This pocket edition of Richard McBrien's acclaimed Lives of the Popes is a practical quick reference tool for scholars, students, and anyone needing just a few concise facts about all the popes, from St. Peter to Benedict XVI.

Look out for a new book from Garry Wills, What The Qur'an Meant, coming fall 2017. "The truth, we are told, will make us free. It is time to free Catholics, lay as well as clerical, from the structures of deceit that are our subtle modern form of papal sin. Paler, subtler, less dramatic than the sins castigated by Orcagna or Dante, these are the quiet sins of intellectual betrayal." --from the Introduction From Pulitzer Prize-winning author Garry Wills comes an assured, acutely insightful--and occasionally stinging--critique of the Catholic Church and its hierarchy from the nineteenth century to the present. Papal Sin in the past was blatant, as Catholics themselves realized when they painted popes roasting in hell on their own church walls. Surely, the great abuses of the past--the nepotism, murders, and wars of conquest--no longer prevail; yet, the sin of the modern papacy, as revealed by Garry Wills in his penetrating new book, is every bit as real, though less obvious than the old sins. Wills describes a papacy that seems steadfastly unwilling to face the truth about itself, its past, and its relations with others. The refusal of the authorities of the Church to be honest about its teachings has needlessly exacerbated original mistakes. Even when the Vatican has tried to tell the truth--e.g., about Catholics and the Holocaust--it has ended up resorting to historical distortions and evasions. The same is true when the papacy has attempted to deal with its record of discrimination against women, or with its unbelievable assertion that "natural law" dictates its sexual code. Though the blithe disregard of some Catholics for papal directives has occasionally been attributed to mere hedonism or willfulness, it actually reflects a failure, after long trying on their part, to find a credible level of honesty in the official positions adopted by modern popes. On many issues outside the realm of revealed doctrine, the papacy has made itself unbelievable even to the well-disposed laity. The resulting distrust is in fact a neglected reason for the shortage of priests. Entirely aside from the public uproar over celibacy, potential clergy have proven unwilling to put themselves in a position that supports dishonest teachings. Wills traces the rise of the papacy's stubborn resistance to the truth, beginning with the challenges posed in the nineteenth century by science, democracy, scriptural scholarship, and rigorous history. The legacy of that resistance, despite the brief flare of John XXIII's papacy and some good initiatives in the 1960s by the Second Vatican Council (later baffled), is still strong in the Vatican. Finally Wills reminds the reader of the positive potential of the Church by turning to some great truth tellers of the Catholic tradition--St. Augustine, John Henry Newman, John Acton, and John XXIII. In them, Wills shows that the righteous path can still be taken, if only the Vatican will muster the courage to speak even embarrassing truths in the name of Truth itself.

The author's trademark blend of profound insight and extensive knowledge provides a fascinating history of the Catholic Church and the papacy by focusing on Angelo Giuseppe Roncalli as Pope John XXIII, who awed the world with the seminal and unprecedented changes he brought about due to his concern for humankind. Reprint.

From the acclaimed author of Brunelleschi's Dome and Leonardo and the Last Supper, the riveting story of how Michelangelo, against all odds, created the masterpiece that has ever since adorned the ceiling of the Sistine Chapel. In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Despite having completed his masterful statue David four years earlier, he had little experience as a painter, even less working in the delicate medium of fresco, and none with challenging curved surfaces such as the Sistine ceiling's vaults. The temperamental Michelangelo was himself reluctant: He stormed away from Rome, incurring Julius's wrath, before he was eventually persuaded to begin. Michelangelo and the Pope's Ceiling recounts the fascinating story of the four extraordinary years he spent laboring over the twelve thousand square feet of the vast ceiling, while war and the power politics and personal rivalries that abounded in Rome swirled around him. A panorama of illustrious figures intersected during this time-the brilliant young painter Raphael, with whom Michelangelo formed a rivalry; the fiery preacher Girolamo Savonarola and the great Dutch scholar Desiderius Erasmus; a youthful Martin Luther, who made his only trip to Rome at this time and was disgusted by the corruption all around him. Ross King blends these figures into a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Italy, while also offering uncommon insight into the connection between art and history.

The papacy has often resembled a secular European monarchy more than a divinely inspired institution. Roman pontiffs bestowed great wealth on their families and forged strategic alliances with other powerful families to increase their power. Pope Alexander VI (Rodrigo Borgia), for example, forced his daughter Lucrezia into a series of marriages for political reasons. When her marital alliance was no longer advantageous, as was the case in her second marriage, her husband was brutally murdered. Many papal families also intermarried in hopes of forming a hereditary papacy; at least two members of the Fieschi, Piccolomini, Della Rovere, and Medici families served as pope. Papal families since the early history of the church are fully covered in this comprehensive work. Genealogical charts graphically show the descendants of the popes, presenting in many cases the interrelationships between the papal families and their relationships with many of the leading families of Europe. Detailed histories examine the impact of the papacy on each pope's family and how each influenced the history of the church.

In the last 2,000 years, the Holy See has seen lechers, pornographers, womanizers, adulterers, and more...A lively expose of papal promiscuity.

When Bartolomeo Sacchi ('Platina', 1421-1481) wrote his Vitae pontificum (Lives of the Popes) and presented it to Pope Sixtus IV in 1475, he surely could not have imagined how influential it would become over the centuries. His was the first papal history composed as a humanist Latin narrative and, as such, marked a distinct breakthrough in relation to the Liber pontificalis, the standard medieval chronicle of the papacy. Whatever Platina's intentions for the book, it soon came to be regarded as the official history of the Roman pontiffs. After the editio princeps of Venice 1479, updated and extended editions continued to be produced until late in the eighteenth century. The largely untold story of Platina's Lives of the Popes and its fortuna is the focus of this book. The Lives were particularly popular because of Platina's frank criticisms of papal behaviour which did not live up to his humanist moral values. He reminded the popes that they were mere human beings and urged them not to indulge in luxury and nepotism. Catholics, whether or not they agreed with such indictments, read the Lives eagerly, while Protestants naturally appreciated Platina's fault-finding approach towards the papacy. The role which censorship played in the reception of the Lives was previously unknown. This book examines the censorship process (1587-1592) in detail, including a critical edition of the assessments and corrections by English and Italian censors newly uncovered in the Vatican and in Milan.

Brings vividly to life the achievements and effects, historical and cultural, theological and geographical, of the See of Rome.