Table of contents

John Owen was a leading theologian in seventeenth-century England. Closely associated with the regicide and revolution, he befriended Oliver Cromwell, was appointed vice-chancellor of the University of Oxford, and became the premier religious statesman of the Interregnum. The restoration of the monarchy pushed Owen into dissent, criminalizing his religious practice and inspiring his writings in defense of high Calvinism and religious toleration. Owen transcended his many experiences of defeat, and his claims to quietism were frequently undermined by rumors of his involvement in anti-government conspiracies. Crawford Gribben's biography documents Owen's importance as a controversial and adaptable theologian deeply involved with his social, political, and religious environments. Fiercely intellectual and extraordinarily learned, Owen wrote millions of words in works of theology and exegesis. Far from personifying the Reformed tradition, however, Owen helped to undermine it, offering an individualist account of Christian faith that downplayed the significance of the church and means of grace. In doing so, Owen's work contributed to the formation of the new religious movement known as evangelicalism, where his influence can still be seen today.

The complexity of print culture in Britain between the seventeenth and nineteenth century is investigated in these wide-ranging articles. The essays collected here offer examinations of bibliographical matters, publishing practices, the illustration of texts in a variety of engraved media, little studied print culture genres, the critical and editorial fortunes of individual works, and the significance of the complex interrelationships that authors entertained with booksellers, publishers, and designers. They investigate how all these relationships affected the production of print commodities and how all the agents involved in the making of books contributed to the cultural literacy of readers and the formation of a canon of literary texts. Specific topics include a bibliographical study of Aphra Behn's Oroonoko and its editions from its first publication to the present day; the illustrations of John Bunyan's Pilgrim's Progress and the ways in which the interpretive matrices of book illustration conditioned the afterlife and reception of Bunyan's work; the almanac and the subscription edition; publishing history, collecting, reading, and textual editing, especially of Robert Burns's poems and James Thomson's The Seasons; the "printing for the author" practice; the illustrated and material existence of Sir Walter Scott's Waverley novels, and the Victorian periodical, The Athenaeum. Sandro Jung is Research Professor of Early Modern British Literature and Director of the Centre for the Study of Text and Print Culture at Ghent University. Contributors: Gerard Carruthers, Nathalie Collé-Bak, Marysa Demoor, Alan Downie, Peter Garside, Sandro Jung, Brian Maidment, Laura L. Runge.

This book examines the unresolved tensions in Milton's writings, as he grapples with the paradox of freedom in a universe ruled by an all-powerful God.

Locating John Milton's works in national and international contexts, and applying a variety of approaches from literary to historical, philosophical, and postcolonial, Milton and Toleration offers a wide-ranging exploration of how Milton's visions of tolerance reveal deeper movements in the history of the imagination. Milton is often enlisted in stories about the rise of toleration: his advocacy of open debate in defending press freedoms, his condemnation of persecution, and his criticism of ecclesiastical and political hierarchies have long been read as milestones on the road to toleration. However, there is also an intolerant Milton, whose defence of religious liberty reached only as far as Protestants. This book of sixteen essays by leading scholars analyses tolerance in Milton's poetry and prose, examining the literary means by which tolerance was questioned, observed, and became an object of meditation. Organized in three parts, 'Revising Whig Accounts,' 'Philosophical Engagements,' 'Poetry and Rhetoric,' the contributors, including leading Milton scholars from the USA, Canada, and the UK, address central toleration issues including heresy, violence, imperialism, republicanism, Catholicism, Islam, church community, liberalism, libertinism, natural law, legal theory, and equity. A pan-European perspective is presented through analysis of Milton's engagement with key figures and radical groups. All of Milton's major works are given an airing, including prose and poetry, and the book suggests that Milton's writings are a significant medium through which to explore the making of modern ideas of tolerance.

Milton, Music and Literary Interpretation: Reading through the Spirit constructs a musical methodology for interpreting literary text drawn out of John Milton’s poetry and prose. Analyzing the linkage between music and the Holy Spirit in Milton’s work, it focuses on harmony and its relationship to Milton’s theology and interpretative practices. Linking both the Spirit and poetic music to Milton’s understanding of teleology, it argues that Milton uses musical metaphor to capture the inexpressible characteristics of the divine. The book then applies these musical tools of reading to examine the non-trinitarian union between Father, Son, and Spirit in Paradise Lost, argues that Adam and Eve’s argument does not break their concord, and puts forward a reading of Samson Agonistes based upon pity and grace.

The Seventeenth-Century Literature Handbook is an accessible, authoritative and comprehensive introduction to English literature in the seventeenth century. It provides a one-stop resource for literature students, with the essential information and guidance needed at the beginning of a course through to the development of more advanced knowledge and skills. It includes: - introductions to authors, texts and contexts - guides to key critics, concepts and topics - an overview of major critical approaches, changes in the canon and directions of current and future research - case studies in reading literary and critical texts - an annotated bibliography (including websites), timeline, glossary of critical terms. Written in clear language by leading academics, it is an indispensable starting point for students beginning their study of seventeenth-century literature.

The issue of the Jews deeply engaged Milton throughout his career, and not necessarily in ways that make for comfortable or reassuring reading today. While Shakespeare and Marlowe, for example, critiqued rather than endorsed racial and religious prejudice in their writings about Jews, the same cannot be said for Milton. The scholars in this collection confront a writer who participated in the sad history of anti-Semitism, even as he appropriated Jewish models throughout his writings. Well grounded in solid historical and theological research, the essays both collectively and individually offer an important contribution to the debate on Milton and Judaism. This book will be of interest not only to scholars of Milton and of seventeenth-century literature, but also to historians of the religion and culture of the period.

This book brings to the foreground the largely forgotten “Fancy” of the seventeenth and eighteenth centuries and follows its traces as they extend into the nineteenth and twentieth. Trivialized for its flightiness and femininity, Fancy nonetheless provided seventeenth- and eighteenth-century women writers such as Margaret Cavendish, Aphra Behn, Delarivier Manley, Eliza Haywood, and Anna Barbauld a mode of vision that could detect flaws in the Enlightenment’s patriarchal systems and glimpse new, female-authored worlds and genres. In carving out unreal, fanciful spaces within the larger frame of patriarchal culture, these women writers planted Fancy—and, with it, female authorial invention—at the cornerstone of Enlightenment empirical endeavor. By finally taking Fancy seriously, this book offers an alternate genealogy of female authorship and a new framework for understanding modernity’s triumph.

By bringing together Milton specialists with other innovative early modern scholars, the collection aims to embrace and encourage a methodologically adventurous study of Milton's works, analyzing them both in relation to their own moment and their many ensuing contexts.