stories about cocaine and women are ugly and disturbing, as are his observations about the pervasive role of racism in the NFL. Insightful, impressive, and revelatory, Out of Bounds delivers the captivating play-by-play of an outstanding life.

When to say yes, when to say no to take control of your life.

Operating outside the commercial boundaries of Hollywood cinema, alternative and independent filmmakers have much to offer the discriminating viewer. Yet they struggle for a place in the popular culture, and even more for recognition by the scholarly community. The specific aim of this book is to provide much-needed critical examination of titles, particularly those by British filmmakers. In-depth commentary from such acclaimed writers as Maitland McDonagh, Jasper Sharp, Johannes Schonherr and Marcus Stiglegger considers filmmakers who work at the very heart of the independent medium, giving the reader specific insight into alternate cinema and the struggles its filmmakers endure. Featured are interviews with both rising and established filmmakers, including the infamous Guy Maddin and Herschell Gordon Lewis. Finally, this collection of interviews and essays boasts a 20th anniversary retrospective on the British cult classic The Company of the Wolves, complete with an exclusive interview with director Neil Jordan.

A collection of short stories - four previously published and three new - linked by the theme of young people experiencing personal dilemmas. All are set in South Africa, first under apartheid and then after the first democratic elections. They cover the period from 1950 to 2000 and reflect the lives of a range of young people, black and white, living in what was for many years seen as the world's most openly racist society.

The mind of the machine, the body suspended in time, organs exchanged, thought computed, genes manipulated, DNA samples abducted by aliens: the terrain between science and speculation, fraught with the possibility of technological and perhaps even evolutionary transformations, is the territory Richard Doyle explores in Wetwares. In a manner at once sober and playful, Doyle maps potentials for human transformation by new ecologies of information in the early twenty-first century. Wetwares ranges over recent research in artificial life, cloning, cryonics, computer science, organ transplantation, and alien abduction. Moving between actual technical practices, serious speculative technology, and science fiction, Doyle shows us emerging scientific paradigms where "life" becomes more a matter of information than of inner vitality--in short, becomes "wetwares" for DNA and computer networks. Viewing technologies of immortality--from cryonics to artificial life--as disciplines for welcoming a thoroughly other future, a future of neither capital, god, human, nor organism, the book offers tools for an evolutionary, transhuman mutation in the utterly unpredictable decades to come.

The first anthology to assemble the writings of the groundbreaking art historian, critic, and curator Marcia Tucker. These influential, hard-to-obtain texts —many of which have never before been published—by Marcia Tucker, founding director of New York's New Museum, showcase her lifelong commitment to pushing the boundaries of curatorial practice and writing while rethinking inherited structures of power within and outside the museum. The volume brings together the only comprehensive bibliography of Tucker’s writing and highlights her critical attention to art’s relationship to broader culture and politics. The book is divided into three sections: monographic texts on a selection of the visionary artists whom Tucker championed, among them Bruce Nauman, Joan Mitchell, Richard Tuttle, and Andres Serrano; exhibition essays from some of the formative group shows she organized, such as Anti-Illusion: Procedures/Materials (1969) and Bad Girls (1994), which expanded the canons of curating and art history; and other critical works, including lectures, that interrogated museum practice, inequities of the art world, and institutional responsibility. These texts attest to Tucker’s tireless pursuit of questions related to difference, marginalization, access, and ethics, illuminating her significant impact on contemporary art discourse in her own time and demonstrating her lasting contributions to the field.

Academic freedom is a key element of the academic enterprise in the U.S. However, it does not seem to exist when scholars seek to advocate on behalf of Palestinian self-determination. This unique work examines how the knowledge-power nexus is shaping the discourse around the Israel-Palestine conflict and restricting academic freedom. Beginning with a discussion of American Zionism, the work proceeds to explain why scholars working on the question of Palestine are often denied standard academic freedom. This is supported by prominent cases, such as Norman G. Finkelstein's denial of tenure, the Middle East Studies Department at Columbia University, and Mearsheimer and Walt's book, The Israel Lobby. The work of Edward Said and Noam Chomsky are also discussed and the book concludes with recommendations for protecting intellectual freedom to those seeking to critically pursue the question of Palestine. This scholarly study will appeal to a broad audience of faculty, students, and readers who seek to understand the importance of academic freedom and the thorny debates surrounding the Israel-Palestine conflict.