5 things you need to know about this book 1. It is written in lists 2. Set in Western Sydney 3. Features a dysfunctional narrator 4. Who is fixated on stories of missing children 5. Though she’s not entirely sure why. As her world falls apart, will she be able to put the pieces together?

The Cambridge Companion to the Australian Novel provides a clear, lively, and accessible account of the novel in Australia. The chapters of this book survey significant issues and developments in the Australian novel, offer historical and conceptual frameworks, and provide vivid and original examples of what reading an Australian novel looks like in practice. The book begins with novels by literary visitors to Australia and concludes with those by refugees. In between, the reader encounters the Australian novel in its splendid contradictoriness, from nineteenth-century settler fiction by women writers through to literary images of the Anthropocene, from sexuality in the novels of Patrick White to Waanyi writer Alexis Wright's call for a sovereign First Nations literature. This book is an invitation to students, instructors, and researchers alike to expand and broaden their knowledge of the complex histories and crucial present of the Australian novel.

George hasn’t heard from his ex, Paloma, since she returned to her family home on Songbird Island in the Whitsundays. Now she’s asking for his help to uncover the mystery of who is stealing the family’s wealth, but what they discover is much worse than a case of fraud. With luscious prose and a sumptuous setting, Lana Guineay’s debut novella is a brilliant reworking of the classic crime novel. WINNER OF THE 2020 VIVA LA NOVELLA PRIZE

5 things you need to know about this book 1. It is written in lists 2. Set in Western Sydney 3. Features a dysfunctional narrator 4. Who is fixated on stories of missing children 5. Though she's not entirely sure why As her world falls apart, will she be able to put the pieces together? Carly Cappielli's Listurbia is the joint winner of the 2019 Seizure Viva la Novella VII Prize.

If the academic field of death studies is a prosperous one, there still seems to be a level of mistrust concerning the capacity of literature to provide socially relevant information about death and to help improve the anthropological understanding of how culture is shaped by the human condition of mortality. Furthermore, the relationship between literature and death tends to be trivialized, in the sense that death representations are interpreted in an over-aestheticized manner. As such, this approach has a propensity to consider death in literature to be significant only for literary studies, and gives rise to certain persistent clichés, such as the power of literature to annihilate death. This volume overcomes such stereotypes, and reveals the great potential of literary studies to provide fresh and accurate ways of interrogating death as a steady and unavoidable human reality and as an ever-continuing socio-cultural construction. The volume brings together researchers from various countries – the USA, the UK, France, Poland, New Zealand, Canada, India, Germany, Greece, and Romania – with different academic backgrounds in fields as diverse as literature, art history, social studies, criminology, musicology, and cultural studies, and provides answers to questions such as: What are the features of death representations in certain literary genres? Is it possible to speak of an homogeneous vision of death in the case of some literary movements? How do writers perceive, imagine, and describe their death through their personal diaries, or how do they metabolize the death of the “significant others” through their writings? To what extent does the literary representation of death refer to the extra-fictional, socio-historically constructed “Death”? Is it moral to represent death in children’s literature? What are the differences and similarities between representing death in literature and death representations in other connected fields? Are metaphors and literary representations of death forms of death denial, or, on the contrary, a more insightful way of capturing the meaning of death?

Winner of the 2017 Seizure Viva La Novella Prize Sparked by the description of a ‘Malay trollope’ in W. Somerset Maugham’s story, ‘The Four Dutchmen’, Mirandi Riwoe’s novella, The Fish Girl, tells of an Indonesian girl whose life is changed irrevocably when she moves from a small fishing village to work in the house of a Dutch merchant. There she finds both hardship and tenderness as her traditional past and colonial present collide. Told with an exquisitely restrained voice and coloured with lush description, this moving book will stay with you long after the last page.

Written in 1449, the poem Amoryus and Cleopes survives in a single manuscript: Princeton University Library Ms Garrett 141. The main part of the manuscript includes several scientific/philosophical treatises based on the day on which Christmas falls and the days of the lunar cycle. Includes a full text, with introduction and notes.

"Contemporary fairy tales, cushioned by goofy humor and a deep tenderness for her characters, that aren't always as dark or as sinister as they initially appear." --The New York Times Book Review Aimee Bender’s Willful Creatures conjures a fantastical world in which authentic love blooms. This is a place where a boy with keys for fingers is a hero, a woman’s children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

SHORTLISTED FOR THE 2014 ALS GOLD MEDAL Fora long time Western Sydney has been the political flash-point of the nation,but it has been absent from Australian literature. Luke Carman's first book offiction changeS all that: a collection of monologues and stories whichtells it how it is on Australia's cultural frontier. His young, self-consciousbut determined hero navigates his way through the complications of his divorcedfamily, and an often perilous social world, with its Fobs, Lebbbos, Greek, Serbs,Grubby Boys and scumbag Aussies, friends and enemies. He loves Whitman andKerouac, Leonard Cohen and Henry Rollins, is awkward with girls, and has aninvisible friend called Tom. His neighbour Wessam tells him he should write abook called How to Be Gay - and nowhe has. Carman's style is packed with thought and energy: it captures thevoices of the street, and conveys fear and anger, beauty and affection, with a restlessintensity. "An Elegant Young Man is street poetry for contemporary Sydney, and it demonstrates what is most exciting and innovative in Australia's emerging writers." - Sydney Morning Herald review

Caitlin Maling's first collection is at heart a poetry of place. Cervantes, Donnelly River, Yallingup, Fremantle, Leonora, and beyond are richly evoked in poems ranging stylistically from accomplished mature lyrics and the confessional to narratives of raw power and feeling. Restlessly questioning and frequently allusive, slipping between promise and possibility, Maling's poems are invested in the actuality of the world, exploring the landscapes of memory and the brief moment of now.