Mucki, the little teddy bear, is interested in flying and always passes a small sports airfield on his way to school. So what could be more natural than to stop and watch? But watching almost always means that Mucki is late and his teacher always has to give him a stern warning to be on time for class. So that Mucki finally realizes that as an aviator you should never be late and of course you have to be very good at math, his classmate Mitzi learns with him and accompanies him to school every day so that he is never late again. Slowly, the fulfillment of his dream comes within reach ...

"I was on my way to look for a life of my own." A brilliant, brutally honest autobiographical novel, long out of print, from one of the great artistic polymaths of the 20th century. This is a Sebaldian account of the narrator's attempt to break free of a repressive upper-middle-class upbringing and make his way as an artist and individual, written in a single incantatory paragraph. Leavetaking is the story of an upper-middle-class childhood and adolescence in Berlin between the wars. In the course of the book, Weiss plumbs the depths of family life: there is the early death of his beloved sister Margit, the difficult relationship with his parents, the fantasies of adolescence and youth, all set in the midst of an increasing anti-Semitism, which forces the Weiss family to move again and again, a peripatetic existence that only intensifies the narrator's growing restlessness. The young narrator is largely oblivious to world events and focused instead on becoming an artist, an ambition frustrated generally by his milieu and specifically by his mother, who, herself a former actress, destroys his paintings during one of the family's moves. In the end, he turns to an older mentor, Harry Haller, a fictionalized portrait of Hermann Hesse, who encouraged and supported Weiss, and with Haller's example before him, the narrator takes his first steps towards a truly independent life. Intensely lyrical, written with great imaginative power, Leavetaking is a vivid evocation of a world that has disappeared and of the narrator's developing consciousness. THE NEVERSINK LIBRARY champions books from around the world that have been overlooked, underappreciated, looked askance at, or foolishly ignored. They are issued in handsome, well-designed editions at reasonable prices in hopes of their passing from one reader to another—and further enriching our culture.

The true story of the Edelweiss Pirates, working-class teenagers who fought the Nazis by whatever means they could. Fritz, Gertrud, and Jean were classic outsiders: their clothes were different, their music was rebellious, and they weren’t afraid to fight. But they were also Germans living under Hitler, and any nonconformity could get them arrested or worse. As children in 1933, they saw their world change. Their earliest memories were of the Nazi rise to power and of their parents fighting Brownshirts in the streets, being sent to prison, or just disappearing. As Hitler’s grip tightened, these three found themselves trapped in a nation whose government contradicted everything they believed in. And by the time they were teenagers, the Nazis expected them to be part of the war machine. Fritz, Gertrud, and Jean and hundreds like them said no. They grew bolder, painting anti-Nazi graffiti, distributing anti-war leaflets, and helping those persecuted by the Nazis. Their actions were always dangerous. The Gestapo pursued and arrested hundreds of Edelweiss Pirates. In World War II’s desperate final year, some Pirates joined in sabotage and armed resistance, risking the Third Reich’s ultimate punishment. This is their story.

Set in late 19th century Germany, it concerns teenagers who are discovering the inner and outer tumult of sexuality. The plays performance was threatened with closure when the city's Commissioner of Licenses claimed that the play was pornographic, due to its portrayal of abortion, homosexuality, rape, child abuse, and suicide, but a New York trial court issued an injunction to allow the production to proceed.

In the offices of a large media conglomerate responsible for all kinds of advertising, Max Brecher considers himself the intellectual among the clerks. He reflects on the personal relations in the office, his own situation as an employee and human being, and the shifts in the values and ideas of life in 1920s Berlin. His office has its share of interesting characters, such as the corrupt Dr. Geist, who becomes a hypocrite in order to advance in the office hierarchy; the lovely Mucki Schopps, a tricky young girl with whom everyone falls in love; Gudula Often, who strives for harmony among her coworkers but never achieves her goal; and the department head, Mr. Sack, who meets an unfortunate end.

As witnessed in landmark criminal cases, the quality and integrity of bloodstain evidence can be a crucial factor in determining a verdict. Since the first edition of Interpretation of Bloodstain Evidence at Crime Scenes was published nearly a decade ago, bloodstain pattern interpretation has continued to grow as a branch of forensic science. Revised and updated to reflect new technology and developments in the field, the second edition is packed with new information and illustrations-including 421 photographs and diagrams of improved quality that will aid in interpretation of evidence. Expanding on a single chapter presented in the bestselling first edition, the second edition details, in four chapters, an introduction to bloodstain interpretation; low-velocity impact and angular considerations; medium and high-velocity impact; and the significance of partially dried, clotted, aged, and physically altered bloodstains in four new chapters. A full chapter on the detection of blood with luminol, featuring high-quality, full-color photographs of luminol reactions, has been added. This new edition also includes 12 new case studies in addition to 8 original case studies from the first edition that have been retained for their interpretative value. Everyone involved in crime scene evaluation and interpretation-law enforcement officers, criminologists, medical examiners, forensic pathologists, medicolegal personnel, and prosecutors and defense attorneys-will benefit from the improved and expanded second edition of this definitive reference.

The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online

Contents: The title of the book 'In Transit'-as a reference to the novel written by Anna Seghers-functions on two levels: On a narrative level, it is a primary metaphor for the fate of all German Jews who fled from the Third Reich and found themselves in France doubly stigmatized as Germans-the despised boches-and as juifs. On another level, 'In Transit' offers perspectives on the Occupation of France and the Vichy regime-the so-called Dark Years-that have not been part of the Vichy debate. So how did German Jews who fled from Nazi Germany to France narrate and document their experiences? This book tells their stories, and in a sense brings them back home to Germany, where they always wanted to belong. It is high time to bring these narratives out of exile and place them firmly on the ground of the Vichy regime. The Author: Ruth Schwertfeger is Professor of German at the University of Wisconsin-Milwaukee. Her dissertation at Oxford on the German Expressionist Georg Kaiser led to her engagement with exile studies and with the Holocaust. Schwertfeger is the author of Women of Theresienstadt and Else Lasker-Sch ler, both published by Berg Publishers, Oxford and The Wee Wild One: Stories of Belfast and Beyond, published by the University of Wisconsin Press.

The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online