On June 19, 2001, Ryan Corbin, grandson of Pat Boone, accidently stepped through a skylight and fell three stories onto a cement floor. When he broke through that roof, Ryan fell into a very different life from the one he had before as the beloved son of Lindy Boone Michaelis and first grandson of entertainment icon Pat Boone. As Ryan lingered between life and death in intensive care at UCLA Medical Center, Pat and Lindy decided to take action, in a big way; they went on Larry King Live, shared their faith, and asked millions of TV viewers to pray for Ryan. And so, they prayed. Heaven Hears is an unbelievable story of answered prayer—and it’s not over yet. This book will inspire you to look for answers to prayer and to see God’s miracles.

‘I’ll Weave a Song for You’ She holds the verse in the palm of her hand and tells a story she died in.

Curl up on a cozy winter night with this classic uplifting holiday story from New York Times bestselling author Debbie Macomber. Also a Hallmark Channel original movie. This Christmas, Emily Merkle (just call her Mrs. Miracle) is working in the toy department of Finley’s, the last family-owned department store in New York City. And her boss is none other than Jake Finley, the owner’s son. For Jake, holiday memories of brightly wrapped gifts, decorated trees and family gatherings were destroyed in a Christmas Eve tragedy years before. Now Christmas means only one thing to him—and to his father. Profit. Because they need a Christmas miracle to keep the business afloat. Holly Larson needs a miracle, too. She wants to give her eight-year-old nephew, Gabe, the holiday he deserves. Holly’s widowed brother is in the army and won’t be home for Christmas, but at least she can get Gabe that toy robot from Finley’s, the one gift he desperately wants. If she can figure out how to pay for it… Fortunately, it’s Mrs. Miracle to the rescue. Next to making children happy, she likes nothing better than helping others—and that includes a bit of matchmaking! This Christmas will be different. For all of them. Originally published in 2010

One of the "Best Books of 2020" by NPR's Book Concierge **Your Favorite Movies, Re-Watched** New York Times opinion writer and bestselling author Lindy West was once the in-house movie critic for Seattle's alternative newsweekly The Stranger, where she covered film with brutal honesty and giddy irreverence. In Shit, Actually, Lindy returns to those roots, re-examining beloved and iconic movies from the past 40 years with an eye toward the big questions of our time: Is Twilight the horniest movie in history? Why do the zebras in The Lion King trust Mufasa-WHO IS A LION-to look out for their best interests? Why did anyone bother making any more movies after The Fugitive achieved perfection? And, my god, why don't any of the women in Love, Actually ever fucking talk?!?! From Forrest Gump, Honey I Shrunk the Kids, and Bad Boys II, to Face/Off, Top Gun, and The Notebook, Lindy combines her razor-sharp wit and trademark humor with a genuine adoration for nostalgic trash to shed new critical light on some of our defining cultural touchstones-the stories we've long been telling ourselves about who we are. At once outrageously funny and piercingly incisive, Shit, Actually reminds us to pause and ask, "How does this movie hold up?", all while teaching us how to laugh at the things we love without ever letting them or ourselves off the hook. Shit, Actually is a love letter and a break-up note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.

When the body is foregrounded in artwork – as in much contemporary performance, sculptural installation and video work – so is gendered and sexualised difference. Feminist Perspectives on Art: Contemporary Outtakes looks to interactions between art history, theory, curation, and studio-based practices to theorise the phenomenological import of this embodied gender difference in contemporary art. The essays in this collection are rooted in a wide variety of disciplines, including art-making, curating, and art history and criticism, with many of the authors combining roles of curator, artist and writer. This interdisciplinary approach enables the book to bridge the theory–practice divide and highlight new perspectives emerging from creative arts research. Fresh insights are offered on feminist aesthetics, women’s embodied experience, curatorial and art historical method, art world equity, and intersectional concerns. It engages with epistemological assertions of ‘how the body feels’, how the land has creative agency in Indigenous art, and how the use of emotional or affective registers may form one’s curatorial method. This anthology represents a significant contribution to a broader resurgence of feminist thought, methodology, and action in contemporary art, particularly in creative practice research. It will be of particular value to students and researchers in art history, visual culture, cultural studies, and gender studies, in addition to museum and gallery professionals specialising in contemporary art.

In the early days of swing dancing, Frankie Manning stood out for his moves and his innovative routines; he created the "air step" in the Lindy hop, a dance that took the U.S. and then the world by storm. In this fascinating autobiography, choreographer and Tony Award winner (Black and Blue) Frankie Manning recalls how his first years of dancing as a teenager at Harlem's Savoy Ballroom led to his becoming chief choreographer and a lead dancer for "Whitey's Lindy Hoppers," a group that appeared on Broadway, in Hollywood musicals, and on stages around the globe. Manning brings the Swing Era vividly back to life with his recollections of crowded ballrooms and of Lindy hoppers trying to outdo each other in spectacular performances. His memories of the many headliners and film stars, as well as uncelebrated dancers with whom he shared the stage, create a unique portrait of an era in which African American performers enjoyed the spotlight, if not a star's prerogatives and salary. With collaborator Cynthia Millman, Manning traces the evolution of swing dancing from its early days in Harlem through the post-World War II period, until it was eclipsed by rock 'n' roll and then disco. When swing made a comeback, Manning's 30-year hiatus ended. He has been performing, choreographing, and teaching ever since.

Explore the traces of the rise and fall of Colorado's mountains, volcanic eruptions, shifting seas, wind-blown deserts, and dinosaur haunts. This new destination guide offers understanding of the many unique and spectacular geologic formations of Colorado. 8-page color photo insert. 80 b&w photos. 14 maps.

Small-town secrets, star-crossed lovers, and the power of the past to determine the future come together to prove that behind every great fortune there is a great crime.