Reaching nearly 1 million readers monthly, Better Nutrition celebrates 70 years as a leading in-store distributed magazine for health conscious consumers. Widely distributed to thousands of health-food stores and grocery chains across the country, Better Nutrition provides authoritative, well-researched information on food nutrition, dietary concerns, supplements and other natural products.

At first glance, the Ford Foundation and the black power movement would make an unlikely partnership. After the Second World War, the renowned Foundation was the largest philanthropic organization in the United States and was dedicated to projects of liberal reform. Black power ideology, which promoted self-determination over color-blind assimilation, was often characterized as radical and divisive. But Foundation president McGeorge Bundy chose to engage rather than confront black power's challenge to racial liberalism through an ambitious, long-term strategy to foster the "social development" of racial minorities. The Ford Foundation not only bankrolled but originated many of the black power era's hallmark legacies: community control of public schools, ghetto-based economic development initiatives, and race-specific arts and cultural organizations. In Top Down, Karen Ferguson explores the consequences of this counterintuitive and unequal relationship between the liberal establishment and black activists and their ideas. In essence, the white liberal effort to reforge a national consensus on race had the effect of remaking racial liberalism from the top down—a domestication of black power ideology that still flourishes in current racial politics. Ultimately, this new racial liberalism would help foster a black leadership class—including Barack Obama—while accommodating the intractable inequality that first drew the Ford Foundation to address the "race problem."

“A fresh, heartwarming voice.” —Jodi Thomas, New York Times bestselling author From ghost town to growing community, it’s been a few years since a group of strangers inherited property in tiny, deserted Fat Chance, Texas. And besides creating businesses, they’ve developed friendships and romances too. But plans to pave the town may put Dymphna Pearl and her beau, Professor Johnson, on opposite sides of Main Street. In his zeal for the project, he’s making great decisions for Fat Chance, but not for them as a couple. Disgruntled, Dymphna heads back to Los Angeles to collect the rabbits she’s created a special place for in the hot Texas climate. But the professor is in for another surprise... Professor Johnson didn’t even know about Dympha’s sister, Maggie, and when he meets her in a most unexpected way, he begins to understand why. In the meantime, Dymphna is off pursuing an exciting venture to let the world know about Fat Chance—one that will bring a talented new crew to the eclectic group. The kitschy little place they call home is clearly destined for bigger, better things—-but with so many changes a-coming will the same be true for everyone in Fat Chance, including the professor and Dymphna? Praise for Celia Bonaduce and her novels “A bingeworthy triology about smart, quirky women who feel like friends. In Much Ado About Mother she shows us just how strong (and funny) the mother-daughter bond can be. Loved it!”--Clare O'Donahue, author of The Kate Conway Mysteries “Celia Bonaduce writes well rounded, real life characters straight from the heart. I loved this book!” —Phyliss Miranda, New York Times bestselling author on A Comedy of Erinn “The Merchant of Venice Beach has a fresh, heartwarming voice that will keep readers smiling as they dance through this charming story by Celia Bonaduce.” —Jodi Thomas, New York Times bestselling author

Afrocentric Theatre updates the Molettes' groundbreaking book, Black Theatre: Premise and Presentation, that has been required reading in many Black theatre courses for over twenty-fi ve years. Afrocentric theatre is a culturally-based art form, not a race-based one. Culture and values shape perceptions of such phenomena as time, space, heroism, reality, truth, and beauty. These culturally variable social constructions determine standards for evaluating and analyzing art and govern the way people perceive theatrical presentations as well as fi lm and video drama. A play is not Afrocentric simply because it is by a Black playwright, or has Black characters, or addresses a Black theme or issue. Afrocentric Theatre describes the nature of an art form that embraces and disseminates African American culture and values. Further, it suggests a framework for interpreting andevaluating that art form and assesses the endeavors of dramatists who work from an Afrocentric perspective.

(Applause Books). This first-of-its kind collection includes a wide range of works, from an early examination and critique of American society after World War II to plays that reflect socio-political concerns that kept pace with historical events, like the sit-in demonstrations, the bus boycotts, black nationalism, and the women's liberation movement. A hybrid of comedic forms including satire, farce, comedy of manners, romantic comedy, dark comedy, and tragicomedy are presented through vernacular language, stand-up performance art, masks, broad humor, as well as the minstrel show. Essays, articles and interviews complement this critical edition.

In this telltale anthology of poetical depiction, the writer, father, son, brother, teacher, community advocate, educational coach, friend, and God-fearing man illustrates the missteps, fallacies, lies, betrayals, circumstances, and experiences of the African American passage into today and the hope for tomorrow. Love, Life, Pain, Uplift, and Conquest will definitely leave every emotional seam ripped open and every stammering breath counted.

(Applause Books). For six decades, Harold Clurman illuminated our artistic, social, and political awareness in thousands of reviews, essays, and lectures. His work appeared indefatigably in The Nation, The New Republic, The London Observer, The New York Times, Harper's, Esquire, New York Magazine , and more. The Collected Works of Harold Clurman captures over six hundred of Clurman's encounters with the most significant events in American theatre as well as his regular passionate embraces of dance, music, art and film. This chronological epic offers the most comprehensive view of American theatre seen through the eyes of our most extraordinary critic. 1102 pages, hardcover.

Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge.