Revised thesis (Ph.D.) - Claremont Graduate University, Claremont, California, 2009.

This book contains a collection of nineteen essays by Marvin A. Sweeney, some previously unpublished, that focus on the role of literary form and intertextuality in the study of prophetic and apocalyptic literature. The volume includes five major parts: Isaiah; Jeremiah; Ezekiel; The Book of the Twelve Prophets; and Apocalyptic Literature. Selected topics include the Book of Isaiah as Prophetic Torah; the role of Isaiah 65-66 as conclusion of the Book of Isaiah; the interpretation of the Masoretic and Septuagint forms of the book of Jeremiah; Jeremiah 2-6 and 30-31 in relation to Josiah's reform; Ezekiel's role as Zadokite priest and visionary prophet; the problems of theodicy and holiness in Ezekiel 8-11 and 33-39; the interpretation of the Masoretic and Septuagint sequences of the Book of the Twelve; and others.

A study of the first half of the biblical book of Ezekiel with commentary on what his message could mean for the church in the twentieth century.

An introduction to the study of Ezekiel that lays out for the reader the central issues for the interpretation of the book of Ezekiel. After explaining how the message of the prophet was relevant to the exilic situation in which he lived, this thorough guide shows how later generations shaped, transmitted, and used Ezekiel in their own communities. The book summarizes the literary shape and contents of Ezekiel, then examines the theories and methodologies used in current scholarship that explain the formation of Ezekiel. Lyons next explains for the reader the theology and major themes of Ezekiel, and closes by evaluating how the arguments of Ezekiel relate to each other as a coherent rhetorical strategy.

The writings of the prophets make up over a quarter of the Old Testament. But perhaps no other portion of the Old Testament is more misunderstood by readers today. For some, prophecy conjures up knotted enigmas, opaque oracles and terrifying visions of the future. For others it raises expectations of a plotted-out future to be reconstructed from disparate texts. And yet the prophets have imprinted the language of faith and imagination with some of its most sublime visions of the future - nations streaming to Zion, a lion lying with a lamb, and endlessly fruiting trees on the banks of a flowing river. We might view the prophets as stage directors for Israel's unfolding drama of redemption. Drawing inspiration from past acts in that drama and invoking fresh words from its divine author, these prophets speak a language of sinewed poetry, their words and images arresting the ear and detonating in the mind. For when Yahweh roars from Zion and thunders from Jerusalem, the pastures of the shepherds dry up, the crest of Carmel withers, and the prophetic word buffets those selling the needy for a pair of sandals. The Dictionary of the Old Testament: Prophets is the only reference book of its kind. Not only does it focus exclusively on the prophetic books; it also plumbs their imagery of mountains and wilderness, flora and fauna, temple and Zion. It maps and guides us through topics such as covenant and law, exile and deliverance, forgiveness and repentance, and the Day of the Lord. Here the nature of prophecy is searched out in its social, historical, literary and psychological dimensions as well as its synchronic spread of textual links and associations. And the formation of the prophetic books into their canonical collection, including the Book of the Twelve, is explored and weighed for its significance. Then too, contemporary approaches such as canonical criticism, conversation analysis, editorial/redaction criticism, feminist interpretation, literary approaches and rhetorical criticism are summed up and assayed. Even the afterlife of these great texts is explored in articles on the history of interpretation as well as on their impact in the New Testament.

Analysis of text structures has been a dominant feature in Biblical studies for quite some time. More recently, scholars have focused on rhetorical strategies that have been employed in Biblical texts. In this volume, rhetorical as well as structural approaches to the Hebrew Bible have been brought together. It contains studies on a range of topics and on a good many texts and textual corpuses. Interpretation culminates in translation. The contributors to this volume have discussed the implications of their findings for Bible translators. Many of these translational implications have been put together in an epilogue. The volume thus not only intends to show the present state of our knowledge of literary and rhetorical techniques employed in the Bible; on these points it aims to be a selective guide to translators as well. The volume has been edited by Lenart de Regt, Jan de Waard (both of the Free University of Amsterdam), and Jan Fokkelman (Leiden University).

Visions of the Holy is a collection of essays by Marvin A. Sweeney on the study of biblical and postbiblical theology and literature. The volume includes previously published and unpublished essays related to the developing field of Jewish biblical theology; historical, comparative, and reception-critical studies; and the reading of texts from the Pentateuch, Former Prophets, Latter Prophets, and Ketuvim. Additional essays examine Asian biblical theology, the understanding of Shabbat, intertextuality in Exodus–Numbers, Samuel, Isaiah, and the Twelve in intertextual perspective, and the democratization of messianism in modern Jewish thought. The volume is an excellent resource for scholars, students, and clergy interested in theological readings of the Hebrew Bible.

Appealing to Monster Theory and the ancient Near Eastern motif of "Chaoskampf," Safwat Marzouk argues that the paradoxical character of the category of the monster is what prompts the portrayal of Egypt as a monster in the book of Ezekiel. While on the surface the monster seems to embody utter difference, underlying its otherness there is a disturbing sameness. Though the monster may be defeated and its body dismembered, it is never completely annihilated. Egypt is portrayed as a monster in the book of Ezekiel because Egypt represents the threat of religious assimilation. Although initially the monstrosity of Egypt is constructed because of the shared elements of identity between Egypt and Israel, the prophet flips this imagery of monster in order to embody Egypt as a monstrous Other. In a combat myth, YHWH defeats the monster and dismembers its body. Despite its near annihilation, Egypt, in Ezekiel's rhetoric, is not entirely obliterated. Rather, it is kept at bay, hovering at the periphery, questioning Israel's identity.

While there are many textbooks about the prophetic literature, most have taken either a historical or literary approach to studying the prophets. A Chorus of Prophetic Voices, by contrast, draws on both historical and literary approaches by paying careful attention to the prophets as narrative characters. It considers each unique prophetic voice in the canon, in its fully developed literary form, while also listening to what these voices say together about a particular experience in Israel's story. It presents these four scrolls--Isaiah, Jeremiah, Ezekiel, and the Book of the Twelve--as works produced in the aftermath of destruction, works that employ prophetic characters, and as the words uttered during the crises. The prophetic literature became for Israel, living in a context of dispersion and imperial domination, a portable and adaptable resource at once both challenging and comforting. This book provides the fullest picture available for introducing students to the prophetic literature by valuing the role of the original prophetic characters, the finished state of the books that bear their names, the separate historical crises in the life of Israel they address, and the "chorus of prophetic voices" one hears when reading them as part of a coherent literary corpus.

Written by leading experts in the field, The Book of Jeremiah: Composition, Reception, and Interpretation offers a wide-ranging treatment of the main aspects of Jeremiah. Its twenty-four essays fall under four main sections. The first section contains studies of a more general nature, and helps situate Jeremiah in the scribal culture of the ancient world, as well as in relation to the Torah and the Hebrew Prophets. The second section contains commentary on and interpretation of specific passages (or sections) of Jeremiah, as well as essays on its genres and themes. The third section contains essays on the textual history and reception of Jeremiah in Judaism and Christianity. The final section explores various theological aspects of the book of Jeremiah.