In this spellbinding debut, Los Angeles–born poet Janel Pineda sings of communal love and the diaspora and dreams for a liberated future. Lineage of Rain traces histories of Salvadoran migration and the US-sponsored civil war to reimagine trauma as a site for transformation and healing. With a scholar’s caliber, Pineda archives family memory, crafting a collection that centers intergenerational narratives through poems filled with a yearning to crystallize a new world—one unmarked by patriarchal violence. At their heart, many of these poems are an homage to women: love letters to mothers, sisters, and daughters. Lineage of Rain moves from los campos de El Salvador to the firework-laden streets of South Gate to the riverbanks of England. Pineda’s masterful stroke weaves together these seemingly disparate worlds, illustrating the complicated reality of living as a first-generation student. As the speaker navigates elitism and the violence of the English language, she lays bare their ties to power. And yet, these poems rebel through revel, asking: how do we hold each other tenderly in a world replete with pain and many forms of violence? With dreams made possible through collective struggle, Pineda returns us to the seeds from which we bloom: family, history, and community. All the while, this collection never fails to capture often overlooked moments of joy—the mundane yet monumental—showing the reader that the world we dream is already ours. Through Lineage of Rain, Pineda emerges as a seminal contributor to the canon of Central American diasporic writing.

A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.

"In this evocative memoir, Cassandra Lane deftly uses the act of imagination to reclaim her ancestors’ story as a backdrop for telling her own. The tradition of Black women’s storytelling leaps forward within these pages—into fresh, daring, and excitingly new territory." —Bridgett M. Davis, author of The World According to Fannie Davis When Cassandra Lane finds herself pregnant at thirty-five, the knowledge sends her on a poignant exploration of memory to prepare for her entry into motherhood. She moves between the twentieth-century rural South and present-day Los Angeles, reimagining the intimate life of her great-grandparents Mary Magdelene Magee and Burt Bridges, and Burt's lynching at the hands of vengeful white men in his southern town. We Are Bridges turns to creative nonfiction to reclaim a family history from violent erasure so that a mother can gift her child with an ancestral blueprint for their future. Haunting and poetic, this debut traces the strange fruit borne from the roots of personal loss in one Black family—and considers how to take back one’s American story.

In the dynamic tradition of the BreakBeat Poets anthology, The BreakBeat Poets Vol. 4: LatiNEXT celebrates the embodied narratives of Latinidad. Poets speak from an array of nationalities, genders, sexualities, races, and writing styles, staking a claim to our cultural and civic space. Like Hip-Hop, we honor what was, what is, and what's next.

"The art of composing spontaneous songs that express spiritual understanding has existed in Tibet for centuries. Over a hundred of these profound songs are found in this collection of the works of the great teachers of the Kagyü lineage, known as the Practice Lineage of Tibetan Buddhism. Many readers are already familiar with the colorful life of the yogin Milarepa, an early figure in the Kagyü lineage, some of whose songs are included here. Songs by over thirty other Buddhist teachers are also presented, from those of Tilopa, the father of the lineage, to those of the Sixteenth Gyalwa Karmapa, as well as several songs by Chögyam Trungpa, the noted teacher of Buddhism in America who directed the translation of The Rain of Wisdom"--Publisher.

In a voice that resonates with insight and humor, New York Times bestselling author Cynthia Leitich Smith tells the story of a teenage girl who must face down her grief and reclaim her place in the world with the help of her intertribal community. It's been six months since Cassidy Rain Berghoff’s best friend, Galen, died, and up until now she has succeeded in shutting herself off from the world. But when controversy arises around Aunt Georgia’s Indian Camp in their mostly white midwestern community, Rain decides to face the outside world again, with a new job photographing the campers for her town’s newspaper. Soon, Rain has to decide how involved she wants to become in Indian Camp. Does she want to keep a professional distance from her fellow Native teens? And, though she is still grieving, will she be able to embrace new friends and new beginnings? In partnership with We Need Diverse Books

The art of composing spontaneous songs that express spiritual understanding has existed in Tibet for centuries. Over a hundred of these profound songs are found in this collection of the works of the great teachers of the Kagyü lineage, known as the Practice Lineage of Tibetan Buddhism. Many readers are already familiar with the colorful life of the yogin Milarepa, an early figure in the Kagyü lineage, some of whose songs are included here. Songs by over thirty other Buddhist teachers are also presented, from those of Tilopa, the father of the lineage, to those of the Sixteenth Gyalwa Karmapa, as well as several songs by Chögyam Trungpa, the noted teacher of Buddhism in America who directed the translation of The Rain of Wisdom. The diversity of the songs mirrors the richness of Tibetan Buddhism and gives us clear portraits of some of its most eminent teachers. Their longing for truth, their heartfelt devotion, and their sense of humor are all reflected. These poems share a beauty and intensity that have made them famous in Tibetan literature. With its vivid imagery and deep insight, The Rain of Wisdom communicates a profound and timeless understanding.

The loving, witty, yet brutally honest memoir of the daughter of comedy legend Richard Pryor. Rain Pryor was born in the idealistic, free-love 1960s. Her mother was a Jewish go-go dancer who wanted a tribe of rainbow children. Rain’s father was Richard Pryor, perhaps the most compelling and brilliant comedian of his era, a man whose self-destructiveness was as legendary as his groundbreaking comedy. Jokes My Father Never Taught Me is an intimate, harrowing, poignant, and often hilarious memoir that explores the divided heritage and the forces that shaped a wildly schizophrenic childhood. It is the story of a girl who grew up adoring her father even as she feared him—and feared for him, as his drug problems got worse. Both lovingly told and painfully frank, it is an unprecedented look at the life of a comedy icon, told by a daughter who both understood the genius and knew the tortured man within. Praise for Jokes My Father Never Taught Me “Rain Pryor pulls no punches . . . Using the same profanity-laced wit her father perfected, she unspools darkly comic stories . . . but never devolves into self-pity or bitterness.” —Entertainment Weekly “Vital, entertaining and appalling, Pryor has fleshed out a familiar dysfunctional family refrain—”It was a lot easier to love him if you didn’t know him”—with bravery and wit.” —Publishers Weekly

In 1972, in the suburbs around L.A., traditional housewives in their 30s and 40s are starting to ask whether they are satisfied by their everyday lives; meanwhile, a young woman in her early 20s feels paralyzed by her options. The story centers around five middle-class L.A. couples of three different generations and the ways in which their relationships and home lives are affected by the trends (specifically the rise in divorce and feminism) of the time. Maritta Wolff's moving, compelling novel takes place in one stormy L.A. weekend, as a literal fog of unrest blows into town, and alters these marriages forever.

"Troubled souls haunt these thirteen interrelated stories of loss and rebirth. From a cramped passenger van in Ghana to a cash-only roadside motel in Utah to a cursed forest in Japan, Donald Quist's narratives draw connections between the common and inexplicable. The diverse characters that people these stories are foreign and flawed but intimately familiar."--